Tag Archives: Museum of Modern Art

ERIC MITCHELL’S KIDNAPPED

Preserved by Anthology Film Archives, with support from the National Film Preservation Foundation and the Andy Warhol Foundation for the Visual Arts, KIDNAPPEDEric Mitchell’s 1978 remake of Warhol’s Vinyl—is a downtown saga starring Anya PhillipsPatti Astor, Duncan Smith, Gordon Stevenson, and the director, and screens in conjunction with the MoMA exhibition CLUB 57: FILM, PERFORMANCE, AND ART IN THE EAST VILLAGE, 1978–1983.

“The film’s visually off-kilter conversations about sex, unfocused social commentary, and frenzied dance scene culminate in casual acts of recreational sadism.”*

 

KIDNAPPED, Wednesday, January 31, at 7 pm.

TITUS 2 THEATER, MUSEUM OF MODERN ART, 11 West 53rd Street, New York City.

moma.org/calendar/event

CLUB 57: FILM, PERFORMANCE, AND ART IN THE EAST VILLAGE, 1978–1983, through April 1.
MUSEUM OF MODERN ART, 11 West 53rd Street, New York City.

moma.org/exhibition

Kidnapped (1978), original poster. Image credit: Gallery 98.

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Kidnapped

THE JIMMY DONAHUE STORY

This week—in the CLUB 57 program ERIC MARCIANO FROM FILM TO VIDEO—the Museum of Modern Art will screen Marciano’s jazz-infused take on alcoholic walker Jimmy Donahue, as well as the filmmaker’s mid-nineties 35mm work NARROWCAST.

THE JIMMY DONAHUE STORY and NARROWCAST

Monday, January 29, through Sunday, February 4, continuous gallery screenings.

Through April 1.
Museum of Modern Art
11 West 53rd Street, New York City.

Eric Marciano, The Jimmy Donahue Story (1981), written and produced by Marciano and Ignacio Valero.

From top:

Bill Brovold.

Barlo Perry, underground at Times Square subway station record shop.

Brovold and Perry drinking.

Perry and Frank Sinatra album in Ross Rare Records window on University Place.

Brovold and Perry.

Apartment scene with Victoire Taittinger, Brovold, and Perry (4).

LOUISE BOURGEOIS — PRINTS AND BOOKS

The print and book materials in Louise Bourgeois’ œuvre comprise over a thousand works. The MoMA exhibition LOUISE BOURGEOIS—AN UNFOLDING PORTRAIT draws from the museum’s extensive holdings, as well as some rare loans.

In addition, MoMA is completing an online catalogue raisonné, LOUISE BOURGEOIS—THE COMPLETE PRINTS AND BOOKS, available now in process.

 

LOUISE BOURGEOIS—AN UNFOLDING PORTRAIT, through January 28.

MUSEUM OF MODERN ART, 11 West 53rd Street, New York City.

moma.org/exhibition

Catalogue raisonnémoma.org/collection/lb/index

Louise Bourgeois, He Disappeared into Complete Silence, 1947. Image credit: Museum of Modern Art.

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TWIN PEAKS AT MOMA

Is TWIN PEAKS 2017 a television series or a movie?

“David Lynch’s latest TWIN PEAKS season is simply unclassifiable: something totally and spectacularly unique. However as the chief curator of film, and not television, at MoMA, I will simply say that my opinion on the matter can be interpreted through the fact that I have invited it to be screened at the Museum. Interpret that how you will, and we hope you will join us in this debate by experiencing this incredible work on the big screen for free this January.” — Rajendra Roy*

TWIN PEAKS 2017

PARTS 1–4, Friday, January 5, at 6 pm.

moma.org/calendar/events

PARTS 5–11, Saturday, January 6, at 2 pm.

moma.org/calendar/events

PARTS 12–18, Sunday, January 7, at 2 pm.

moma.org/calendar/events

MUSEUM OF MODERN ART, 11 West 53rd Street, New York City.

vulture.com/2017/12/twin-peaks-the-return-moma

Kyle MacLachlan in Twin Peaks (2017).

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RADICALISM AND ITALIAN DESIGN IN THE ’60S

This week, the Hammer Museum and American Institute of Architects/Los Angeles present a talk on the “intersection of counter-cultural radicalism and Italian New Wave design in the 1960s.”*

Join professors Felicity Scott (author of Architecture or Techno-Utopia: Politics after Modernism) and Mark Wasiuta as they “explore how cutting-edge Italian design encompassed fashion, furniture, and architecture to reimagine every detail of Italian social and political life.”*

DESIGN, ENVIRONMENT, COUNTER-ENVIRONMENT

Tuesday, August 8, at 7:30 pm.

Hammer Museum

10899 Wilshire Boulevard, Westwood, Los Angeles.

From top:

Exhibition catalogue: Italy: The New Domestic Landscape (New York: Museum of Modern Art, 1972).

Ettore Sottsass, furnishing concept.

Alberto Rosselli, mobile house.

Gae Aulenti, house environment.

All images from Italy: The New Domestic Landscape, MOMA.