Tag Archives: Matthew Barney

ROSELEE GOLDBERG — PERFORMANCE NOW

RoseLee Goldberg’s new large-format book on performance art—PERFORMANCE NOW—focuses on works made since 1999, when the art form made its move into museums, biennials, and art fairs.

The volume includes six texts—”Performance as Visual Art,” “World Citizenship: Performance as Global Language,” “Radical Action: On Performance and Politics,” “Dance After Choreography, Off Stage: New Theatre,” and “Performing Architecture”—and a rich selection of images.

 

PERFORMANCE NOW—LIVE ART FOR THE 21ST CENTURY (New York: Thames & Hudson, 2018).

Above image credit: Thames & Hudson.

Below: Matthew Barney and Jonathan BeplerRiver of Fundament, 2014, production still, courtesy of Gladstone Gallery.

© Matthew Barney. Courtesy of David Regen.

THE ’90S AT REGEN PROJECTS

Regen Projects’ Spring 2017 show is an extraordinary survey of art from the 1990s.

WHAT I LOVED: SELECTED WORKS FROM THE ’90S includes Catherine Opie’s Vaginal Davis and Justin Bond; Glenn Ligon’s Untitled (I Remember the Very Day); Lari Pittman’s Existential and Needy; Karen Kilimnik’s Actresses sisters as murderers; erotic work from Wolfgang Tillmans, Marilyn Minter, and Cindy Sherman; Elizabeth Peyton’s Stephen Malkmus; Jack Pierson’s large collage tribute to ’50s iconography, Self Portrait (James Dean); Mike Kelley’s Party Girl; wall texts by Kara Walker and Lawrence Weiner; and an extensive series of drawings by Raymond Pettibon. Sixty works by 27 artists are on view.

WHAT I LOVED: SELECTED WORKS FROM THE ’90S, through April 13, 2017.

REGEN PROJECTS, Los Angeles

regenprojects.com/exhibitions/what-i-loved-selected-works-from-the-90s

Glenn Ligon, Runaways [detail] 1993 Suite of 10 lithographs 16 x 12 inches each Courtesy Regen Projects Los Angeles

Glenn Ligon, Runaways [detail]1993
Suite of 10 lithographs
16 x 12 inches each
Courtesy Regen Projects Los Angeles