Locked out of his apartment after receiving a devastating medical diagnosis, the title character of NINO (Théodore Pellerin) would rather just stay in bed but is forced to walk the streets of Paris, encountering friends and strangers alike—a prescribed reconnection

This week at The American French Film Festival 2025, writer-director Anna Cazenave Cambet presents the North American Premiere of LOVE ME TENDER, based on the book by Constance Debré.

Close out the AFI Fest 2025 presented by Canva with the North American premiere of THE GREAT ARCH, written and directed by Stéphane Demoustier. Not a biopic about an architect per se, this very French story of the creation of

Join Chilean filmmaker Diego Céspedes, who brings his debut feature “The Mysterious Gaze of the Flamingo” to AFI Fest 2025 presented by Canva. The screening will be followed by a conversation with the writer-director.

Centered around a riveting 50-minute custody hearing shot in real time, “We Believe You” is the debut feature from the writing and directing team Charlotte Devillers and Arnaud Dufeys. Taking on a Rashomon effect as the estranged parents of two

It’s family day at the Framingham art museum: Mom (Alana Haim), dad (Josh O’Connor), chatty precocious son Carl (Sterling Thompson) and his much quieter brother Tommy (Jasper Thompson). So far, so good, except dad is casing the joint. So begins

A note-perfect transference from page to screen, Oliver Hermanus’s new film “The History of Sound” concentrates the promise of its title into an aching minor key.

With comedic precision, SUSPENDED TIME turns the stasis of the recent pandemic years into a time machine, detailing the customs, passions, and neuroses of a pair of brothers quarantined in semi-rural isolation.

“The exhibition’s selection of works, ranging from sculpture and poetry to installation and architectural gestures, makes it a place to listen and interact, a space where water is not just shown, but expresses itself—with its voice, its physical presence, its

Eileen Gray recognized her good fortune. The fact that she was born into a rich family, she said, allowed her to become an artist. Allowed her the time to consider and develop, at her own pace, an aesthetic well suited