Usually set in a castle in Denmark during the Middle Ages, Robert O’Hara’s reinvention of Hamlet brings our current century to the play, yet it remains a period piece. Or rather, a piece of many periods, depending on who’s doing

As a corrective to a corrective, [siccer] utilizes choreographed movement, video installation, green screen, and stop-motion photography to plot paths by which Black performance can reject Western forms of classification without resolution—a state of continuous evolution and becoming.

In addition to the art fairs—Felix, The Other Art Fair, Frieze Los Angeles, and newcomer Post-Fair—local institutions, galleries, and alternative art spaces are presenting a wealth of special events, programs, and exhibitions.

Ohad Naharin has described MOMO as two works running concurrently—70 minutes total—a bifurcation (or doubling) that plays with focus and distraction. Set mostly to the Hurricane Sandy-inspired album Landfall by Laurie Anderson and the Kronos Quartet, an all-male quartet adopts

“I think that when you feel connected and are not distracted, there is a greater increased possibility that you will feel joy.” And the possibilities of feeling joy are particularly desired right now in these harsh days of early 2025.

“I was always a hoarder. One of my teenage best friends used to accuse me of buying records so that I could look through the holes. I was also an obsessive fan, attracted to the scraps of ephemera that had

Dodie Bellamy, Semiotext(e), 2220 Arts + Archives, Small Press Traffic, and Giorno Poetry Systems have organized a series of events in Los Angeles, San Francisco, and New York City launching Kevin Killian’s highly anticipated collection SELECTED AMAZON REVIEWS.

PST ART: ART & SCIENCE COLLIDE—a Getty initiative and landmark regional event that explores the intersections of art and science, past and present—is bringing excitement to the art community and visitors from around the world.

Following the brilliance of the opening week events, join hosts Miss Barbie-Q (October 22) and Dynasty Handbag (October 29) for weeks two and three of 21 & OVER, the Performance Art Museum’s presentation at Catch One.

At the beginning of September, I brought my five-year-old daughter to an evening performance of “Le Carnaval des animaux” / “Carnival of the Animals,” by Camille Saint-Saëns. This seemed the perfect opportunity to introduce her to a masterpiece, with Gustavo