BIG COCKS—Heji Shin’s new series of inkjet prints—is on view in New York through this weekend. See link below for details.
Through December 20.
Reena Spaulings Fine Art
165 East Broadway, New York City.
Heji Shin, Big Cocks, Reena Spaulings Fine Art, November 15, 2020–December 20, 2020. Images © Heji Shin, courtesy of the artist, Galerie Buchholz, and Reena Spaulings Fine Art.
Wolfgang Tillmans, Between Bridges, and several dozen international artists have joined together to sell posters to benefit art spaces, nightclubs, music venues, and bars at risk of closing for good because of the pandemic and subsequent lockdown.
Participating artists in the 2020 Solidarity project include Nicole Eisenman, Heji Shin, Carrie Mae Weems, Gillian Wearing, Betty Tompkins, Marlene Dumas, Christopher Wool, Jacolby Satterwhite, Isa Genzken, Rachel Harrison, Thomas Ruff, Elizabeth Peyton, Thao Nguyen Phan, Mark Leckey, Ralf Marsault, Heino Muller, Andreas Gursky, Spyros Rennt, Anne Imhof, Ebecho Muslimova, Piotr Nathan, Ming Wong, David Lindert, Heike-Karin Föll, Luc Tuymans, Stefan Fähler, Sabelo Mlangeni, Simon Denny, Melanie Bonajo, Karol Radziszewski, Karl Holmqvist, Özgür Kar, Claire Nicole Egan, Bobby Glew, Stewart Uoo, Felipe Baeza, Jochen Lempert, Seth Price, Tomma Abts, Wade Guyton, Peter Berlin, and David Wojnarowicz with Tom Warren.
See links below for details.
BETWEEN BRIDGES—2020 SOLIDARITY
BALLEZ, Brooklyn.
VISUAL AIDS, New York City.
Between Bridges, 2020 Solidarity, from top: Melanie Bonajo, Night Soil—Economy of Love, 2015; Isa Genzken, Untitled, 2015; Nicole Eisenman, Never Forget Kissing in Bars, 2020; Carrie Mae Weems, Great Expectations, 2020; Rachel Harrison, April 2020, 2020; Ming Wong, Delphine, 2020; Seth Price, Postcard Style Place, 2018; Sabelo Mlangeni, “Identity” Bongani Tshabalala, 2011; Thao Nguyen Phan, March on a Honda Dream, 2020; Claire Nicole Egan and Bobby Glew, Hard Fond, 2020; Stefan Fähler, Kiss Me, 2020; Heike-Karin Föll, AbExGruau 7, 2017; Karol Radziszewski, Vasiliy, 2018; Elizabeth Peyton, Not Me. Us. (Young Bernie 2020), 2020; David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz, 1983–1984; Thomas Ruff, Nudes kn30, 2006. Images courtesy and © the artists and Between Bridges.
I don’t admire good manners or the “right” political views in art. I admire courage. — Heji Shin
HEJI SHIN—ANGEL ENERGY, an exhibition of new work by the artist, is now on view in Los Angeles.
Through January 18.
Gaga and Reena Spaulings Fine Art
2228 West 7th Street (entrance on Grand View Street), MacArthur Park, Los Angeles.
Heji Shin, Angel Energy, November 17, 2019–January 11, 2020, Gaga and Reena Spaulings Fine Art, Los Angeles. Images courtesy and © the artist and Gaga and Reena Spaulings Fine Art.
What does a feminist exhibition on masculinity look like? This was the question asked by curators Eva Birkenstock, Michelle Cotton, and Nikola Dietrich while organizing MASKULINITÄTEN, their three-part exhibition now open in Bonn, Cologne, and Düsseldorf.
The Bonn section—curated by Cotton, head of Artistic Programmes and Content at Mudam, Luxembourg—includes work by Lynda Benglis, Judith Bernstein, Alexandra Bircken, Patricia L. Boyd, Jana Euler, Hal Fischer, Eunice Golden, Richard Hawkins, Jenny Holzer, Hudinilson Jr., Allison Katz, Mahmoud Khaled, Hilary Lloyd, Sarah Lucas, Robert Morris, D’Ette Nogle, Puppies Puppies (Jade Kuriki Olivo), Bea Schlingelhoff, and Anita Steckel.
The Cologne section—curated by Dietrich, director of the Kölnischer Kunstverein—includes Georgia Anderson & David Doherty & Morag Keil & Henry Stringer, Louis Backhouse, Olga Balema, Gerry Bibby, Juliette Blightman, Anders Clausen, Enrico David, Jonathas de Andrade, Jimmy DeSana, Hedi El Kholti, Hilary Lloyd, Shahryar Nashat, Carol Rama, Bea Schlingelhoff, Heji Shin, Evelyn Taocheng Wang, Carrie Mae Weems, Marianne Wex, Martin Wong, and Katharina Wulff.
The presentation in Düsseldorf—curated by Birkenstock, director of the Kunstverein for the Rheinland and Westfalen, Düsseldorf—features the work of Vito Acconci, The Agency, Keren Cytter, Vaginal Davis, Nicole Eisenman, Andrea Fraser, keyon gaskin with Samiya Bashir, sidony o’neal & Adee Roberson, Philipp Gufler, Annette Kennerley, Sister Corita Kent, Jürgen Klauke, Jutta Koether, Tetsumi Kudo, Klara Lidén, Henrik Olesen, D.A. Pennebaker & Chris Hegedus, Josephine Pryde, Lorenzo Sandoval, Julia Scher, Agnes Scherer, Bea Schlingelhoff, Katharina Sieverding, Nancy Spero, and Evelyn Taocheng Wang.
MASKULINITÄTEN will be accompanied by a catalogue published by Koenig Books, with contributions by—among others—CAConrad, Nelly Gawellek, Chris Kraus, Quinn Latimer, Kerstin Stakemeier, Marlene Streeruwitz, and Änne Söll.
MASKULINITÄTEN
Through November 24.
Hochstadenring 22, Bonn.
Hahnenstrasse 6, Cologne.
Grabbeplatz 4, Düsseldorf.
Maskulinitäten, a co-operation of the Bonner Kunstverein, Kölnischem Kunstverein, and Kunstverein für die Rheinlande und Westfalen, Düsseldorf, September 1–November 24, 2019. Cologne installation photographs by Mareike Tocha, except second from top and fourth from bottom, by Katja Illner. Images courtesy and © the artists, the institutions, and the photographers.
Works by Chantal Akerman, Marie Angeletti, Lutz Bacher, Barbara Kruger, Josephine Pryde, Heji Shin, and Akrim Zaatari are on view through mid-December in SWINGERS at Greene Naftali.
Angeletti’s visual essay “Noir Kei Ninomiya” is in the current print issue of PARIS LA.
Through December 15.
Greene Naftali, 508 West 26th Street, 8th floor, New York City.
From top:
Barbara Kruger, Untitled (Project for Dazed and Confused), detail, 1996.
Marie Angeletti, New York, October, 2018, 35 mm slides.
Heji Shin, Dick and Snake II, 2018. C-print.
Akram Zaatari, HER + HIM, 2001-2012. Ratio: 16/9, color, sound, 33 minutes.
Images courtesy the artists and Greene Naftali.
