This story of Hasna (Nisrin Erradi) and her coworkers as they work the fields of Spain picking strawberries is one of exploitation but ultimately empowerment, as the bonds of solidarity once again prove unbreakable.

Fanny Liatard and Jérémy Trouilh’s beautifully realized new film centers “resignation syndrome” as a portal to magic realism.

“In a political trial, we must speak above the heads of the judges, to public opinion as a whole, obliging the public authorities to assume their responsibilities.” — Gisèle Halimi

Annie Sprinkle and Beth Stephens are touring the country with their sui generis documentary PLAYING WITH FIRE: AN ECOSEXUAL EMERGENCY, the third their a series of ecosexual films.

A remarkable twist to the standard lovers-on-the-run genre, EN EL CAMINO—screening twice at the 2026 Hola Mexico Film Festival—is an explicit revelation of both the tenderness and extreme brutality of life on the road, laying bare a world where affinities

In HOLDING BLUE at Regen Projects, Catherine Opie embarks on a quintessential quest through Nordic territory in search of the blue hour. Part meditative, part symbolic, this series of mountain portraits—gigantic natural elements suspended between earth and sky—transports the viewer

During New York City Ballet’s four-dance program, the opening night audience was treated to a marvelous demonstration of the company’s strengths—their exquisite grace and precision, even to the edge of abandon.

Listening to Yefim Bronfman’s breathtaking recital at the Walt Disney Concert Hall this past March, one is led to wonder whether genius is inherited—embedded in one’s DNA—or whether it can emerge through discipline, labor, and profound artistic influences.

Join filmmakers Harry Dodge, Silas Howard, and Steak House for special 4K restoration screenings of BY HOOK OR BY CROOK, an essential missing link in cinema’s buddy-film genre.

An unusual visitation occurred this past week when Sara Sachs presented a rare public engagement of a performance work titled LYING, a “choreographed, singing sculpture” that found, for four nights, a suitable home at New Theater Hollywood.