There seemed to be two parallel streams in his life. The first—discipline, family order, schooling—dutifully performed but disavowed. The other, an “underground or subterranean” Edward who longed not only to read but to be a book. Everything artistic belonged to this second version: his tastes in reading, his love of music, the creativity he unpersuasively palms off in the memoir as “fibbing.” His childhood friends agreed: “Said was never really part of us … He lived a life separate from us, coddled, spoilt and adored… — Timothy Brennan*
This week, Timothy Brennan and Kai Bird will discuss Brennan’s acclaimed new book Places ofMind: A Life of Edward Said. For information on registering for the online conversation, see:
Thank you to the UAW for trusting me with your lives. These are very personal, painful, intimate details and stories of everything they are still going through right now. It is an honor to show my work to serve the United Auto Workers in this country. — LaToya Ruby Frazier*
Hanging around is very important. Do you know what artists sitting around talking and smoking and drinking is? It’s called the history of art. — Fran Lebowitz
The raconteur and star of Martin Scorsese’s documentary series PRETEND IT’S ACITY joins USC professor Josh Kun for a live online conversation.
See links below for info on the talk and the show.
Taking Faux Pas: Selected Writings and Drawings of Amy Sillman and Johnson’s The Law of Large Numbers: Black Sonic Abyss, or I do not walk a line that is thin, straight, or secure as its starting points, this conversation will deal with both artists’ writing practices and the central question of form in rethinking art history and aesthetic categories.*
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