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CHANGE AGENTS READING LIST — C – Paris-LA
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CHANGE AGENTS READING LIST — C

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On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

 

Susan E. Cahan — Mounting Frustration: The Art Museum in the Age of Black Power. Durham, NC: Duke University Press, 2016.

Miriam Cahn Writing in Rage. Translated by Richard Humphrey. Berlin: Hatje Cantz, 2019.

Ich als Mensch. Edited by Jana Baumann. Texts by Tess Edmonson, Natalia Sielewicz, Adam Szymczyk, and Baumann. Interview by Patricia Falguières, Élisabeth Lebovici, and Nataša Petrešin-Bachelez. Munich: Haus der Kunst; Hirmer, 2019.

Claude Cahun Disavowals, or Cancelled Confessions [Aveux non avenues, 1930]. Translated by Susan de Muth. Cambridge, MA: MIT Press, 2008.

— Claude Cahun: The Sensual Politics of Photography. By Gen Doy. London: I. B. Tauris, 2007.

Absence Where As: (Claude Cahun and the Unopened Book). By Nathanaël. Brooklyn: Nightboat Books, 2009.

Ingrid Calame Trace. Texts by Fiona Bradley, Brian Dillon, Michael Newman. Edinburgh: Fruitmarket Gallery, 2011.

In Process. Text by Dr. Marcelle Polednik. Monterey, CA: Monterey Museum of Art, 2011.

— Being Born. Edited by Jochen Kienbaum. Cologne: Snoeck, 2016.

Sophie Calle True Stories. Fifth edition. Arles, France: Actes Sud, 2016.

Julia Margaret Cameron — Julia Margaret Cameron. By Virginia Woolf, Cameron, and Roger Fry. Los Angeles: Getty Publications, 2018.

Helen Cammock Che si può fare (What Can Be Done). Edited by Laura Smith. London: Whitechapel Gallery, 2019.

Ellen Cantor “I’m Still Coming”: Coming to Power Exhibitions 2016 & 1993. New York: Capricious, 2017.

Cao Fei Cao Fei. Edited by Susanne Gaensheimer and Kathrin Bessen. Düsseldorf: Kunstsammlung Nordrhein-Westfalen; Munich: Hirmer, 2018.

Squeak Carnwath — Horizon on Fire: Works on Paper 1979–2013. Edited by Bart Schneider. Berkeley, CA: Kelly’s Cove Press, 2014.

Leonora Carrington Down Below [1944]. New York: New York Review Books, 2017.

— The Hearing Trumpet [1976]. New York: New York Review Books, 2021.

Charlene A. Carruthers — Unapologetic: A Black, Queer, and Feminist Mandate for Radical Movements. Boston, Beacon Press, 2018.

Anne Carson — H of H Playbook. New York: New Directions, 2021.

Fiona Carson and Claire Pajaczkowska — Feminist Visual Culture. Edited by Carson and Pajaczkowska. New York: Routledge, 2001.

Ginny Casey and Jessi Reaves — Ginny Casey & Jessi Reaves. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2018.

Jordan Casteel — Within Reach. Edited by Massimiliano Gioni. New York: New Museum, 2020.

Sara Castrejón, Graciela Iturbide, and Tatiana Parcero — Revolution and Ritual: The Photographs of Sara Castrejón, Graciela Iturbide, and Tatiana Parcero. Edited by Mary Davis MacNaughton. Los Angeles: Getty Publications, 2017.

Elizabeth Catlett — The Art of Elizabeth Catlett. By Samella Lewis. Claremont, CA: Hancraft Studios, 1984.

— In the Image of the People. By Melanie Anne Herzog. Chicago: Art Institute of Chicago; New Haven, CT: Yale University Press, 2005.

— An American Artist in Mexico. By Melanie Anne Herzog. Seattle: University of Washington Press, 2005.

