TRINH T. MINH-HA — WHAT ABOUT CHINA?
WHAT ABOUT CHINA?—the new film by Trinh T. Minh-ha, which draws from footage the artist shot in the early 1990s—is screening in Berlin at HKW and in New York at the Whitney.. In its meditation of the great migration to
ALMA’S RAINBOW — VICTORIA GABRIELLE PLATT IN CONVERSATION
To mark the 4K restoration of Ayoka Chenzira’s ALMA’S RAINBOW, join lead actor Victoria Gabrielle Platt for a post-screening conversation in Santa Monica.
REMEMBERING ISSEY MIYAKE
Remembering Monsieur Miyake — a 2011 conversation with the late designer.
MIRIAM CAHN IN VENICE
At the 59th Venice Biennale, Miriam Cahn’s installation of paintings and drawings is on view through the end of November.
KRZYSZTOF KIEŚLOWSKI RESTORATIONS — BLUE, WHITE, RED
This weekend, Krzysztof Kieślowski’s THREE COLORS TRILOGY opens in Santa Monica with an American Cinematheque triple feature of the 4K restorations. Adapting the post-revolutionary values attached to the colors of the French flag—liberté (blue), égalité (white), fraternité (red)—through the lens
OLIVIA LAING AND JOEY SOLOWAY IN CONVERSATION
For the concluding program in this summer's Virtual Radcliffe Book Talks, Laing will read from her latest book Everybody: A Book About Freedom and join Joey Soloway for a conversation about its themes.
FRANCESCA WOODMAN — ALTERNATE STORIES
For the Marian Goodman Gallery publication FRANCESCA WOODMAN: ALTERNATE STORIES—a selection of over forty vintage photographs, many of which have never before been seen—Chris Kraus has written a new essay on Woodman’s work, drawing on the artist’s journals and letters.
CHRISTOPHER PETIT — RADIO ON
This weekend, Brain Dead Studios presents a rare Los Angeles screening of Christopher Petit’s debut feature RADIO ON, produced by Wim Wenders. A 1979 musical road trip from London to Bristol, RADIO ON frames its story of a brother (David
KING LIZ
A rich vein of American drama flows through the country’s executive suites. Real estate, show business, high finance, sports business—the art of narrative has been well-served by those playwrights who obsess over capital’s omnivorous flows, the prizes and depredations therein.
HARRY DODGE AND SILAS HOWARD — BY HOOK OR BY CROOK
An essential missing link in cinema’s buddy-film genre, BY HOOK OR BY CROOK, in the words of co-writer/co-director Silas Howard, started out as a “a gritty, bad-cop action movie. The script was fun, but in the end lacked soul. [Harry