AKHNATEN transports us into an ancient, nearly forgotten civilization, where time, space, color, and form operate differently—still mysterious, still elusive. A world we can only imagine, and dream—exactly what art, at its best, allows us to do.

FALSTAFF is a operatic marvel of comic invention where nearly every line of the libretto is some form of false flattery.

ERUPCJA—a descendant of the narrated works of Varda, Godard, Rohmer, et al, that delights in and pays tribute to the mythologies we create around the poetry of happenstance—is a chosen-family affair joining the writing and acting talents of Charli xcx,

Some L.A. ART WEEK highlights for 2026

Oscar Tuazon’s new exhibition in Spain is on view through the first week of February.

Director Mascha Schilinski’s SOUND OF FALLING—an affective incantation of images and narrative voices—illuminates memory’s unreliability with imaginative force and style.

“Working with Satyajit Ray was like stepping into the mind of a quiet genius—every word, every gesture mattered, and he had this rare ability to make you discover depths in yourself you didn’t know existed.” — Simi Garewal

On December 19, 1974, enlisted by writer Linda Rosenkrantz to describe the previous day for posterity, Peter Hujar accidentally captures an entire world in a few hours of considered recollection—now given elegiac, 76-minute form by Ira Sachs in his moving

It’s family day at the Framingham art museum: Mom (Alana Haim), dad (Josh O’Connor), chatty precocious son Carl (Sterling Thompson) and his much quieter brother Tommy (Jasper Thompson). So far, so good, except dad is casing the joint. So begins

A note-perfect transference from page to screen, Oliver Hermanus’s new film “The History of Sound” concentrates the promise of its title into an aching minor key.