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Art – Paris-LA
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This weekend, GYOPO and USC present an afternoon devoted to a durational reading of DICTEE, the magnum opus by Theresa Hak Kyung Cha (1951–1982). The program will include a presentation of Cha’s artwork, introductory remarks by Yong Soon Min, Ellie

Ser Serpas presents an exhibition of work at Balice Hertling’s rue des Gravilliers location, and a second show on rue Saint-Martin made up of unused objects from the first—as well as “15 framed pages of notes from Georgian language classes

Is it liquid? Lava? An oil-based churn? An evocation of the Middle Passage? Moving in endless waves of dark matter, Arthur Jafa’s new film AGHDRA—which premiered during his recent retrospective exhibition in Denmark—is now on view at the old Gavin

Chris McKim and producer Fenton Bailey will present two screenings of their documentary WOJNAROWICZ in New York, followed by Q & A's with the filmmakers.

On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

This week, Tania Ørum, Maura Reilly, Angela Dimitrakaki, and Amelia Jones will give the keynote presentations at FAST FORWARD! A CONFERENCE ON WOMEN IN EUROPEAN ART, 1970–PRESENT, a two-day gathering at the Louisiana Museum of Modern Art in Denmark, in

On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

Barbara Hammer practiced what I would call faith-based filmmaking, of a kind that is now rare. Her work is deliberate, rigorous, and exacting in production and in post. In today’s field, there is too much control of the image, while

Join Hammer Museum chief curator Connie Butler and Nika Chilewich, curatorial assistant, for a walk-through of the museum's exhibition WITCH HUNT.

[After a break for] thirty years, I started to think about [making music] again. I wanted it not to be something that is amateurish. I want musicians to think this is okay, this is serious. Even though my recognition as