PHILIP GLASS — AKHNATEN
AKHNATEN transports us into an ancient, nearly forgotten civilization, where time, space, color, and form operate differently—still mysterious, still elusive. A world we can only imagine, and dream—exactly what art, at its best, allows us to do.
GIUSEPPE VERDI — FALSTAFF
FALSTAFF is a operatic marvel of comic invention where nearly every line of the libretto is some form of false flattery.
PETE OHS — ERUPCJA
ERUPCJA—a descendant of the narrated works of Varda, Godard, Rohmer, et al, that delights in and pays tribute to the mythologies we create around the poetry of happenstance—is a chosen-family affair joining the writing and acting talents of Charli xcx,
OSCAR TUAZON — MOON POEM
Oscar Tuazon’s new exhibition in Spain is on view through the first week of February.
MASCHA SCHILINSKI — SOUND OF FALLING
Director Mascha Schilinski’s SOUND OF FALLING—an affective incantation of images and narrative voices—illuminates memory’s unreliability with imaginative force and style.
SATYAJIT RAY — THE 4K RESTORATION OF DAYS AND NIGHTS IN THE FOREST
“Working with Satyajit Ray was like stepping into the mind of a quiet genius—every word, every gesture mattered, and he had this rare ability to make you discover depths in yourself you didn’t know existed.” — Simi Garewal
ALMODÓVAR AT THE ACADEMY MUSEUM — MATADOR RESTORATION PREMIERE
“I’m fed up being linked to seediness. Beauty in all its manifestations is going to be key in MATADOR.” — Pedro Almodóvar, 1986
IRA SACHS — PETER HUJAR’S DAY
On December 19, 1974, enlisted by writer Linda Rosenkrantz to describe the previous day for posterity, Peter Hujar accidentally captures an entire world in a few hours of considered recollection—now given elegiac, 76-minute form by Ira Sachs in his moving
THE AMERICAN FRENCH FILM FESTIVAL — ENZO
On the closing evening of The American French Film Festival 2025, join Élodie Bouchez for the American premiere of ENZO, a film by Laurent Cantet, directed by Robin Campillo.