It begins as a dream. A moth, incorporating its own light source, hovers over a form. A director—a hybrid “I” in a hall of mirrors—considering a body of work. A shroud—a curtain that descends and enfolds—is embedded with cameras. Once

As a corrective to a corrective, [siccer] utilizes choreographed movement, video installation, green screen, and stop-motion photography to plot paths by which Black performance can reject Western forms of classification without resolution—a state of continuous evolution and becoming.

The films of writer-director Alain Guiraudie—who exploded on the international scene with his 2013 feature Stranger by the Lake—take us to a place out of time, roughly reflecting the years of the filmmaker’s coming of age through his maturity without

In addition to the art fairs—Felix, The Other Art Fair, Frieze Los Angeles, and newcomer Post-Fair—local institutions, galleries, and alternative art spaces are presenting a wealth of special events, programs, and exhibitions.

Whether you are an artist, an activist, a cultural advocate—or all of the above—directly or indirectly impacted by the catastrophic fires that continue to burn in the Los Angeles area, there is relief you can seek and programs you can

“I was always a hoarder. One of my teenage best friends used to accuse me of buying records so that I could look through the holes. I was also an obsessive fan, attracted to the scraps of ephemera that had

The artist Katerina Jebb didn’t plan to be a photographer, nor an artist. Neither did she receive a formal education in art, cinema, or photography. She found it on her own. Or one can wonder if these disciplines didn’t find

MARIA finds the soprano Maria Callas in the last week of her life, stalking her grand Paris apartment, dressed to the nines, humoring her butler and housemaid, hoarding and abusing Mandrax. Haunted by her final public performance three years prior, she

PST ART: ART & SCIENCE COLLIDE—a Getty initiative and landmark regional event that explores the intersections of art and science, past and present—is bringing excitement to the art community and visitors from around the world.

EMILIA PÉREZ is a sui generis achievement, an uncanny blend of crime thriller and full-blown musical that rarely devolves into camp. The song and dance numbers appear as integral parts of a whole rather than mere sketches. Performing original compositions