The title of Los Angeles-based artist Analia Saban’s new exhibition at Sprüth Magers, Los Angeles—FOLDS AND FAULTS—is based on Gilles Deleuze’s concept of an “origami universe” that is forever expanding and unfolding. Saban sculpts with cracked concrete and folds it like paper, and treats paintings like fabric weavings. The show also includes a selection of her laser-sculpted paper-on-ink panels.

ANALIA SABAN—FOLDS AND FAULTS, through August 19.

SPRÜTH MAGERS LOS ANGELES, 5900 Wilshire Boulevard, Los Angeles.

A concurrent exhibition of Saban’s work, PIGMENTE, is also on view at Sprüth Magers, Berlin.

ANALIA SABAN—PIGMENTE, through September 2.

SPRÜTH MAGERS BERLIN, Oranianburger Strasse 18, Berlin

Los Angeles:  spruethmagers.com/exhibitions/446

Berlin:  spruethmagers.com/exhibitions/452

Top: Analia Saban, from Pigmente. Bottom: Analia Saban, from Folds and Faults (detail).