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Participant Inc and the Portland Institute for Contemporary Art presents DOOMSCROLLING—MICHELLE HANDELMAN X SHANNON FUNCHESS , a video premiere including excerpts from Hustlers & Empires; Irma Vep, the Last Breath, and Dorian, a Cinematic Perfume.  The readings and performances will feature

A celebration of self-dramatization as theory, practice, and salvation, MIGUEL’S WAR is the story of Miguel Jelelaty Obeid—conference interpreter, singer, musician, provocateur. Growing up queer in Lebanon, he was a young militia member in the 1980s during the country's civil

Wayne McGregor presents live performances of his NO ONE IS AN ISLAND during Frieze London. A collaboration between the choreographer and Random International, the event is a co-production of Superblue and BMW i. Company Wayne McGregor dancers Rebecca Bassett-Graham and

In the name of finding himself, X (Will Krisanda) is disappearing. An unsuccessful actor who typically auditions for bit parts in indie productions as "sad trans" or "trangender best friend," he chose his moniker not as a conversation starter, but

On Sunday, Okwui Okpokwasili will participate in two of the opening weekend programs for the group exhibition WITCH HUNT at the Hammer Museum and the Institute of Contemporary Art Los Angeles. Utilizing the Hammer’s courtyard and outdoor spaces, the artist will

The annual New Original Works Festival is back—on stage and in person—at REDCAT. Week One features presentations of Marissa Brown’s new movement work The ocean is six miles deep, Melissa Cisneros’ duet Togetherness—developed with dancer Eric Geiger and designer Harry Foster—and

The question of the use of violence by the state is a major source of debate in today’s France. From the working class districts to the city centers where demonstrations take place, images and accounts of police violence are flooding

I loved the credits sequences in movies when I was a kid. I think that's where I learned the initial impact of a word in an expanded space and how it could move you or engage you. Engage me. I

Holding on to their snobbery if not their pride, the bourgeois mother and daughter at the center of Ulman’s tragicomic farce EL PLANETA have been on an irrevocable economic slide since the recent death of the family patriarch, forcing Leonor

It isn't hard to love a town for its greater and its lesser towers, its pleasant parks or its flashing ballet. Or for its broad and bending boulevards, where the continuous headlights follow, one dark driver after the next, one