Tag Archives: Laemmle Royal

GODARD AT THE AERO

“A story should have a beginning, a middle, and an end… but not necessarily in that order.” — Jean-Luc Godard

The American Cinematheque kicks off its upcoming Aero series For the Love of Godard with a members’ screening of LE REDOUTABLE / GODARD MON AMOUR. Written and directed Michel Hazanavicius (The Artist, 2011), the new film is based on the autobiographical novel Un an après (“a year later”) by Anne Wiazemsky. The book covers the period Wiazemsky starred in LA CHINOISE (1967), Godard’s investigation of a group of Parisian Maoists.

Wiazemsky and Godard were wed while shooting LA CHINOISE—a paradigm of the director’s creative approach to editing—but the marriage was strained from the start by a director distracted by public indifference to his recent work.  At the same time, Godard became entrenched in the burgeoning revolution that had begun in the mid-Sixties at the university at Nanterre, and which culminated in the general strikes and Latin Quarter street battles of 1968—events for which LA CHINOISE had provided an agitprop blueprint.

GODARD MON AMOUR—starring Louis Garrel and Stacy Martin—gained Waizemsky’s blessing after Hazanavicius promised her the movie would be a comedy.  She joined him at the film’s Cannes premiere last year, one of her last public appearances before her death in October 2017.

Subsequent screenings in the series include LA CHINOISEÀ BOUT DE SOUFFLE (Breathless), BANDE À PART (Band of Outsiders), WEEKEND, and VIVRE SA VIE, as well as a 3-D presentation of ADIEU AU LANGAGE (Goodbye to Language).

GODARD MON AMOUR

With a post-screening conversation with Michel Hazanavicius.

Monday, April 16, at 7:30 pm.

Aero Theatre

1328 Montana Avenue, Santa Monica.

LA CHINOISE

Wednesday, April 18, at 7:30 pm.

BREATHLESS and BAND OF OUTSIDERS

Saturday, April 21, at 7:30 pm.

GOODBYE TO LANGUAGE

Thursday, April 26, at 7:30 pm.

WEEKEND and VIVRE SA VIE

Friday, April 27, at 7:30 pm.

Aero Theatre

1328 Montana Avenue, Santa Monica.

From top: Louis Garrel (foreground left) as Godard, Stacy Martin as Wiazemsky, and Micha Lescot as Jean-Pierre Bamberger (“Bambam”) in Le redoutable/Godard Mon Amour, image courtesy Cohen Media GroupAnne Wiazemsky and Jean-Luc Godard filming La Chinoise, image courtesy Pennebaker Films/PhotofestJean-Paul Belmondo and Jean Seberg in Breathless; Anna Karina with Claude Brasseur and Sami Frey at the Louvre in Band of Outsiders.

GIACOMETTI AND JAMES LORD

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FINAL PORTRAIT—starring Geoffrey Rush as Alberto Giacometti and Armie Hammer as James Lord—recounts the friendship between the artist and his biographer.

Lord was a great intimate of Giacometti, Picasso, and Dora Maar. In addition to his Giacometti texts, Lord is the author of several memoirs recounting his times with Gertrude Stein, Alice B. Toklas, Marie-Laure de Noailles, Jean Cocteau, Balthus, and Harold Acton. Lord’s last book was My Queer War, based on his experiences in the Second World War.

The film, directed by Stanley Tucci, co-stars Clémence Poésy, Sylvie Testud, and Tony Shalhoub as Diego Giacometti.

SXSW will host the North American premiere on Friday evening.

 

FINAL PORTRAIT, Friday, March 9, at 6 pm.

STATESIDE THEATRE, 719 Congress Avenue, Austin.

 

schedule.sxsw.com/2018/films

Opens March 23:

LAEMMLE ROYAL, 11523 Santa Monica Boulevard, West Los Angeles.

laemmle.com/films

nytimes.com/lord

Armie Hammer (left) and Geoffrey Rush in Final Portrait.

Final Portrait

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FATIH AKIN’S IN THE FADE

Diane Kruger lights up the screen with tour de force performance in IN THE FADE, Fatih Akin’s riveting look at modern Germany through the lens of immigration and right-wing terrorism.

During the post-screening Q & A at the film’s November premiere at AFI Fest 2017, Kruger was a bit anxious about how the film would be received in Germany. Whatever dialog it inspires will be welcome.

 

IN THE FADE—AUS DEM NICHTS, now playing

LAEMMLE ROYAL, 11523 Santa Monica Boulevard, West Los Angeles.

laemmle.com/films

FATIH AKIN—IN THE FADE Q & A, Friday, January 5, after the 7:20 pm screening.

LAEMMLE ROYAL, 11523 Santa Monica Boulevard, West Los Angeles.

blog.laemmle.com/in-the-fade-filmmaker-fatih-akin-in-person

Diane Kruger and Numan Acar in In the Fade/Aus dem Nichts (2017). Image credit: Match Factory.

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HANEKE’S BACK

Bourgeois eviscerator Michael Haneke is back with the droll, disjunctive HAPPY END, where all the adults, infantalized by their status, behave like children. Given the director’s cool detachment, this never descends into slapstick—until a joyous final iPhone shot of Anne (Isabelle Huppert) running to rescue her father (Jean-Louis Trintignant) from the abyss.

 

HAPPY END, now playing.

ROYAL, 11523 Santa Monica Boulevard, West Los Angeles.

laemmle.com/films

See: huffingtonpost.com/michael-hanekes-timely-take-down

Fantine Harduin and Mathieu Kassovitz in Happy End (2017). Image credit: Sony Pictures Classics.

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LE CRIME DE MONSIEUR LANGE

LE CRIME DE MONSIEUR LANGEJean Renoir’s film about a publishing co-operative in France, released in Paris in January, 1936—was a precursor to the election later that year of Léon Blum’s Popular Front. Renoir’s politics were notoriously fickle, but in the mid-1930s, at least, he was leaning Left.

The 4K restoration of  LE CRIME DE MONSIEUR LANGE premiered at this year’s New York Film Festival, and a Los Angeles engagement begins today.

 

LE CRIME DE MONSIEUR LANGE

Through November 28.

Laemmle Royal

11523 Santa Monica Boulevard, West Los Angeles.

laemmle.com/films

Le Crime de Monsieur Lange.