DoPe Press

Performance – Paris-LA

The Institute of Contemporary Art exhibition “My Barbarian” is a three-channel video installation of a two-hour compilation of new edits of its performance work and archive, much if it previously unseen. The single gallery presentation also includes sculptures, paintings, drawings,

Matthew López’s THE INHERITANCE—at the Geffen Playhouse in a production directed by Mike Donahue—is inspired by E. M. Forster’s 1910 novel Howards End. A cursory awareness of “Morgan” Forster’s position in literary history and the queer pantheon is useful. After

On the occasion of her New York show Everything Will Change, join Jutta Koether for a musical reception at Reena Spaulings.

Marking the closing weeks of her New Museum Screens Series, Naomi Rincón Gallardo presents a special performative screening of The Formaldehyde Trip, the artist's 2017 film made in honor of murdered human rights activist Alberta “Bety” Cariño.

A death in the family, a mother's anguish. Join playwright Octavio Solis and his cast at REDCAT for the world premiere of SCENE WITH CRANES. Directed by Chi-wang Yang and set in East Los Angeles, the production marks the twentieth anniversary

The third part of Driscoll’s “Thank You for Coming” series—following “Attendance” and “Play”—THANK YOU FOR COMING: SPACE is the artist’s “solo” collaboration with the audience and an interactive set, presented this week at REDCAT in Los Angeles for three performances.

For the long-awaited opening of the exhibition JOAN JONAS at Haus der Kunst—originally scheduled for 2018—the artist will present performances of Mirror Piece I & II (1969/2018). And in November, the museum will host the European premiere of Jonas’ new Out

Very Be Careful—performance advocates of vallenato, the folk music of Colombia’s Caribbean coast—celebrates its silver anniversary at Human Resources Los Angeles with a photography show by Keith Sirchio and opening night party.

The NEW ORIGINAL WORKS FESTIVAL 2022 opens this week with a triple bill of dance and music performances at REDCAT. “Restless autumn, restless spring”—presented by Achinta S. McDaniel and her Blue13 Dance Company—works from a Fluxus-inspired score in its “response

A rich vein of American drama flows through the country’s executive suites. Real estate, show business, high finance, sports business—the art of narrative has been well-served by those playwrights who obsess over capital’s omnivorous flows, the prizes and depredations therein.