The Anni Albers exhibition at the Tate Modern opening this week—the first comprehensive show devoted to her textile work in the United Kingdom—is complemented by ANNI ALBERS—CONNECTIONS: PRINTS, 1963–1984 at the Alan Cristea Gallery.
ANNI ALBERS—CONNECTIONS: PRINTS, 1963–1984
Through November 10.
Alan Cristea Gallery, 43 Pall Mall, London.
October 10 through January 27.
Tate Modern, Bankside, London.
NICHOLAS FOX WEBER ON ANNI ALBERS
Thursday, October 11, at 6:30 pm.
Starr Cinema, Tate Modern, Bankside, London.
See Helen Molesworth, Leap Before You Look: Black Mountain College, 1933–1957 (New Haven, CT.: Yale University Press/Boston: ICA, 2015); and “Under the Volcano—Helen Molesworth in conversation with Dorothée Perret,” PARIS LA 14 (Winter 2016), 29–37.
From top:
Anni Albers Card Weaving at Black Mountain College. Image credit: State Archives of North Carolina.
Anni Albers, Second Movement III, 1978.
Anni Albers, Study for Unexecuted Wallhanging, 1926. Image credit: Josef and Anni Albers Foundation; ARS, New York; DARS, London.
Anni Albers, Ancient Writing, 1936. Smithsonian. Image credit: Josef and Anni Albers Foundation; ARS, New York; DARS, London.
Anni Albers.
