Tag Archives: James Baldwin

JAMES BALDWIN AND RICHARD AVEDON — NOTHING PERSONAL

“It has always been much easier (because it has always seemed much safer) to give a name to the evil without than to locate the terror within. And yet, the terror within is far truer and far more powerful than any of our labels: the labels change, the terror is constant. And this terror has something to do with that irreducible gap between the self one invents—the self one takes oneself as being, which is, however and by definition, a provisional self—and the undiscoverable self which always has the power to blow the provisional self to bits. It is perfectly possible—indeed, it is far from uncommon—to go to bed one night, or wake up one morning, or simply walk through a door one has known all one’s life, and discover, between inhaling and exhaling, that the self one has sewn together with such effort is all dirty rags, is unusable, is gone: and out of what raw material will one build a self again? The lives of men—and, therefore, of nations—to an extent literally unimaginable, depend on how vividly this question lives in the mind. It is a question which can paralyze the mind, of course; but if the question does not live in the mind, then one is simply condemned to eternal youth, which is a synonym for corruption.” — James Baldwin, from his essay “Nothing Personal”

Taschen’s NOTHING PERSONAL reprints the landmark 1964 collaboration between Richard Avedon and James Baldwin, and includes a supplementary booklet with outtakes, correspondence, and a new essay by Hilton Als.

A gallery exhibition of Avedon’s work from from book will be up at Pace MacGill until mid-January.

 

NOTHING PERSONAL—RICHARD AVEDON and JAMES BALDWIN

Taschentaschen.com/richard_avedon_james_baldwin_nothing_personal

RICHARD AVEDON—NOTHING PERSONAL, through January 13.

PACE MACGILL, 537 West 24th Street, New York City.

pacemacgill.com/show

avedonfoundation.org/nothing-personal-1964-essay-by-james-baldwin

See: aperture.org/vision-justice-online-nothing-personal/

 

From top:

Pace MacGill installation view.

Original book cover, Atheneum, 1964.

Richard Avedon, Julian Bond and members of the Student Nonviolent Coordinating Committee, Atlanta, Georgia, March 23, 1963, from Nothing Personal.

Richard Avedon, Dorothy Parker, from Nothing Personal. Avedon’s portrait of the great American writer, wit, and original member of the Algonquin Round Table was taken in 1958.

Nothing PersonalNothing PersonalCover of Richard Avedon and James Baldwin, Nothing Personal, 1964

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Spread from Richard Avedon and James Baldwin's Nothing Personal, 1964

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JAMES BALDWIN

“There are too many things we do not wish to know about ourselves. People are not, for example, terribly anxious to be equal (equal, after all, to what and to whom?), but they love the idea of being superior….Furthermore, I have met only a very few people—and most of these were not American—who had any real desire to be free….We are controlled here by our confusion, far more than we know.” — James Baldwin, “Down at the Cross,” from The Fire Next Time

 In the late 1970s, James Baldwin began work on a book about three of his friends who had been murdered: Medgar Evers, Martin Luther King, Jr., and Malcolm X. Passages from this unfinished, unpublished manuscript, titled Remember This House, form the basis for I AM NOT YOUR NEGRO, Raoul Peck’s masterful, exhilarating documentary on Baldwin, American racism, and our threadbare construct of lies and amnesia implemented daily to forestall national self-immolation.

 

I AM NOT YOUR NEGRO

Now playing.

“Down at the Cross” was originally published as “Letter from a Region in My Mind” in the November 17, 1962 issue of The New Yorker, and is included in the Library of America edition James Baldwin—Collected Essays, edited by Toni Morrison.

Above image credit: Library of America.

Below: James Baldwin in France, 1970.