Tag Archives: Michael Rakowitz

DO YOU KNOW WHERE THE CHILDREN ARE?

As a native Texan, I have witnessed firsthand the discrimination that immigrants face in the United States. I have heard from friends who visited detention centers, and from lawyers representing those detained. I have heard the stories of those who are separated from their families, and read transcripts from underfunded courtrooms operating far beyond capacity. It is devastating. That all of this occurs in the name of “security” and “safety” is the greatest farce of all. Molly Gochman

DO YOU KNOW WHERE THE CHILDREN ARE (DYKWTCA) is a call to action and exhibition of over 100 unique works of art by 100+ leading visual artists that is organized by the artists and activists Mary Ellen Carroll and Lucas Michael. Each work incorporates, or represents an actual account (in whole or in part) from a child who was separated from their family and detained by the U.S. government. This text may be in the native language of the child or a translation into English. The accounts are taken from the interviews that were conducted by the Flores investigators that included legal, medical and mental health experts who visited the detention facilities six months ago in June of 2019. Upon witnessing the deplorable, inhumane, and illegal conditions they found the children in, they decided it was necessary to act upon their findings. They went public.*

The exhibition—WHEN WE FIRST ARRIVED…,curated by Ruth Noack—will open this weekend in Washington, D.C., and proceeds from artwork sales will benefit and support the Safe Passage Project, Terra Firma, Team Brownsville, and the Innovation Law Lab.

WHEN WE FIRST ARRIVED…*

Through March 29.

Opening night: Saturday, January 25, from 6 pm to 8 pm.

The Corner at Whitman-Walker

1701 14th St. NW, Washington, D.C.

When We First Arrived…, artwork, from top: Spencer Ostrander, Ricci Albenda, Mary Lum, Molly Gochman, Rob Pruitt, Terence Gower, Jesse Presley Jones, When We First Arrived invitation card, Amy Sillman, Beto De Volder and Leon Villagran, Kay Rosen, and Carlos Motta. Artwork courtesy and © the artists, the photographers, DYKWTCA, Mary Ellen Carroll, and Lucas Michael.

MICHAEL RAKOWITZ

Artist and professor Michael Rakowitz—whose work focuses on “singular subjects as literal and symbolic embodiments of the history of Iraq, its diaspora, and the broader Middle East”—recently seceded from the Whitney Biennial in light of the museum’s decision to appoint and defend a tear gas manufacturer as its vice chairman.

Redcat presents Rakowitz’s first Los Angeles exhibition—DISPUTE BETWEEN THE TAMARISK AND THE DATE PALM—in their gallery.

MICHAEL RAKOWITZ—DISPUTE BETWEEN THE TAMARISK AND THE DATE PALM

Through June 2.

Redcat

631 West 2nd Street, downtown Los Angeles.

From top: Michael RakowitzReturn, 2004-ongoing, mixed media installation view, Michael Rakowitz: Backstroke of the WestMCA Chicago, 2017–18, photograph by Nathan Keay, © MCA Chicago; Michael Rakowitz, Minaret, performance, 2001–ongoing, mosque alarm clock, megaphone, image courtesy the artist.