BLACK FUTURES SYMPOSIUM

Kimberly Drew, Jenna Wortham, and The Underground Museum present the Black Futures Symposium, a weekend-long series of online talks, readings, performances, and meditations. On the closing day, Joy Yamusangie and Ronan McKenzie will stream their 2020 film WATA.

See link below to register.

BLACK FUTURES SYMPOSIUM

The Underground Museum

Friday, Saturday, and Sunday, March 26–28.

From top: Joy Yamusangie and Ronan McKenzie, WATA (2020), still, image courtesy and © the filmmakers; Jenna Wortham (above) and Kimberly Drew, Black Futures Symposium, image courtesy and © The Underground Museum; WATA poster, image courtesy and © the filmmakers; Black Futures, edited by Drew and Wortham, cover image courtesy and © One World.

DIAMOND STINGILY, PUPPIES PUPPIES, AND BRI WILLIAMS

Diagnostic and Statistical Manual of Mental Disorders III-5:

Gender variance is not a psychiatric disease; it is a human variation that in some cases requires medical attention. For the 5th edition of the Diagnostic and Statistical Manual of Mental Disorders, because there is no other medical diagnosis available for transgender people to seek reimbursement of medical expenses under, we recommended that some version of gender dysphoria appear in DSM-5 as a stop-gap measure. There is a continuing need for the medical and insurance industries to update their procedures for reimbursement so that gender dysphoria can be removed entirely in the future. Yet, we must understand that as long as transgender identities are understood through a “disease” framework, transgender people will suffer from unnecessary abuse and discrimination from both inside and outside the medical profession. As long as gender variance is characterized by the medical field as a mental condition, transgender people will find their identities invalidated by claims that they are “mentally ill,” and therefore not able to speak objectively about their own identities and lived experiences. This has even been used to justify discrimination against transgender people, such as in child custody cases, discrimination in hiring/workplace practices, or justifying them to be mentally unfit to serve in the military. Even more alarming is the high rate of children—and adults— who will continue to be forcibly subjected to abusive “reparative” therapies designed to “cure” them of gender variance. While the “Gender Identity Disorder” framework of the DSM-IV did have some usefulness for accessing care, there is significant evidence that it has been gravely abused since its creation as a way to subject gender-variant children and adults to damaging “reparative” treatments against their will. (2020)*

This is the closing week of the Diamond Stingily, Puppies Puppies (Jade Kuriki Olivo), Bri Williams group show in New York. See link below for details.

DIAMOND STINGILY, PUPPIES PUPPIES (JADE KURIKI OLIVO), BRI WILLIAMS

Through March 27.

Queer Thoughts

373 Broadway, #C9, New York City.

From top: Bri Williams, Prometheus, 2021, ceramic, wax, bra; Puppies Puppies (Jade Kuriki Olivo), Eve’s/Adam’s Apple (Adam’s Apple is a lump of cartilage that sticks out from the throat) (symbol of banishment) (clocked by my large Eve’s/Adam’s Apple) (Eve’s Apple) (Bitten), 2020, apple; Puppies Puppies (Jade Kuriki Olivo), How many ribs does it take to make a trans Eve? How many ribs does it take to make a trans womxn? How many ribs does it take to make a trans person?, 2020, real human ribs; Diamond Stingily, Orgasms Happened Here, 2021, closet doors, shelf, hardware, towels; Puppies Puppies (Jade Kuriki Olivo), *see opening paragraph; Puppies Puppies (Jade Kuriki Olivo), download takeaway PDF; Bri Williams, The Roses That Grew From Concrete, 2021, soap, resin, roses. Images courtesy and © the artists and Queer Thoughts.

JOY HARJO LIVE

United States Poet Laureate Joy Harjo—author of An American Sunrise—will present recent and new work live from Oklahoma.

To register for this online event, see:

JOY HARJO

REDCAT

Tuesday, March 23.

5 pm on the West Coast, 8 pm East Coast.

From top: Joy Harjo, photograph by Matika Wilbur, courtesy of REDCAT; Harjo, An American Sunrise (2020) cover image courtesy and © W. W. Norton.

ON EDWARD SAID

There seemed to be two parallel streams in his life. The first—discipline, family order, schooling—dutifully performed but disavowed. The other, an “underground or subterranean” Edward who longed not only to read but to be a book. Everything artistic belonged to this second version: his tastes in reading, his love of music, the creativity he unpersuasively palms off in the memoir as “fibbing.” His childhood friends agreed: “Said was never really part of us … He lived a life separate from us, coddled, spoilt and adored… Timothy Brennan*

This week, Timothy Brennan and Kai Bird will discuss Brennan’s acclaimed new book Places of Mind: A Life of Edward Said. For information on registering for the online conversation, see:

TIMOTHY BRENNAN ON EDWARD SAID, with KAI BIRD

City University of New York

Wednesday, March 24.

3 pm on the West Coast, 6 pm East Coast.

*Timothy Brennan, Places of Mind: A Life of Edward Said (New York: Farrar, Straus and Giroux, 2021), text © Timothy Brennan, courtesy of the author and publisher.

Image below courtesy and © Farrar, Straus and Giroux. Above: Edward Said.

JIAB PRACHAKUL — 14 YEARS

I like to think of my artwork as an unmoving film, a memoir of a certain moment, where the past and the future of that moment can be felt in the painting. — Jiab Prachakul

Friends Indeed Gallery presents JIAB PRACHAKUL—14 YEARS, the artist’s first solo show in the United States, at Four One Nine in San Francisco. See link below for details.

JIAB PRACHAKUL—14 YEARS

Through April 30.

Friends Indeed Gallery at Four One Nine

419 Tenth Street, San Francisco.

Jiab Prachakul, 14 Years, Friends Indeed Gallery at Four One Nine, San Francisco, February 1, 2021–April 30, 2021, from top: 14 Years (Self-portrait), 2020, acrylic on canvas; An Opening, 2020, acrylic on canvas; A Conversation with Apichatpong, 2020, acrylic on canvas; Naked, 2020, acrylic on canvas; Connecting, 2020, acrylic on canvas; 3 Brothers, 2020, acrylic on canvas; Stand-by, 2020, acrylic on canvas. Images © Jiab Prachakul, courtesy of the artist and Friends Indeed Gallery.