Tag Archives: Laemmle Monica Film Center

DEE REES’ MUDBOUND

Dee Rees’ finely crafted third feature MUDBOUND—the Opening Night selection at this year’s AFI Fest—illustrates the perils of the too-faithful adaptation. In a series of sketches of post-Second World War life in the Mississippi delta—based on the source novel by Hillary Jordan—a group of very compelling characters is left stranded, perhaps casualties of the demands of the two-hour narrative.

Of particular interest is the truncated friendship between veterans Ronsel (Jason Mitchell)—the eldest son of a sharecropper—and Jamie (Garrett Hedlund), the younger brother of the owner of the farm.

Expectations are high for Rees’ recently announced fourth feature, now in pre-production: the Gloria Steinem biopic An Uncivil War, starring MUDBOUND lead Carey Mulligan.

 

MUDBOUND

Now playing.

Monica Film Center

1332 2nd Street, Santa Monica.

Laemmle Noho

5240 Lankershim Boulevard, North Hollywood.

 

Landmark

10850 Pico Boulevard, Los Angeles.

Also on Netflix.

Above: Dee Rees at the Variety Portrait Studio during the opening night gala screening of Mudbound, AFI Fest, Thursday, November 9, 2017. Image credit: AFI.

Jason Mitchell (left) and Garrett Hedlund in Mudbound. Image credit: Netflix.

BAUMBACH’S STORIES

Elvis Mitchell: “You’ve made a film where art has replaced religion… The artist, played by Dustin Hoffman, feels patronized by the world. [Through his dialogue] he’s a narcissist writing history as it happens, as if no one around him is living it at the same time.”

Noah Baumbach: “Dustin told me that his lines were hard to remember because they referenced nothing external, but were all self-referential self-assessments… The best compliment I ever got was from Mike Nichols…”

Mitchell: “Well… ” [laughs]

Baumbach: “Nichols said, ‘You realize how embarrassed we all are.’ ”

(Conversation from the October 12 LACMA screening of Baumbach’s THE MEYEROWITZ STORIES (NEW AND SELECTED), which was followed by a Q & A with Mitchell, curator of Film Independent at the museum.)

Embarrassment—recognized and shared—is always a delight in a room full of fellow movie-goers watching a new comedy by Noah Baumbach. And while Baumbach is happy for his current Netflix association, he’d prefer that you see his work in a cinema.

 

THE MEYEROWITZ STORIES (NEW AND SELECTED), through October 26.

LANDMARK, 10850 West Pico Boulevard, Rancho Park, Los Angeles.

landmarktheatres.com/los-angeles/the-landmark/film-info/the-meyerowitz-stories

LAEMMLE NOHO, 5240 Lankershim Boulevard, North Hollywood.

laemmle.com/films/42922

Opening Friday, October 27:

LAEMMLE MONICA FILM CENTER, 1332 2nd Street, Santa Monica.

TOWN CENTER, 17200 Ventura Boulevard, Encino.

THE MEYEROWITZ STORIES (NEW AND SELECTED), now streaming on Netflix.

netflix.com/title/80174434

Noah Baumbach (left) and Elvis Mitchell at LACMA, October 12, 2017. Image courtesy of WireImage and Film Independent.

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OKJA

Bong Joon Ho’s OKJA is streaming on Netflix, but Quentin Tarantino persuaded the filmmakers to strike a 35mm print, which he will screen at his New Beverly Cinema for one week, beginning in July. OKJA is also playing in Santa Monica for a very limited theatrical engagement.

OKJA, through July 4 only.

LAEMMLE MONICA, 1332 2nd Street, Santa Monica.

OKJA, in 35mm, July 2 through July 8 only.

NEW BEVERLY CINEMA, 7165 Beverly Blvd, Los Angeles.

laemmle.com/films/42463

thenewbev.com/schedule/

Tilda Swinton and Ahn Seo-hyun in Okja (2017), directed by Bong Joon Ho. Hanboks by Chanel, 2015 resort collection, slightly altered.

Image credit: Barry Wetcher/Netflix

Image result for okja netflix press photos

Okja00540.NEF

TERENCE DAVIES’ MASTERPIECE

The cinema of Terence Davies has drawn on the books and plays of Edith Wharton (The House of Mirth), John Kennedy Toole (The Neon Bible), and Terence Rattigan (The Deep Blue Sea). His early works (Distant Voices, Still Lives and The Long Day Closes) were autobiographical. Davies was not—is not—out and proud, but homosexual and not all that happy about it. Rather than celebrate difference, he worries it into an exquisite torture with a brilliant musical soundtrack.

