Tag Archives: Andy Warhol

KARL LAGERFELD

“I was once a professor at the College of Applied Art in Vienna. In the short period in which I lectured, I realized that I had absolutely no educational fiber whatsoever, that I wasn’t interested in my students. Without being egotistical, what I do is make things. Explaining it to others is not my thing at all. I’m a battlefield person. And generals don’t necessarily make a good minister of war.” — Karl Lagerfeld

“It is with deep sadness that the House of Chanel announces the passing of Karl Lagerfeld, the Creative Director for the Chanel Fashion House since 1983. Virginie Viard, director of Chanel’s fashion creation studio and Lagerfeld’s closest collaborator for more than thirty years, has been entrusted by Alain Wertheimer with the creative work for the collections, so that the legacy of Gabrielle Chanel and Karl Lagerfeld can live on.” — Chanel, February 19, 2019

“I love frivolousness. I know a lot of people who would have disappeared long ago had they not been frivolous… I hate it when the gentlemen with their taffeta and scissors take themselves too seriously. I love everything that is transcient. You should never anchor yourself in an epoch. The tale of Romeo and Juliet lasted only one night, and now it’s the symbol of eternal love.” — Karl Lagerfeld

The fashion designer, creative director, photographer, artist, publisher, bibliophile, actor, author, costumer, and aphorist was a cherished contributor to PARIS LA, supporting Chanel’s campaign collaborations over the last ten years, and creating a poster for Issue 5.

“I have no conception of my valuable time. For me, wasting time is the ultimate luxury. For example, if I’m lying on the couch and reading an interesting book when I should be doing something else, maybe that’s wasting time. But the stimulation of a guilty conscience is extremely creative. It’s the spice of life.” — Karl Lagerfeld

Lagerfeld quotes from Deutsch Vogue Dialogues, “Camouflage, Camouflage: Voyeur Karl Lagerfeld in conversation with his friend Gabriele Henkel, an expert on the stage management of life” (originally published in Deutsch Vogue in 1992), edited by Condé Nast Germany (Munich: Prestel Verlag, 2004), 110–114.

From top: Karl Lagerfeld in Paris, Grand Palais, July 2018; young Lagerfeld in Paris; Lagerfeld with Donna Jordan (left) and Jane Forth in L’Amour (1973), directed by Andy Warhol and Paul Morrissey; Lagerfeld in the 1970s; Lagerfeld with Jacques de Bascher, 1970s, photograph © Philippe Heurtault; Yves Saint Laurent and Lagerfeld at the Palace, 1970s; Karl Lagerfeld, photograph from Metamorphoses of an American (Göttingen: Steidl, 2008), his tribute to model Brad Kroenig; Karl Lagerfeld, posters (front and verso) for PARIS LA 5 (Winter 2010–2011); Lagerfeld with Paloma Picasso at Studio 54, photograph by Richard P. Manning.

JOHN GIORNO AT WARHOL DRAWINGS PANEL

A trove of over 150 drawings by Andy Warhol—now on view at the New York Academy of Art—trace nearly four decades of work by the hand of the artist who wanted to be a machine.

This week—in conjunction with ANDY WARHOL: BY HAND—join curator and Warhol associate Vincent Fremont, curator Donna De Salvo, and poet, artist, and Warhol actor John Giorno for a panel discussion on the exhibition, moderated by curator and New York Academy of Art president David Kratz.

ANDY WARHOL: BY HAND—

DRAWINGS 1950s–1980s

JOHN GIORNO, DONNA DE SALVO, and VINCENT FREMONT panel

Monday, February 11, at 6:30 pm.

Exhibition runs through March 10.

New York Academy of Art

111 Franklin Street, New York City.

From top: Andy Warhol, Two Male Heads; Andy Warhol, Self Portrait, 1986 synthetic polymer paint on paper; Andy Warhol, Mick Jagger, 1975; Andy Warhol, Serious Girl, circa 1954, ink and graphite on paper. Images courtesy the Andy Warhol Foundation for the Visual Arts, Inc., licensed by Artists Rights Society (ARS).


MICHEL AUDER — FICTIONAL ART FILM

Alice Neel, Bill T. JonesAndy WarholTaylor MeadJohn Ashbery, Annie SprinkleDavid Hammons, VivaHannah Wilke, Arthur Aviles, Shirley Clarke, and Willem de Kooning are among the artists, poets, and performers captured on film by their friend Michel Auder during the 1970s and ’80s.

Auder has assembled this footage for his exhibition FICTIONAL ART FILM, now on view in Harlem.

MICHEL AUDER—FICTIONAL ART FILM

Through February 24.

Gavin Brown’s Enterprise

439 West 127th Street, New York City.

Top two and above: Michel Auder—Fictional Art Film (2019), stills. Middle: Michel Auder—Fictional Art Film, 2019, installation view, Gavin Brown’s Enterprise. Images courtesy the artist and Gavin Brown’s Enterprise.

J. HOBERMAN — NO MISTAKES

The radical filmmaking practice of Andy Warhol within the context of the work of Oscar Micheaux and Orson Welles is the subject of a lecture by J. Hoberman this weekend.

Hoberman—a contributor to Artforum and The Nation—was a film critic for The Village Voice for over thirty years.

J. HOBERMAN—NO MISTAKES

ANDY WARHOL’S NEW HISTORY OF CINEMA

Sunday, February 3, at 4 pm.

Whitney Museum of American Art

Hess Gallery and Theater

99 Gansevoort Street, New York City.

From top: Andy Warhol, Sleep (1963), film still (John Giorno); Oscar Micheaux, Within Our Gates (1920), film still; Orson Welles, The Lady from Shanghai (1947), film still (Welles and Rita Hayworth).

KEN VAN SICKLE

KEN VAN SICKLE—PHOTOGRAPHY 1954–2009—the photographer’s first book—will be published by Damiani next month.

Top: Ken Van Sickle, Ginsberg Howling, 1958. Gelatin silver print.

Above: Ken Van Sickle, The Factory, 1967. Gelatin silver print.

Below: Ken Van Sickle, Chet Baker, 1955. Gelatin silver print.