Tag Archives: Michelangelo Antonioni

WHO MURDERED ROLAND BARTHES ?

binet1

For his second book THE SEVENTH FUNCTION OF LANGUAGE—a highly comedic murder mystery about French Theory in the 1980s in which the death of Roland Barthes was not an unfortunate accident but a deliberate hit carried out in pursuit of that seventh function—Laurent Binet turns everything he loves and loathes about European intellectual life into irreverent satire.

Starring Michel Foucault, Julia Kristeva, Umberto Eco, Judith Butler (as a university student), Louis Althusser (and his uxoricide), François Mitterrand (Barthes’ lunch date just before his death), Valéry GiscardMichelangelo Antonioni and Monica Vitti at a fateful Logos Club meeting in Bologna, and Jacques Derrida, Roman Jakobson, Sylvère Lotringer, Camille PagliaFélix Guattari (but not Gilles Deleuze) at a linguistic symposium-turned-orgy at Cornell, the novel’s episodes are punctuated with a series of hilarious examples of the extreme logorrhea and irrepressible vanity of Philippe Sollers.

 

LAURENT BINET

THE SEVENTH FUNCTION OF LANGUAGE

Translated by Sam Taylor

(New York: Farrar, Straus and Giroux, 2017).

us.macmillan.com/book

See: partisanmagazine.com/interview-with-laurent-binet

Roland Barthes. Image credit above: Éditions Grasset et Fasquelle.

Image result for Roland Barthes

oland-barthes

LA NOTTE AT THE UNDERGROUND MUSEUM

Through the end of the 1950s, the bourgeois protagonists of Michelangelo Antonioni’s films actively engaged their surroundings and maintained some sense of control.

Everything changed in 1960. The surroundings became monolithic and oppressive, and the world took notice as the great modernist director—in a series of films featuring Monica Vitti—cast an excoriating eye on the moral rot and entropy in contemporary Italian society.

After L’Avventura (1960) and before L’Eclisse (1962), Antonioni conjoined a triangle of great European stars—Vitti, Marcello Mastroianni, and Jeanne Moreau—for LA NOTTE (1961), dismissed by Pauline Kael as another “sick-soul-of-Europe” display, but praised by more thoughtful viewers as a feminist critique of capitalism.

Bring a sweater and a blanket for a night of LA NOTTE in The Underground Museum’s Purple Garden. This Film Foundation screening is part of a series—Purple Garden Cinema—curated by Kahlil Joseph.

LA NOTTE, Friday, September 15. Doors open at 8 pm. Free popcorn!!

THE UNDERGROUND MUSEUM, 3508 West Washington Boulevard, Los Angeles.

theunderground-museum.org

See:  benefitofthedoubt.miksimum.com/2010/10/searching-out-sick-soul-la-dolce-vita.html

From top: Jeanne Moreau (left) and Monica Vitti in La Notte; Vitti and Marcello Mastroianni; Vitti; La Notte opening title card; Mastroianni and Moreau, nightclub scene in La Notte. Image credits: Criterion.

lanotte_062220070442

Film_678_LaNotte_original

5e2d3b5980c23b4cfd43a5020492e8e4

download

LaNotte