Leda Catunda — Leda Catunda 1983­–2008. São Paulo: Estação Pinacoteca, 2009.

Carolina Caycedo — From the Bottom of the River. Chicago: Museum of Contemporary Art, 2020.

Germano Celant — “Laurie Anderson: Miracle in Milan.” “Dara Birnbaum.” “Louise Nevelson: The Second Birth.” “Kara Walker: Other Shadows.” In The American Tornado: Art in Power 1949–2008. Milan: Skira, 2008.

Vija Celmins — To Fix the Image in Memory. San Francisco: San Francisco Museum of Modern Art; New Haven, CT: Yale University Press, 2018.

Theresa Hak Kyung Cha — Dictée. Berkeley: University of California Press, [1982] 2009.

— Exilée/Temps morts: Selected Works. Edited by Constance M. Lewallen. Berkeley: University of California Press; Berkeley Art Museum and Pacific Film Archive, 2009. Reissued in 2022.

Helen Chadwick — Helen Chadwick: The Oval Court. By Marina Warner. London: Afterall Books, 2022.

Whitney Chadwick — Women Artists and the Surrealist Movement. London: Thames & Hudson, 1985.

— Women, Art, and Society. Sixth edition. London: Thames & Hudson, 2020.

Patty Chang — The Wandering Lake. Edited by Karen Kelly and Barbara Schroeder. New York: Queens Museum; Dancing Foxes Press, 2017.

Sarah Charlesworth — Doubleworld. Edited by Massimiliano Gioni and Margot Norton. Texts by Johanna Burton, David Clarkson, Hal Foster, Barbara Kruger, Kate Linker, Margot Norton, Lisa Phillips, Cindy Sherman, Laurie Simmons, Sara VanDerBeek, and Charlesworth. New York: New Museum, 2016.

Barbara Chase-Riboud From Memphis & Peking. New York: Random House, 1974.

Sally Hemings. New York: Viking, 1979.

Sculptor. New York: Harry N. Abrams, 1999.

Everytime a Knot is Undone, a God is Released: Collected and New Poems 1974–2011. New York: Seven Stories Press, 2014.

I Always Knew: A Memoir. Princeton, NJ: Princeton University Press, 2022.

Monumentale: The Bronzes. Texts by Christophe Cherix, Erin Jenoa Gilbert, Courtney J. Martin, Akili Tommasino, Stephanie Weissberg, and Chase-Riboud. St. Louis: Pulitzer Arts Foundation; Princeton, NJ: Princeton University Press, 2023.

Shu Lea Cheang — “Shu Lea Cheang.” By Nika Chilewich. In Witch Hunt. Edited by Connie Butler and Anne Ellegood. Los Angeles: Hammer Museum, 2021.

Sheba Chhachhi — Arc Silt Dive: The Works of Sheba Chhachhi. Edited by Kumkum Sangari. Kolkata: Tulika Books, 2016.

Judy Chicago Entering the Picture: Judy Chicago, the Fresno Feminist Art Program, and the Collective Visions of Women Artists. Edited by Jill Fields. New York: Routledge, 2011.

 — The Dinner Party: Restoring Women to History. New York: Monacelli Press, 2014.

New Views. New York: Scala Arts; Washington, DC: National Museum of Women in the Arts, 2019.

Roots of The Dinner Party. Text by Jeanne Greenberg Rohatyn. New York: Salon 94, 2019.

— Judy Chicago: To Sustain the Vision. By Géraldine Gourbe. Rennes: Shelter Books; Nice: Villa Arson, 2020.

— The Flowering: The Autobiography of Judy Chicago. New York: Thames & Hudson, 2021.

Virginia Chihota — A Thorn in My Flesh (munzwa munyama yangu). London: Tiwani Contemporary, 2014.

Gabrielle Civil — Swallow the Fish. Fairfax, VA: Civil Coping Mechanisms, 2017.

— Experiments in Joy. Fairfax, VA: Civil Coping Mechanisms, 2019.

