DoPe Press

Design – Paris-LA
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On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

For ELLES, DE A À Z, the tenth edition of the Triennial of Contemporary Prints, the Musée des beaux-arts du Locle in Switzerland brings together works by Laia Abril, Louise Bourgeois, Batia Suter, Sophie Wietlisbach, and Billie Zangewa—as well as

On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

NS (formerly known as Native Strategies), the performance art journal of Los Angeles, is a six-volume archive of performance art production in L.A. from 2011 to 2016. At the start NS was created to bring artists together at live performance

We want to inspire other third culture kids to acknowledge their roots. We want to give the western world a broader perspective on African culture through storytelling and design. — Daily Paper founders Jefferson Osei, Abderrahmane Trabsini, and Hussein Suleiman

I went to art school to be a painter, but was too intimidated by having to live with what I thought was the intellectual rigor of an artist, so I became a fashion designer instead. As I’ve gotten older, I’ve