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Necessarily extending a hand to keep his mother’s work alive, Salomon Bausch—chair of the Pina Bausch Foundation—reached out to the École des Sables in Dakar and Sadler’s Wells in London with the idea of restaging Bausch’s 1975 interpretation of Stravinsky’s “The Rite of Spring.” The result of this international partnership—and the first production of Bausch’s “Rite” to be performed exclusively by dancers from Africa—arrives in Los Angeles this week at the Dorothy Chandler Pavilion.

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