Hélène Cixous — Tomb(e) [1970]. Translated by Laurent Milesi. Kolkata: Seagull Books, 2014.

— “The Laugh of the Medusa.” Translated by Keith Cohen and Paula Cohen. Signs 1, no. 4 (Summer 1976).

We Defy Augury. Translated by Beverley Bie Brahic. Kolkata: Seagull Books, 2020.

 — Well-Kept Ruins. Translated by Beverley Bie Brahic. Kolkata: Seagull Books, 2022.

Hélène Cixous and Catherine Clément — The Newly Born Woman [1975]. Translated by Betsy Wing. Minneapolis: University of Minnesota Press, 1986.

Lygia Clark — The Abandonment of Art. Edited by Connie Butler and Luis Pérez-Oramas.  New York: Museum of Modern Art, 2014.

Sue Coe — The Ghosts of Our Meat. Text by Stephen F. Eisenman. Carlisle, PA: Trout Gallery, Dickinson College, 2014.

Colita — Colita. Text by Laura Tarré. Barcelona: RM/Fundació Catalunya La Pedrera, 2014.

Céline Condorelli — Bau Bau. Rome: Mousse, 2017.

Céline Condorelli, Kapwani Kiwanga, Judy Radul, and Heimo Zobernig

— Demonstration Rooms: Artistic Confrontations with Space and Display at the Albertinum. Leipzig: Spector Books, 2020.

Huey Copeland — “Bye, Bye Black Girl: Lorna Simpson’s Figurative Retreat.” Art Journal 64, no. 2 (Summer 2005).

Joan Copjec — Imagine There’s No Woman: Ethics and Sublimation. Cambridge, MA: MIT Press, 2003.

Mary Corse — Mary Corse. Los Angeles: Inventory Press; Kayne Griffin Corcoran, 2017.

Lucy Cotter — Reclaiming Artistic Research. Edited by Cotter. Berlin: Hatje Cantz, 2019.

Laura Cottingham — Seeing Through the Seventies: Essays on Feminism and Art. Amsterdam: G+B Arts International, 2000.

Liz Craft …my life in the sunshine, 2006–2017. Los Angeles: DoPe Press, 2018.

 — New York & Beyond, 2017–2019. Text by Paul-Aymar Mourgue d’Algue. Geneva: Centre d’édition contemporaine, 2021.

Douglas Crimp — “Pictures.” October 8 (Spring 1979). Reprinted in Art After Modernism: Rethinking Representation. Edited by Brian Wallis. New York: New Museum; Boston: David R. Godine, 1984.

On the Museum’s Ruins. Photographs by Louise Lawler. Cambridge, MA: MIT Press, 1993.

Somaya Critchlow — Paintings. Text by Amanda Renshaw. Milan: Skira, 2022.

Laboria Cuboniks — The Xenofeminist Manifesto: A Politics for Alienation. London: Verso, 2018.

Minerva Cuevas — “Minerva Cuevas.” By Nika Chilewich. In Witch Hunt. Edited by Connie Butler and Anne Ellegood. Los Angeles: Hammer Museum, 2021.

Blondell Cummings — Dance as Moving Pictures. Edited by Kristin Juarez, Rebecca Peabody, and Glenn Phillips. South Pasadena, CA: X Artists’ Books, 2022.

Rachel Cusk — “Where the Body is Buried” (Celia Paul and Cecily Brown). New York Times Magazine, November 10, 2019.

Sara Cwynar — Glass Life. Texts by Sheila Heti and Legacy Russell. New York: Aperture, 2021.

 

 

From top: Liz Craft, New York & Beyond, 2017–2019, (2021), cover image © Liz Craft, courtesy of the artist and Centre d’édition contemporaine; Liz Craft, …my life in the sunshine, 2006–2017, (2018), cover image © Liz Craft, courtesy of the artist and DoPe Press.

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