Tag Archives: MOCA Grand Avenue

WITH IT WHICH IT AS IT IF IT IS TO BE

“Each one is one and there are many.”

WITH IT WHICH IT AS IT IF IT IS TO BE, a new film by Eve Fowler, rises and falls to the tune of this line, written by Gertrude Stein in her 1910 short story “Many Many Women.” [The 33-minute 16mm film] is a lovingly made collective portrait of female artists at work in the studio….Fowler has directed her camera, through the cinematography of the artist and filmmaker Mariah Garnett, toward the intimate spaces of women’s art work. The film’s title is a line from Stein’s text which is read as voiceover by eight writers and artists….[each lending] a personal tone and inflection to the text, accentuating the subjective dimension of each artist’s individual labor and technique.

WITH IT WHICH IT AS IT IF IT IS TO BE documents the practices of over twenty artists based primarily in Los Angeles and New York, paying special attention to their process, their work with materials, their contemplative approaches, their manipulations. Shots cut from one studio to the next, and oscillate between focused close-ups of process-based activities and more casual portraits, where an atmosphere of trust and friendship clearly lies behind the screen. In one, the sculptor Daphne Fitzpatrick walks around her studio, a dog in tow—the feel is familiar, the portrait honest. In another, the painter Nicole Eisenman climbs atop a wooden scaffold to reach the upper portion of her large-scale canvas. There, she picks from an array of brushes before getting to work on one of her own complex, group portraits, which turns scenes from the everyday into the stuff of contemporary history painting. In yet another, the choreographer Taisha Paggett performs movement work as the camera attentively follows the gestures and modulations of her expressive body.” — Rachel Valinsky*

WITH IT WHICH IT AS IT IF IT IS TO BE, Thursday, July 27, at 7 pm.

MOCA GRAND AVENUE, 250 South Grand Avenue, downtown Los Angeles.

moca.org/program/with-it-which-it-as-it-if-it-is-to-be-a-film-by-eve-fowler

*Rachel Valinsky is an independent curator, writer, and translator, and the quote here is from her review originally published in Millennium Film Journal, Issue 65, Spring 2017. Valinsky is the translator of Whites Jews and Us: Toward a Politics of Revolutionary Love by Houria Bouteldja (with a foreword by Cornel West), which Semiotext(e) will publish as part of their Intervention Series in September, 2017.

rachelvalinsky.com/Eve-Fowler-Participant-Inc-Millenium-Film-Journal

Image credit: With it which it as it if it is to be (2016), directed by Eve Fowler. 16mm film, sound, transferred to video, 33:02 minutes.

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DEANA LAWSON ON KERRY JAMES MARSHALL

Fresh from a terrific exhibition of her photographs at the 2017 Whitney Biennial, DEANA LAWSON visits MOCA for a talk about the art of KERRY JAMES MARSHALL during the final week of MASTRY.

ARTISTS ON ARTISTS: DEANA LAWSON ON KERRY JAMES MARSHALL, Thursday, June 29, 2017, at 7 pm.

KERRY JAMES MARSHALL: MASTRY, through July 3.

MOCA GRAND AVENUE, 250 South Grand Avenue, downtown Los Angeles.

moca.org/program/artists-on-artists-deana-lawson-on-kerry-james-marshall

Kerry James Marshall, Slow Dance, 1992–1993. Image credit: Kerry James Marshall and the Museum of Contemporary Art, Los Angeles.​Kerry James Marshall, Slow Dance

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NICOLE EISEMAN’S ANOTHER GREEN WORLD

Nicole Eisenman shows me a party scene entitled ANOTHER GREEN WORLD. I proudly yell ‘Eno!’ and she confirms that that’s the record she was listening to for days. The title also comes from the critic Northrop Frye, who contended that, in Shakespeare’s work, the characters were always going into the woods to find another mode of knowing or being—the green place that, in Eisenman’s sentiment, is where the poet or artist’s always gotta go.” — Eileen Myles*

In its current SELECTIONS FROM THE PERMANENT COLLECTION show, MOCA Grand Avenue is exhibiting Eisenman’s ANOTHER GREEN WORLD (2015) in its south galleries. Don’t miss it.

(Eisenman will also be showing work at the decennial Skulptur Projekte Münster, June 10 through October 1, 2017.)

 

NICOLE EISENMAN—ANOTHER GREEN WORLD, ongoing.

MOCA GRAND AVENUE, 250 South Grand Avenue, downtown Los Angeles.

moca.org/exhibition/selections-from-the-permanent-collection

 

*Eileen Myles, “Nicole Eisenman’s Green World,” Frieze, April 28, 2016:

frieze.com/article/nicole-eisenmans-green-world

Nicole Eisenman, Another Green World, 2015. Oil on canvas, 128 x 106 inches, (325.12 x 269.24 cm) Image credit: Nicole Eisenman and MOCA

Nicole Eisenman, Another Green World, 2015.
Oil on canvas, 128 x 106 inches, (325.12 x 269.24 cm)
Image credit: Nicole Eisenman and MOCA

 

PATRICK STAFF — WEED KILLER

The next time you’re at MOCA Grand Avenue (before July 4), grab a beanbag chair and check out Patrick Staff‘s new 17-minute video piece WEED KILLER (2017), curated by Lanka Tattersall.

“The intersection of gender, illness, and contamination is the focal point of the video installation, [which] was inspired by artist-writer Catherine Lord’s memoir The Summer of Her Baldness (2004)—a moving and often irreverent account of the author’s experience of cancer. At the heart of Staff’s work is a monologue, adapted from Lord’s book, which reflects upon the chemically induced devastation of chemotherapy. This text is enacted with unrelenting intensity by actress Debra Soshoux, who recites Lord’s description of taking chemotherapy drugs as akin to ‘mainlining weed killer’….Throughout WEED KILLER, Staff intertwines notions of affliction and contamination with the demand for survival on one’s own terms.

“The monologue is intercut with comparatively otherworldly sequences. These include choreographic gestures shot with high-definition thermal imagery and performed primarily by Staff. The thermal scenes draw attention to the ways in which our ostensibly uniform bodies are actually composed of varying zones of heat and coolness, suggesting a visual analog for the complexity of identity.

“Towards the end of the video, artist Jamie Crewe presents a passionate, lip-synched rendition of a love song in a gay bar.* As Crewe ardently moves to the lyrics ‘to be in love with you is everything,’ thwarted desire appears as a kind of intoxicating illness.” — Tattersall**

 

PATRICK STAFF—WEED KILLER, through July 3.

MOCA GRAND AVENUE

moca.org/exhibition/patrick-staff-weed-killer

 

*The song was adapted by Staff from versions of the song “To Be in Love” (1999) by Masters at Work, featuring India.

**Curator Lanka Tattersall, “Notes on Weed Killer”:

moca.org/notesonweedkiller

Patrick Staff, Weed Killer, 2017, video still, courtesy of the artist
Patrick Staff, Weed Killer, 2017, video still, courtesy of the artist. Image credit: MOCA.
Patrick Staff, Weed Killer, 2017, video stills, courtesy of the artist
Debra Soshoux in Patrick Staff‘s, Weed Killer, 2017, video stills, courtesy of the artist. Image credit: MOCA.
Patrick Staff, Weed Killer, 2017, video stills, courtesy of the artist
Jamie Crewe in Weed Killer, 2017, video stills, courtesy of the artist. Image credit: MOCA.
Patrick Staff, Weed Killer, 2017, video stills, courtesy of the artist
Patrick Staff, Weed Killer, 2017, video stills, courtesy of the artist. Image credit: MOCA.