DAVID CRONENBERG — THE SHROUDS
It begins as a dream. A moth, incorporating its own light source, hovers over a form. A director—a hybrid “I” in a hall of mirrors—considering a body of work. A shroud—a curtain that descends and enfolds—is embedded with cameras. Once
WILL RAWLS — [SICCER] AT ICA LA AND REDCAT
As a corrective to a corrective, [siccer] utilizes choreographed movement, video installation, green screen, and stop-motion photography to plot paths by which Black performance can reject Western forms of classification without resolution—a state of continuous evolution and becoming.
ALAIN GUIRAUDIE —MISERICORDIA
The films of writer-director Alain Guiraudie—who exploded on the international scene with his 2013 feature Stranger by the Lake—take us to a place out of time, roughly reflecting the years of the filmmaker’s coming of age through his maturity without
