Tag Archives: Daniel Mendelsohn

THE 50 YEAR ARGUMENT

Robert Silvers was a brilliant, demanding, funny, painstaking, and inspiring editor, a walking chronicle of postwar literary-political history, an intimidating sweetheart, and very dear to me. At the end of an editorial session, once he had identified all your piece’s weaknesses, evasions, and missed opportunities, he would close with a brusque, even peremptory, but always, somehow, hopeful, “See what can be done.” In the world according to Silvers, there was always something to be done. — Michael Chabon

The New York Review of Books was founded in 1963 by Barbara Epstein, Jason Epstein, and their West 67th Street neighbors Elizabeth Hardwick and Robert Lowell during an extended newspaper strike in New York City. They asked their friend Robert Silvers to edit the broadsheet—and he agreed, if Barbara would join him as co-editor.

The Review was an immediate success, and during first decades published Mary McCarthy on Vietnam, James Baldwin (“An Open Letter to My Sister, Miss Angela Davis”), Isaiah Berlin, Hannah Arendt, Gore Vidal, Norman Mailer, Joan Didion, Richard Hofstadter, Edmund Wilson, Susan Sontag, Noam Chomsky, I. F. Stone, W. H. Auden, and many more. Today, Zadie Smith, Yasmine El Rashidi, Zoë Heller, Janet Malcolm, Hilton Als, Darryl Pinckney, James Fenton, Colm Tóibín, and Daniel Mendelsohn continue the intellectual tradition.

Before Silvers died in 2017, Martin Scorsese and David Tedeschi filmed the editor in his domain. The resulting film—THE 50 YEAR ARGUMENT, narrated by Michael Stahlbarg—documents the history of the paper with in-person interviews and a rich selection of clips. The film is available through HBO Max and is streaming free in September, courtesy of the Review.

See link below.

THE 50 YEAR ARGUMENT

Directed by Martin Scorsese and David Tedeschi.

Now streaming.

From top: Barbara Epstein and Robert Silvers in 1963 in their first office in the Fisk Building, New York City, photograph by Gert Berliner, courtesy and © the photographer and The New York Review of Books; David Moore, Mary McCarthy, New York, 1956, courtesy and © the photographer and the National Portrait Gallery, Australia; The New York Review of Books, May 25, 2017; Gore Vidal (center) with John F. Kennedy and Jacqueline Kennedy; Nina Simone and James Baldwin, early 1960s, photograph by Bernard Gotfryd, courtesy and © the photographer’s estate and the Library of Congress Collection; Isaiah Berlin (left) and Silvers, photograph by Dominique Nabokov, courtesy and © the photographer; Darryl Pinckney in London, 1991, photograph by Nabokov; Martin Scorsese and David Tedeschi, The 50 Year Argument (2014), image courtesy and © HBO Documentary Films; W. H. Auden; Joan Didion, photograph by Jill Krementz, courtesy and © the photographer; Francine du Plessix Gray and Silvers, photograph by Nabokov, courtesy and © the photographer.

THE POWER OF THE ARTIST

AIDS completely changed American culture. People always say “pop culture.” As if we have some high culture to distinguish it from. The effect of AIDS was like a war in a minute country. Like, in World War I, a whole generation of Englishmen died all at once. And with AIDS, a whole generation of gay men died practically all at once, within a couple of years. And especially the ones that I knew.

The first people who died of AIDS were artists. They were also the most interesting people. I know I’ve said this before, but the audience for the arts—whether it was for writing or films or ballet—also died and no longer exists in a real way. So all the judgment left at the same time that all this creativity left. And it allowed people who would be fifth-rate artists to come to the front of the line. It decimated not just artists but knowledge. Knowledge of a culture. There’s a huge gap in what people know, and there’s no context for it anymore. — Fran Lebowitz*

Daniel Mendelsohn will moderate the panel THE POWER OF THE ARTIST at the Kitchen.

Presented by David Zwirner and the New York Review of Books, panelists include Jeremy O. Harris, Fran Lebowitz, Elizabeth Alexander, and Lisa Yuskavage.

THE POWER OF THE ARTIST—ELIZABETH ALEXANDER, JEREMY O. HARRIS, FRAN LEBOWITZ, and LISA YUSKAVAGE

Monday, February 3, at 6:30 pm

The Kitchen

512 West 19th Street, New York City.

*“The Voice: Fran Lebowitz,” interview by Francesco Clemente, Interview, March 2016.

From top: Jeremy O. Harris; Fran Lebowitz with Andy Warhol; Elizabeth Alexander. , photograph by Djeneba Aduayom. Photographs courtesy and © the subjects and the photographers. Above and below: Lisa Yuskavage, Bonfire, 2013–2015, oil on linen, diptych; Lisa Yuskavage, Naked Neighbors, 2019, oil on linen. Images courtesy and © the authors, the artist, the photographers, and David Zwirner.

DANIEL MENDELSOHN — ECSTASY AND TERROR

Daniel Mendelsohn’s new collection ECSTASY AND TERROR—FROM THE GREEKS TO GAME OF THRONES brings together his reviews and essays on Cavafy and Sappho, Mary Renault, Evelyn Waugh’s Brideshead Revisited and Hanya Yanagihara’s A Little Life, David Ferry’s Virgil, Helen DeWitt, Henry Roth, and Karl Ove Knausgård.

Join Mendelsohn this week in Culver City for a reading and conversation. A copy of ECSTASY AND TERROR is included with admission.

DANIEL MENDELSOHN

Tuesday, October 29, at 7:30 pm.

Kirk Douglas Theatre

9820 Washington Boulevard, Culver City.

From top: Daniel Mendelsohn, photograph by Matthew Mendelsohn, courtesy and © the author and the photographer; Mary Renault, The Persian Boy cover image courtesy and © Pantheon; Mendelsohn, Ecstasy and Terror cover image courtesy and © New York Review Books; Duane Michals, The Adventures of Constantine Cavafy, 2007, image courtesy and © the photographer and Twin Palms Publishers; Evelyn Waugh, Brideshead Revisited cover image courtesy and © Dell.

DANIEL MENDELSOHN IN CONVERSATION

Daniel Mendelsohn—Cavafy translator and author of The Elusive Embrace: Desire and the Riddle of Identity—visits the Getty Villa for a discussion about “the paradoxical role of mistakes in works of great literature. Paying special attention to Homer’s Odyssey and its hero Odysseus, Mendelsohn investigates the ethical and structural value of screwing up. He explores the ways that missteps and gaffes lead to satisfying stories, and how characters gain insight as they arc from stubborn self-confidence to humbling realizations of error.”*
DANIEL MENDELSOHN—TO CLEVER BY HALF: WHAT WE LEARN FROM THE MISTAKES OF GREAT LITERARY CHARACTERS, Monday, November 6, at 7:30 pm.

GETTY VILLA AUDITORIUM, 17985 Pacific Coast Highway, Malibu.

*getty.edu/museum/programs/lectures/mendelsohn_lecture.html

Penelope and Odysseus.

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