DORIAN WOOD — CANTO DE TODES
Dorian Wood: “The idea of impermanence can be frightening for many of us. We enter spaces that can offer familiarity and comfort, and in doing so we accept the relative briefness of what these spaces offer us. With CANTO DE
LUKAS DHONT — CLOSE
CLOSE, Lukas Dhont’s deeply felt new feature, portrays the fraught passage from childhood to adolescence—from an age of blind trust to one of knowledge and suspicion—as lived by best friends Léo and Rémi. Fresh from a summer spent investigating the
LOSING GROUND AT 40 — SCREENING AND SYMPOSIUM
This weekend, to mark the fortieth anniversary of Kathleen Collins’ LOSING GROUND—one of the first feature-length motion pictures directed by a Black American woman—the Academy Museum, the California African American Museum, and USC’s Visions and Voices program presents a screening
FILM MAUDIT 2.0 — TO WHOEVER WANTS TO LISTEN
For filmmaker and radio programmer Jérôme Florenville, the “fringe” is the center and the alternative his home. His latest documentary—TO WHOEVER WANTS TO LISTEN / A QUI VEUT BIEN L’ENTENDRE, filmed on a discrete set—presents the communities of Noise and
JAFAR PANAHI — NO BEARS
NO BEARS—written, directed, and produced by Jafar Panahi, the great image smuggler of contemporary cinema—is an astonishing examination of narrative responsibility and the consequences of visual depiction. Set in a rural Iranian border town, Panahi is directing—remotely, via computer—a film
A.L. STEINER — PROLOGUE: DISASTER PARADISE
These photographs—believed lost but discovered in a dusty crate locked away for two decades from the damaging effects of light—enter our current image-world like a breath of fresh air. They originate at the tail end of human analog time circa
REBECCA MORRIS — ARTIST WALKTHROUGH
Join Rebecca Morris and ICA LA’s Asuka Hisa for a personal tour of the exhibition REBECCA MORRIS — 2001–2022. A reception with light refreshments and bites will follow the closing-weekend walkthrough.
TOM OF FINLAND — OPENING PANEL AND RECEPTION
A panel discussion and reception will kick off the exhibition TOM OF FINLAND: HIGHWAY PATROL, GREASY RIDER. AND OTHER SELECTED WORKS at David Kordansky Gallery in New York. Join Nayland Blake, Claire Gilman, Brontez Purnell, and Durk Dehner—keeper of the
