OCTAVIO SOLIS — SCENE WITH CRANES
A death in the family, a mother's anguish. Join playwright Octavio Solis and his cast at REDCAT for the world premiere of SCENE WITH CRANES. Directed by Chi-wang Yang and set in East Los Angeles, the production marks the twentieth anniversary
BETONY VERNON IN LOS ANGELES
This weekend, join Betony Vernon at the “Paradise Found” book launch in the garden courtyard of Hauser & Wirth Los Angeles.
A year after her death, the world of Kaari Upson continues to grow. “Never, never ever, never in my life, never in all my born days, never in all my life, never”—an exhibition of some of her final works, including
CAROLEE SCHNEEMANN — BODY POLITICS
Her landmark performance work—solo and group—her films and kinetic assemblages, her paintings and multimedia installations. In a series of gallery exhibitions and public programs, screenings, and events, CAROLEE SCHNEEMANN—BODY POLITIC brings it all together at the Barbican, her first major
DAVID BOWIE — MOONAGE DAYDREAM
Early on in the explosive new sight and sound spectacle MOONAGE DAYDREAM—a kaleidoscopic, experiential take on David Bowie’s art and philosophy by documentarian Brett Morgen—footage of the transcendent performance of “Wild-Eyed Boy from Freecloud” and its segue into “All the
SIERRA PETTENGILL — RIOTSVILLE, U.S.A.
“A door swung open in the late 1960s. Nothing that big or bright had ever happened, and in so many American cities. And someone, something, sprang up and slammed it shut. 1967 had given the Establishment proof that something was
FAYE DRISCOLL — THANK YOU FOR COMING: SPACE
The third part of Driscoll’s “Thank You for Coming” series—following “Attendance” and “Play”—THANK YOU FOR COMING: SPACE is the artist’s “solo” collaboration with the audience and an interactive set, presented this week at REDCAT in Los Angeles for three performances.
Taciturn, gloriously reptilian, and profoundly alone, María (Teresa Sánchez) runs her rural Jalisco tequila factory with a stern butchness that cannot forestall a series of events that threaten everything she's worked for. A plague is wiping out her agave crop,
JOAN JONAS PERFORMANCES
For the long-awaited opening of the exhibition JOAN JONAS at Haus der Kunst—originally scheduled for 2018—the artist will present performances of Mirror Piece I & II (1969/2018). And in November, the museum will host the European premiere of Jonas’ new Out
FRANÇOIS OZON — PETER VON KANT
François Ozon’s PETER VON KANT—a genuflection and almost-camp homage—is a loose adaptation of Rainer Werner Fassbinder’s The Bitter Tears of Petra von Kant. Gender-switched to accommodate a more realistic portrayal of the German director’s obsession with actor Günther Kaufmann, PETER