I want my work to be universally understood. Not necessarily appreciated but somehow to connect with people universally—which I think is a very utopic, if not moronic, approach to making art. [Laughter] But it’s something I aspire to. I think a lot of times, even beyond issues of race and gender and stuff like that, I’m also really interested in issues of humanity, and these utopic, kooky ideas of how [if] we can all come to understand each other, life will be better. — Alison Saar*
Join Hamza Walker in conversation with Alison Saar and Hank Willis Thomas., presented by the Jordan Schnitzer Museum of Art.
See link below to register for this online event.
ALISON SAAR and HANK WILLIS THOMAS IN CONVERSATION WITH HAMZA WALKER
Jordan Schnitzer Museum of Art at the University of Oregon
Thursday, April 15.
4 pm on the West Coast, 7 pm East Coast.
*Alison Saar, from forthcoming feature in PARIS LA 17.
From top: Alison Saar, Queen of the 88s, 2021, multi-block linocut on handmade Hamada Kozo paper backed with Sekishu Kozo, image © Alison Saar, courtesy of the artist and Elizabeth Leach Gallery, Portland; Saar, photograph by Paul O’Connor, courtesy of Saar and LA Louver; Hank Willis Thomas, courtesy and © Hank Willis Thomas Studio; Thomas, History is Past, Past is Present, 2017, print, lenticular, image © Hank Willis Thomas, courtesy of the artist and Jack Shainman Gallery.
