Annie Sprinkle and Beth Stephens are touring the country with their sui generis documentary PLAYING WITH FIRE: AN ECOSEXUAL EMERGENCY, the third their a series of ecosexual films.

A remarkable twist to the standard lovers-on-the-run genre, EN EL CAMINO—screening twice at the 2026 Hola Mexico Film Festival—is an explicit revelation of both the tenderness and extreme brutality of life on the road, laying bare a world where affinities

Meticulous in sound design and choreography, with a rich visual formality that gives fresh meaning to the term “sunshine noir,” a deliberate and inevitable sense of torpor overwhelms FILIPIÑANA’s mise en scène.

In her third feature, Carla Simón once again draws a fictionalized veil over an autobiographical armature, paying gentle tribute to lives cut short and dreams unrealized.

Join filmmakers Harry Dodge, Silas Howard, and Steak House for special 4K restoration screenings of BY HOOK OR BY CROOK, an essential missing link in cinema’s buddy-film genre.

ERUPCJA—a descendant of the narrated works of Varda, Godard, Rohmer, et al, that delights in and pays tribute to the mythologies we create around the poetry of happenstance—is a chosen-family affair joining the writing and acting talents of Charli xcx,

Director Mascha Schilinski’s SOUND OF FALLING—an affective incantation of images and narrative voices—illuminates memory’s unreliability with imaginative force and style.

“Working with Satyajit Ray was like stepping into the mind of a quiet genius—every word, every gesture mattered, and he had this rare ability to make you discover depths in yourself you didn’t know existed.” — Simi Garewal

“I’m fed up being linked to seediness. Beauty in all its manifestations is going to be key in MATADOR.” — Pedro Almodóvar, 1986

On December 19, 1974, enlisted by writer Linda Rosenkrantz to describe the previous day for posterity, Peter Hujar accidentally captures an entire world in a few hours of considered recollection—now given elegiac, 76-minute form by Ira Sachs in his moving