The first hour of his new film, A QUIET PASSION (starring Cynthia Nixon as Emily Dickinson), essays the Massachusetts poet’s young life with line after line of Wildean wit, as Emily, her sister Vinnie (Jennifer Ehle), and her close friend Susan (Jodhi May) expose and eviscerate the hypocrisies of their mid-nineteenth-century society:

“The best compliments are always dubious—that’s part of their charm.”

“Cherish your ignorance. You never know when you might need it.”

“Going to church is like going to Boston. You only enjoy it after you’ve gone home.”

“A women should aspire to be younger than her waistline.”

“Never play happy music at a wedding. It’s so misleading.”

And so on. But since there were no epigrams addressing Dickinson’s state of middle-aged virginity, as she grew older she grew bitter. But her words could always clear the air:

“Any argument about gender is war, because that is slavery.”

“Those of us who live minor lives deprived of a certain kind of love, we know how to starve. We deceive others, and then ourselves. It is the worst kind of lie….Rigor is no substitute for happiness.”

 

A QUIET PASSION, through May 18

LAEMMLE ROYAL, 11523 Santa Monica Boulevard, West Los Angeles

LAEMMLE PLAYHOUSE 7, 673 East Colorado Boulevard, Pasadena

LAEMMLE TOWN CENTER 5, 17200 Ventura Boulevard, Encino

 

A QUIET PASSION, May 12 through May 18

LAEMMLE MONICA FILM CENTER, 1332 2nd Street, Santa Monica

 

laemmle.com/films/41874

Cynthia Nixon as Emily Dickinson in A Quiet Passion, directed by Terence Davies Image credit: Music Box Films

Cynthia Nixon as Emily Dickinson in A Quiet Passion, directed by Terence Davies
Image credit: Music Box Films

 

LAURA POITRAS AND AVA DUVERNAY

“If you’re not fighting every day for what you believe in, and another day disappears, you are losing.” — Julian Assange, in RISK

Laura Poitras began filming RISK—her very up-to-date look at Assange’s activities thusfar—before she shot Citizenfour.* Shortly after the 2013 events documented in the Edward Snowden documentary transpired, Poitras and Assange had a falling out. As it happened, once U.S. intelligence agencies became aware of Snowden’s location in Asia, Wikileaks editor and advisor Sarah Harrison was instrumental in securing the NSA leaker’s safe passage from Hong Kong to Moscow. Assange apparently felt that Poitras should—naturally—disseminate her Snowden material via Wikileaks. Poitras disagreed.:

“I tell him I can’t be his source. I don’t tell him that I don’t trust him.” — Laura Poitras, on Assange, in RISK

Three years later, in the run-up to the 2016 election, Assange agreed to let Poitras set up cameras inside his residence at the embassy of Ecuador in London, and she continued to film her documentary.

On Saturday night, May 6, in Hollywood, Selma director Ava Duvernay will participate in a Q & A with Poitras following the 7:30 pm screening of RISK. On Sunday, Poitras will be joined in a second Q & A by Alex Winter.

 

RISK is now in cinemas.

ARCLIGHT HOLLYWOOD, 6360 Sunset Boulevard, Hollywood

LAEMMLE MONICA FILM CENTER, 1332 2nd Street, Santa Monica

Poitras–Duvernay Q & A, Saturday, May 6, at 7:30 pm. ARCLIGHT HOLLYWOOD

Poitras–Winter Q & A, Sunday, May 7, after the 4:15 pm show. ARCLIGHT HOLLYWOOD

 

arclightcinemas.com/en/news/risk-qa?promo=spotlightM2

laemmle.com/films/42188

*CITIZENFOUR, Poitras’ documentary about Edward Snowden, was released in late 2014 and won the Academy Award for Best Documentary the following spring. RISK, released in May 2017, includes footage from congressional-hearing testimony by FBI director James Comey shot less than two months earlier.

Risk (2017), directed by Laura Poitras Image credit: Showtime

Risk (2017), directed by Laura Poitras
Image credit: Showtime