Tag Archives: UCLA Film and Television Archive

BARBARA HAMMER

Starting this weekend, the celebrated debut feature as well as the short films of Barbara Hammer will screen in Los Angeles this month and next—a continuation of the ongoing retrospectives devoted to this filmmaking pioneer.

The UCLA Film and Television Archive series BARBARA HAMMER—SUPERDYKE includes five nights of programming, and Hammer’s AFI Fest event will feature a new 16mm print of NITRATE KISSES.

Hammer will make personal appearances during both nights of UCLA’s opening weekend—signing copies of the books Hammer!: Making Movies Out of Sex and Life, Barbara Hammer: Evidentiary Bodies, and Truant: Photographs 1970–1979—and she’ll be at the Egyptian for AFI.

BARBARA HAMMER—SUPERDYKE

Friday and Saturday, November 9 and 10.

Saturdays, November 17, December 8, and December 15.

All screenings at 7:30 pm.

Billy Wilder Theater, Hammer Museum

10899 Wilshire Boulevard, Los Angeles.

NITRATE KISSES

Sunday, November 11, at 8:15 pm.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

See Corrine Fitzpatrick on Hammer’s The Art of Dying or (Palliative Art Making in an Age of Anxiety), and Hammer’s exit interview in The New Yorker.

From top: Barbara Hammer, Audience (1981); Hammer, photograph by Susan Wides; Hammer, with camera, from TruantTender Fictions (1998) by Hammer with Florrie Burke, photograph by Joyce Culver; stills from Hammer films (2). Images courtesy Barbara Hammer.

IN SEARCH OF JIŘÍ MENZEL

Shivendra Singh Dungarpur’s durational documentary CZECHMATE—IN SEARCH OF JIŘÍ MENZEL (2018) will screen this weekend at the Hammer.

Dungarpur’s friendship with Menzel “resulted in this astonishingly detailed and probing documentary on Menzel’s life and career, postwar Czechoslovak cinema, the New Wave and political turmoil leading up to the Velvet Revolution, and the ever resilient Czech cultural identity.”

Interviews with Menzel, Miloš Forman, Agnieszka HollandIvan Passer, Věra Chytilová, Emir Kusturica, and many others “illuminate deftly chosen film clips, historical footage, and original contemporary views of places immortalized in Menzel’s films.”*

The eight-hour screening will include 15- and 30-minute breaks.

 

CZECHMATE—IN SEARCH OF JIŘÍ MENZEL, Sunday, September 16, at 2 pm.*

LARK ON A STRING—THE FILMS OF JIŘÍ MENZEL, through September 29.

Billy Wilder Theater, Hammer Museum, 10899 Wilshire Boulevard, Westwood, Los Angeles.

Image credit: Shivendra Singh Dungarpur

DULAC AND ARTAUD

Directed by Germaine Dulac from a script by Antonin Artaud, LA COQUILLE ET LE CLERGYMAN (1927) was the first film of Surrealism, premiering a year before Buñuel and Dalí’s Un Chien andalou.

This weekend—as part of the UCLA Film and Television Archive series The Cinematic Impressions of Germaine Dulac—a screening of La Coquille will close an afternoon selection of Dulac shorts.

Live musical accompaniment will be provided by Elaine Carey Haswell and Cliff Retallick.

 

LA COQUILLE ET LE CLERGYMAN

Saturday, September 15, at 3 pm.

Billy Wilder Theater, Hammer Museum, 10899 Wilshire Boulevard, Westwood, Los Angeles.

Scenes from La Coquille et le clergyman.

 

 

DAY AT ZENITH

Is THE PAJAMA GAME (1957) the “first left-wing operetta,” as Jean-Luc Godard once famously called it? What’s not in doubt is that Doris Day is at her peak in this, the last of her great musicals for Warner Bros.

The film was directed by Stanley Donen and George Abbott, and co-starred Broadway powerhouse John Raitt as a factory superintendent to Day’s union team leader.

Bob Fosse choreographed the musical numbers—“Steam Heat” is an early triumph for this master of dance—and this weekend the UCLA Film and Television Archive will present a 35mm print screening of the film as part of their series Fosse, Fosse, Fosse! A Retrospective.

(DAMN YANKEES—directed by the same two filmmakers and starring Tab Hunter and Fosse’s wife Gwen Verdon—fills out the double-bill. Fosse and Verdon will be played by Sam Rockwell and Michelle Williams in an upcoming FX series.)

 

THE PAJAMA GAME and DAMN YANKEES, Saturday, August 18, at 7:30 pm.

BILLY WILDER THEATER, Hammer Museum, 10899 Wilshire Boulevard, Westwood, Los Angeles.

cinema.ucla.edu/pajama-game-damn-yankees

cinema.ucla.edu/fosse-a-retrospective

See: artforum.com/melissa-anderson-on-the-pajama-game

Above: Doris Day and John Raitt. Publicity photo for The Pajama Game.

Below: Day (center) in The Pajama Game. Image credit for both: Warner Bros.

GARBO AND LUBITSCH

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“Garbo Laughs” was the tagline for the legend’s last great film, NINOTCHKA. Perhaps it was the freedom of retirement on the horizon that brought a smile to her face.

NINOTCHKA—a satire on Soviet severity, among other things—was written by Billy WilderCharles Brackett, and Walter Reisch, and directed by Ernst Lubitsch, the subject of the UCLA Film and Television Archive retrospective How Did Lubitsch Do It?

Prior to this weekend’s screening, Joseph McBride will sign copies of his new book which gives the series its title.

(NINOTCHKA is on a double-bill with one of Margaret Sullavan’s best films THE SHOP AROUND THE CORNER.)

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NINOTCHKA and THE SHOP AROUND THE CORNER, Saturday, July 7, at 7:30 pm.

Booksigning at 6:30 pm.

BILLY WILDER THEATER, HAMMER MUSEUM, 10899 Wilshire Boulevard, Westwood, Los Angeles.

cinema.ucla.edu/ninotchka-shop-around-corner

See Richard Brody on the film: newyorker.com/ninotchka

Joseph McBride, How Did Lubitsch Do It? (New York: Columbia University Press, 2018).

cup.columbia.edu/how-did-lubitsch-do-it

Greta Garbo in 1939. Ninotchka publicity photograph by Clarence Bull.

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