Tag Archives: AFI fest

OLIVIER ASSAYAS’ NON-FICTION

How our habitual engagements with writing, reading, performance, publishing, and politics have been transformed in the internet age are some of the concerns addressed in NON-FICTION (Double vies), the new film from writer-director Olivier Assayas.

The film—Assayas’ seventeenth feature, and one that carries a strong echo of Rohmer—stars Juliette Binoche, Guillaume CanetChrista ThéretVincent MacaigneNora Hamzawi, and Pascal Greggory as denizens of the Parisian culture-media complex, and its Los Angeles premiere this week is part of the annual AFI Fest.

NON-FICTION

Friday, November 9, at 6 pm.

Thursday, November 15, at 12:30 pm.

Chinese Sixplex, 6925 Hollywood Boulevard, Los Angeles.

See Will Self on the tyranny of the virtual.

Top: Guillaume Canet in Non-Fiction.

Above: Vincent Macaigne (right) and Canet.

Below: Juliette Binoche and Canet.

BARBARA HAMMER

Starting this weekend, the celebrated debut feature as well as the short films of Barbara Hammer will screen in Los Angeles this month and next—a continuation of the ongoing retrospectives devoted to this filmmaking pioneer.

The UCLA Film and Television Archive series BARBARA HAMMER—SUPERDYKE includes five nights of programming, and Hammer’s AFI Fest event will feature a new 16mm print of NITRATE KISSES.

Hammer will make personal appearances during both nights of UCLA’s opening weekend—signing copies of the books Hammer!: Making Movies Out of Sex and Life, Barbara Hammer: Evidentiary Bodies, and Truant: Photographs 1970–1979—and she’ll be at the Egyptian for AFI.

BARBARA HAMMER—SUPERDYKE

Friday and Saturday, November 9 and 10.

Saturdays, November 17, December 8, and December 15.

All screenings at 7:30 pm.

Billy Wilder Theater, Hammer Museum

10899 Wilshire Boulevard, Los Angeles.

NITRATE KISSES

Sunday, November 11, at 8:15 pm.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

See Corrine Fitzpatrick on Hammer’s The Art of Dying or (Palliative Art Making in an Age of Anxiety), and Hammer’s exit interview in The New Yorker.

From top: Barbara Hammer, Audience (1981); Hammer, photograph by Susan Wides; Hammer, with camera, from TruantTender Fictions (1998) by Hammer with Florrie Burke, photograph by Joyce Culver; stills from Hammer films (2). Images courtesy Barbara Hammer.

UNA MUJER FANTÁSTICA

Sebastián Lelio’s great UNA MUJER FANTÁSTICA screens for one night only this week.

Premiering at November’s AFI FEST 2017, and starring astonishing newcomer Daniela Vega, MUJER opens in local cinemas in February.

“Shocking and enraging, funny and surreal, rapturous and restorative… a film of startling intensity and sinuous mood shifts wrapped in a rock-solid coherence of vision.” —David Rooney*

 

UNA MUJER FANTÁSTICA—A FANTASTIC WOMAN , Tuesday, January 2, at 7:30 pm.

EGYPTIAN THEATRE, 6712 Hollywood Boulevard, Los Angeles.

americancinemathequecalendar.com/a-fantastic-woman

hollywoodreporter.com/review/a-fantastic-woman

Daniela Vega in Una mujer fantástica (2017). Image credit: Sony Pictures Classics.

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FATIH AKIN’S IN THE FADE

Diane Kruger lights up the screen with tour de force performance in IN THE FADE, Fatih Akin’s riveting look at modern Germany through the lens of immigration and right-wing terrorism.

During the post-screening Q & A at the film’s November premiere at AFI Fest 2017, Kruger was a bit anxious about how the film would be received in Germany. Whatever dialog it inspires will be welcome.

 

IN THE FADE—AUS DEM NICHTS, now playing

LAEMMLE ROYAL, 11523 Santa Monica Boulevard, West Los Angeles.

laemmle.com/films

FATIH AKIN—IN THE FADE Q & A, Friday, January 5, after the 7:20 pm screening.

LAEMMLE ROYAL, 11523 Santa Monica Boulevard, West Los Angeles.

blog.laemmle.com/in-the-fade-filmmaker-fatih-akin-in-person

Diane Kruger and Numan Acar in In the Fade/Aus dem Nichts (2017). Image credit: Match Factory.

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CALL ME BY YOUR NAME

After months of festival praise and a recent gala screening at AFI Fest 2017, Luca Guadagnino’s CALL ME BY YOUR NAME has finally opened in cinemas.

A portrayal, both devastating and edifying, of a teenager discovering his sexuality, CALL ME BY YOUR NAME features a superlative lead performance by Timothée Chalamet as young Elio, a live wire summering “somewhere in northern Italy” in the early 1980s.

The script—based on André Aciman’s 2007 novel—was written by James Ivory, and Sufjan Stevens wrote two new songs—”Mystery of Love” and “Visions of Gideon”—for the film.

CALL ME BY YOUR NAME

Now playing.

Arclight Hollywood

6360 Sunset Boulevard, Los Angeles.

Landmark

10850 West Pico Boulevard, Rancho Park, Los Angeles.

From top: Timothée Chalamet (left) and Armie Hammer in Call Me by Your Name (2017); Chalamet; Hammer and Chalamet. Image credit: Sony Pictures Classics.