This week, NO)ONE ART HOUSE—creator of site-specific dance performances—presents a new work by company founder and choreographer Christopher Bordenave and guest collaborator Julia Eichten in the north breezeway of Hauser & Wirth Los Angeles.
NO)ONE ART HOUSE, Thursday, November 9, at 8 pm.
HAUSER & WIRTH LOS ANGELES,
hauserwirthlosangeles.com/events/no-one-art-house-performance
Photograph by Dicko Chan. Image credit: No)One Art House and Hauser & Wirth.
In conjunction with the exhibition ELLEN GALLAGHER—ACCIDENTAL RECORDS, the artist will be joined by Christine Y. Kim—associate curator of contemporary art at LACMA—for a conversation about Gallagher’s new work, a series of drawings and paintings which “extend her exploration of the complex histories of the Black Atlantic and the afterlives of the Middle Passage.”*
ACCIDENTAL RECORDS is accompanied by a fully illustrated catalogue, with texts by Adrienne Edwards and Philip Hoare.
ELLEN GALLAGHER IN CONVERSATION WITH CHRISTINE Y. KIM, Sunday, November 5, at 3 pm.
ELLEN GALLAGHER—ACCIDENTAL RECORDS, through January 28.
HAUSER & WIRTH LOS ANGELES, 901 East 3rd Street, downtown Los Angeles.
Artwork © Ellen Gallagher, and courtesy of the artist and Hauser & Wirth. Photograph by Ernst Moritz.
This weekend, Hauser & With Los Angeles presents Jed Perl (New Art City) and Calder Foundation president Alexander S. C. Rower in conversation.
They will discuss Perl’s new book, CALDER—THE CONQUEST OF TIME, THE EARLY YEARS: 1898–1940, the first biography of Alexander Calder published in the United States.
Sunday, October 29, at 3 pm.
Hauser & Wirth
901 East 3rd Street, downtown Los Angeles.
Top image credit: Alfred A. Knopf.
Above: Exhibition catalogue.
Below: Alexander Calder with 21 feuilles blanches, Paris. Photograph © Agnès Varda, 1953. Image courtesy Calder Foundation, New York/ Art Resource, New York. © 2015 Calder Foundation, New York / DACS, London.
Mike Kelley’s last two major projects were his Kandors sculpture series, and the related Extracurricular Activity Projective Reconstruction video series, parts of which revealed glimpses inside Krypton’s miniaturized capital city.
The remarkable new show at Hauser & Wirth Los Angeles, MIKE KELLEY—KANDORS 1999–2011, is, to date, the most complete view of Kandors exhibited in the United States. And this weekend, the gallery will screen Kelley’s DAY IS DONE—EXTRACURRICULAR ACTIVITY PROJECTIVE RECONSTRUCTIONS #2–#32 (2005/2006), featuring original music by Kelley and Scott Benzel, and choreography by Kate Foley.
MIKE KELLEY—DAY IS DONE, Saturday, October 28, at 7 pm.
MIKE KELLEY—KANDORS 1999–2011, through January 21, 2018.
HAUSER & WIRTH, 901 East 3rd Street, downtown Los Angeles.
hauserwirthlosangeles.com/events/screening-day-is-done-by-mike-kelley-20171028
From top: Mike Kelley, Kandors, exhibition view; Kelley, production still from Day Is Done (2005/2006). Image credits: Hauser & Wirth, and © Mike Kelley Foundation for the Arts.
BUILDING MATERIAL—PROCESS AND FORM IN BRAZILIAN ART—the PST: LA/LA exhibition at Hauser & Wirth Los Angeles—surveys “three generations of artists, emphasizing affinities between the materials, processes, and forms they have embraced since the Concrete and Neo-Concrete movements of the 1950s and 1960s,” with a particular focus on the ground-breaking work of Geraldo de Barros (1923 – 1998), artist, photographer, industrial designer, and central figure “in the evolution of Brazilian art from mid-20th century onward.”*
BUILDING MATERIAL—PROCESS AND FORM IN BRAZILIAN ART, through October 18.
HAUSER & WIRTH, 901 East 3rd Street, downtown Los Angeles.
From top:
Geraldo de Barros, Sobras, a book of collages, special edition.
Nuno Ramos, Leque, 1987 / 2013, cotton canvas and calcium oxide, variable dimensions, 15 x 400 x 45 cm (as pictured). Photograph by Eduardo Ortega.
Erika Verzutti, Porn Star, 2016, concrete, stainless steel, and acrylic, 187 x 25 x 25 cm, 73 5/8 x 9 7/8 x 9 7/8 in. Photograph by Guilherme Gomes. Image credit for top two: Fortes D’Aloia & Gabriel.
Renato Celso, Untitled, 1982, acrylic on wood, 33 x 16 x 8 cm, 13 x 6 1/4 x 3 1/8 in. Photograph by Bruno Leão. Image credit: Mendes Wood DM.
![ramos83282-highres-06An66[1]](https://www.paris-la.com/wp-content/uploads//2017/09/ramos83282-highres-06An661-300x281.jpg)
