Tag Archives: Paris-LA

WEEKLY WRAP UP | SEPT. 22-26, 2014

Anna. A rare picture from Michael White's photo album: The Last Impresario

“Anna “. A rare picture from Michael White’s photo album: The Last Impresario

This week on the blog we saw Steven Shearer at Eva Prensenhuber; visited the 14th International Architecture Exhibition in Venice; stopped by Etel Adnan at Yvon Lambert bookshop and by Alexander May at Balice Hertling;  and announced the new edition of Charles Veyron.

14TH INTERNATIONAL ARCHITECTURE EXHIBITION / VENICE

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For our upcoming PARIS, LA issue on ALTERNATIVE HABITATION, we have visited the 14th International Architecture Exhibition, titled Fundamentals and directed by Rem Koolhaas. In complement of a portfolio of images published in our issue, this week we will post on this blog images and videos from the Biennale.

The exhibition runs until November 23, 2014 in the Giardini, the Arsenale, and the city of Venice.
labiennale.org

 

Paolo Baratta — chairman of la Biennale di Venezia
Presentation of this year’s edition

“With Rem Koolhaas we have created an exceptional, research-centered Architecture Biennale. Rem has planned an event that involves all of Biennale’s sectors, along with a bevy of researchers. Absorbing Modernity 1914–2014 has been proposed for the contribution of all the pavilions, and they too are involved in a substantial part of the overall research project, whose title is Fundamentals. The history of the past one hundred years prelude to the Elements of Architecture section hosted in the Central Pavilion, where the curator offers the contemporary world those elements that should represent the reference points for the discipline: for the architects but also for its dialogue with clients and society. Monditalia section with 41 research projects, reminds us of the complexity of this reality without complacency or prejudice, which is paradigmatic of what happens elsewhere in the world; complexities that must be deliberately experienced as sources of regeneration. While information gains new tools and updating becomes simpler, it is those dangers of conformity and indifference that preoccupy us; indifference and conformity lead to passiveness and even extinguish the desire for art and architecture. A Biennale exhibition has the duty to oppose this; it has to know how to trip up this move towards conformity and revitalize those desires. Rediscovering “points” of reference to better express those desires is one of the ambitions of the present research, which is of course addressed to the professionals but looks to the general public above all.”

 

Rem Koolhaas — director of the 14th International Architecture Exhibition
Fundamentals an exhibition of three main components

Absorbing Modernity 1914-2014 / National Pavilions
For the first time, the national pavilions are invited to respond to a single theme: 65 countries examine key moments from a century of modernization. Together, the presentations start to reveal how diverse material cultures and political environments transformed a generic modernity into a specific one. Participating countries show, each in their own way, a radical splintering of modernities in a century where the homogenizing process of globalization appeared to be the master narrative.

Monditalia / Arsenale
Also for the first time, Venice’s other biennales and festivals (Dance, Music, Theatre, Film) collaborate with architecture…
In a moment of crucial political change, we decided to look at Italy as a “fundamental” country, completely unique but also emblematic of a global situation where many countries are balancing between chaos and a realization of their full potential. The Arsenale presents a scan of Italy, established by 82 films, 41 architectural projects, and a merger of architecture with la biennale’s dance, music, theatre, and film sections. Each project in Monditalia concerns unique and specific conditions but together form a comprehensive portrait of the host country.

Elements of Architecture / Central Pavilions

This exhibition is the result of a two-year research studio with the Harvard Graduate School of Design and collaborations with a host of experts from industry and academia. Elements of Architecture looks under a microscope at the fundamentals of our buildings, used by any architect, anywhere, anytime: the floor, the wall, the ceiling, the roof, the door, the window, the façade, the balcony, the corridor, the fireplace, the toilet, the stair, the escalator, the elevator, the ramp. The exhibition is a selection of the most revealing, surprising, and unknown moments from a new book, Elements of Architecture, that reconstructs the global history of each element. It brings together ancient, past, current, and future versions of the elements in rooms that are each dedicated to a single element. To create diverse experiences, we have recreated a number of very different environments – archive, museum, factory, laboratory, mock-up, simulation…

Taken from La Biennale’s website: labiennale.org

WEEKLY WRAP UP | JULY 1-5, 2014

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Ridgewood, Queens, New York City

 

This week we brought you posts from around the world! – France, New York City, and Berlin…

octopusnotes, edited by upcoming Paris-LA contributor Alice Dusapin, launched issue 3 at Centre Pompidou.

We reported on and shared pictures of the Kara Walker installation at the Domino Sugar Factory in Brooklyn.

Jean-Luc Moulène exhibits 42 photographs at Transpalette in Bourges, France.

Check out this summer group exhibition of paintings at Pablo’s Birthday Gallery in New York City’s Lower East Side.

We brought you pictures of an exciting afternoon at Paris auction house Drout.

Wishing you all a Happy 4th of July from the U.S.A.!

A Summer Sweatshop in Berlin.

 

Brooklyn, NY

Brooklyn, NY

PARIS, LA #11

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PARIS, LA

ISSUE #10 / SPRING 2014

PHOTOGRAPHY HERE AND NOW

CONTENTS

Optic Nerve | Catherine Opie in conversation with Dorothée Perret

Collisions Ahead | By Brendan Fowler and Sarah Lehrer-Graiwer

Perversion is Bliss | By Andrew Berardini and Torbjørn Rødland

Anarchy in the Belle Epoque | By Aaron Sandnes and Barlo Perry

Through a Glass, Darkly: a Mapplethorpe Portfolio | By OHWOW and the Robert Mapplethorpe Foundation

Out There | John Divola and Marius Engh in conversation with Dorothée Perret

Traces | By Marlene Marino

Still Life, and Mask | By Hanna Liden

COVER Ron, 2013 by Catherine Opie

CENTERFOLDChanel Summer 2014 Ad Campaign Remix by Pierre-François Letué

POSTERExterior: from Zuma Series, 1977-1978 | Interior: from Dogs Chasing My Car in the Desert, 1996-1998 By John Divola

PARIS, LA #10

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PARIS, LAISSUE #10 / FALL 2013

SPECIAL ART ISSUEFRANCE X LOS ANGELES

 

CONTENTS

Jennifer West: Mind and Matter | By Martha Kirszenbaum

Portfolio Ceci n’est pas… | By Sébastien Paquet

Celui qu’elle espérait | By Neil Beloufa

How to Build a House | Jorge Pardo in conversation with Oscar Tuazon

Lost in Los Angeles | By Andrew Berardini

A Cento | By Public Fiction

The Importance of Being Unfinished | Sylvère Lotringer in conversation with Dorothée Perret

COVER | Michael Jackson Estates, 2013 by Pentti Monkkonen

CENTERFOLD | Chanel Winter 2013 Ad Campaign Remix by Pierre-François Letué