KANDIS WILLIAMS — A FIELD
Kandis Williams’ exhibition A FIELD—an installation incorporating sculpture, photography, and video—“considers horticultural environments to explore the ways in which people, much like the crops they cultivate, can be subject to exploitation and control. By examining systems that seek to classify
CHERYL I. HARRIS ON THE ATTACK ON CRITICAL RACE THEORY
On the occasion of the exhibition KANDIS WILLIAMS—THE ABSOLUTE RIGHT TO EXCLUDE: REFLECTIONS ON AND IMPLICATIONS OF CHERYL HARRIS’ WHITENESS AS PROPERTY, LAXART presents a conversation with Harris—professor at the UCLA School of Law—on the right-wing backlash against critical race