Tag Archives: Patrisse Cullors

CONTINUOUS REPLAY PERFORMANCE AND FUNDRAISER

As part of a fundraiser for Black Strategy FundThe Brotherhood Sister Sol, and Buy From A Black Woman, the Bill T. Jones / Arnie Zane Company presents a virtual recreation of Zane’s CONTINUOUS REPLAY.

Amidst the isolation and racial uprisings in the early summer of 2020 as the COVID-19 pandemic continued its spread, forty-four current and former company members came together (while being apart) to create something as a community in support of the Black Lives Matter movement… In 1991, three years after Arnie’s passing at the height of the AIDS pandemic, Jones made Arnie’s CONTINUOUS REPLAY choreography into a full company work—which has connected generations of company members and was, for most of them, the only way to know Arnie. The diverse cast of performers spanning four decades—including Arthur Aviles, Sean Curran, Odile Reine-Adelaide, Stefanie Batten Bland, Rosalynde LeBlanc, Heidi Latsky, Jenna Riegel, and many others—filmed themselves while in isolation across four continents. The original soundtrack is created by composer John Oswald and editing of the videos was done by Associate Artistic Director Janet Wong.*

See link below for details.

BILL T. JONES—CONTINUOUS REPLY: COME TOGETHER*

Thursday, November 19.

5 pm on the West Coast; 8 pm East Coast.

From top: Bill T. Jones and Arnie Zane; Zane, Continuous Replay, Maison de la Danse de Lyon, 1993 performance, image courtesy Numeridanse; Continuous Replay: Come Together; Jones, photograph by Anthony Barboza, courtesy and © the photographer and Getty Images; Zane and Jones, Secret PasturesBAM Next Wave Festival, 1984, set design by Keith Haring, 1984, photograph by Tom Caravaglia, courtesy and © the photographer and the Keith Haring Foundation.

PATRISSE CULLORS — MALCOLM X REVISITED

From the Crenshaw Dairy Mart artist collective focused on trauma-induced conditions of injustice to scripting the season finale of Good Trouble on Hulu—a show about communities of color, women, queer, and trans folk living in Los Angeles—artist, organizer, BLM co-founder, and freedom fighter Patrisse Cullors thrives on speaking out through art alongside other inspiring creators.

Redcat presents the premiere of Cullors’ virtual event MALCOLM X REVISITED, a new commissioned video work recorded exclusively for the venue. The work explores the iconic historical figure Malcolm X and the current impact of the movement for Black lives.*

See link below for details.

PATRISSE CULLORS—MALCOLM X REVISITED*

Friday and Saturday, October 2 and 3.

8 pm on the West Coast; 11 pm East Coast.

Redcat

From top: Malcolm X; Patrisse Cullors on set for Malcolm Revisited, photograph by Alexandre Dorriz, image courtesy and © Cullors and the photographert; Cullors, image courtesy and © the artist; Malcolm X and Alex Haley, The Autobiography of Malcolm X (1965), courtesy and © Grove Press.

PATRISSE CULLORS AND ALFRE WOODARD IN CONVERSATION

In conjunction with the online release of Chinonye Chukwu’s CLEMENCY—now streaming free across multiple platforms—the film’s star Alfre Woodard will join Black Lives Matter co-founder Patrisse Cullors for a conversation about race, criminal injustice, and incarceration.

This virtual conversation is presented by the Screen Actors Guild. See links below for details.

CLEMENCY

Now streaming on Hulu.

PATRISSE CULLORS and ALFRE WOODARD IN CONVERSATION

Wednesday, July 29.

1 pm on the West Coast; 4 pm East Coast.

See Stuart Schrader, “Harm of the Law,” Artforum 58, no. 9 (May / June 2020), 102–103.

From top: Alfre Woodard in Clemency (2019); Aldis Hodge in Clemency; U.S. poster. All film images courtesy and © the actors, the photographers, and Neon. Patrisse Khan-Cullors and Asha Bandele, When They Call You a Terrorist: A Black Lives Matter Memoir (2018), courtesy and © the authors and St. Martin’s Press; Patrisse Cullors, photograph by Drew Escriva, courtesy and © the author and the photographer.

ALLEGORIES OF FLIGHT AT THE BROAD

Investigating themes that define and inform the work of Shirin Neshat, the Broad presents ALLEGORIES OF FLIGHT, an evening of music, readings, and performance in conjunction with the exhibition Shirin Neshat: I Will Greet the Sun Again, now in its final weeks.

The evening—organized with independent literary curators Louise Steinman and Maureen Moore—begins with a performance by musician brothers Saint Abdullah in the lobby and poetry readings by Naomi Shihab Nye and Natalie Diaz in Oculus Hall (with a poetry encore at the end of the event).

Black Lives Matter co-founder Patrisse Cullors will debut a specially commissioned performance work, and Davia Spain will close the evening with a live music set, “touching on themes including trans experience and institutions and systems designed to suppress ancient, ancestral knowledge.”*

ALLEGORIES OF FLIGHT*

Wednesday, February 5, from 8 pm to 11 am.

The Broad

221 South Grand Avenue, downtown Los Angeles.

From top: Patrisse Cullors, photograph by Dana Washington; Naomi Shihab Nye, photograph by Ha Lam; Natalie Diaz; Saint Abdullah, photograph Richard R. Ross; Davia Spain, photograph by Daniel Miramontes. Images courtesy and © the artists and authors, the photographers, and the Broad.

ZOE LEONARD — I WANT A PRESIDENT

On the occasion of ZOE LEONARD—ANALOGUE, Hauser & Wirth presents an afternoon of performances and readings in response to Leonard’s 1992 text I WANT A PRESIDENT.

Participants include Lita Albuquerque, Edgar Arceneaux with performer Joana Knezevic, Nao BustamanteAndy CampbellPatrisse Cullors, Edgar Heap of Birds, Amy Gerstler, Kimberli Meyer, Helen Molesworth, Bidhan Roy, and Patrick Staff.

 

I WANT A PRESIDENT

Saturday, November 3, at 1 pm.

ZOE LEONARD—ANALOGUE

Through January 20.

Hauser & Wirth, 901 East 3rd Street, downtown Los Angeles.

Zoe Leonard, I Want a President. Image courtesy the artist and Hauser & Wirth.