DoPe Press




On the occasion of the publication of PARIS LA 17—CHANGE AGENTS: An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.


Leilah Babirye — Leilah Babirye. Edited by Gerrie van Noord, Jonathan Horrocks, and Tamsin Huxford. Texts by Lauren O’Neill-Butler and Rianna Jade Parker. London: Stephen Friedman Gallery; New York: Gordon Robichaux, 2021.

Judith F. Baca — Judith F. Baca. By Anna Indych-López. Minneapolis: University of Minnesota Press, 2018.

Caroline Bachmann — Caroline Bachmann. Edited by Julie Enckell. Text by Paul Bernard. Interview by Enckell. Zürich: Scheidegger and Spiess, 2022.

Alexandra Bachzetsis — An Ideal for Living. Edited by Alexandra Bachzetsis and Olivier Kaeser. Texts by Paul B. Preciado. Paris: Centre culturel suisse, 2018.

Show Time Book / Book Time Show. Texts by Tawny Andersen and Amelia Jones, Michel Auder, Julia Born, Hendrik Folkerts, Bonaventure Soh Bejeng Ndikung, Paul B. Preciado, Joke Robaard, Dorota Sajewska, Safiya Sinclair, Adam Szymczyk, and Arnisa Zeqo. Amsterdam: Roma Publications, 2023.

Jo Baer Jo Baer. Cologne: Walther König, 2013.

Up Close in the Land of the Giants. New York: Pace Publishing, 2021.

Firelei Báez — To Breathe Full and Free. Texts by Carla Acevedo-Yates, Mark Godfrey, and Legacy Russell. Interviews by Thelma Golden and Eva Respini. New York: Gregory R. Miller, 2022.

Nairy Baghramian — Déformation Professionnelle. Edited by Martin Germann and Vincenzo de Bellis. Ghent: S.M.A.K.; Minneapolis: Walker Art Center; Munich: Prestel, 2019.

Misfits. Edited by Bruna Roccasalva. Texts by Manuela Ammer, Roccasalva, and Baghramian. Bologna: Fondazione Furla; Milan: Lenz Press, 2021.

Mieke Bal — A Mieke Bal Reader. Chicago: University of Chicago Press, 2006.

Sarah Ball — Sarah Ball. Edited by Jonathan Horrocks, Tamsin Huxford, and Gerrie van Noord. Texts by Flavia Frigeri and Philomena Epps. London: Stephen Friedman Gallery, 2022.

Erika Balsom and Hila Peleg — Feminist Worldmaking and the Moving Image. Edited by Balsom and Peleg. Cambridge, MA: MIT Press, 2022.

Rina Banerjee — Make Me a Summary of the World. Edited by Jodi Throckmorton. Philadelphia: Pennsylvania Academy of the Fine Arts; San José, CA: San José Museum of Art, 2019.

Fiona Banner — Performance Nude. London: Other Criteria Books, 2009.

Beverly Barkat — Evocative Surfaces. Text by Sally Haftel Naveh. Venice: Marsilio Editori, 2018.

Phyllida Barlow — Brink. Edited by Brigitte Franzen. Aachen, Germany: Ludwig Forum, 2013.

— Fifty Years of Drawings. Edited by Sara Harrison. Text by Hans Ulrich Obrist. Geneva: JRP Ringier, 2014.

Cul-de-sac. London: Royal Academy of Art, 2019.

— Frontier. Edited by Haus der Kunst and Damian Lentini. Munich: Hirmer, 2021.

Collected Lectures, Writings, and Interviews. Edited by Sara Harrison. Zürich: Hauser & Wirth, 2021.

Yto Barrada — My Very Educated Mother Just Served Us Nougat. Edited by Laura Barlow and Wadha Al Aqeedi. Milan: Silvana Editoriale, 2021.

Itziar Barrio — Itziar Barrio. Texts by Johanna Burton, Jill H. Casid, Manuel Cirauqui, Lia Gangitano, Mireia Molina Costa, and Alexandre Viladrich. Milan: Skira, 2023.

Yael Bartana — And Europe Will Be Stunned. Edited by Joa Ljungberg and Andreas Nilsson. Texts by Joshua Simon and Ljungberg. Interview by Charles Esche and Galit Eilat. Stockholm: Moderna Museet, 2015.

Uta Barth White Blind (Bright Red). Edited by Charles Stainback. Text by Jan Tumlir. Santa Fe: SITE, 2004.

The Long Now. New York: Gregory R. Miller, 2010.

Jennifer Bartlett — Air: 24 Hours—Jennifer Bartlett. By Deborah Eisenberg. New York: Abrams, 1994.

— Early Plate Work. By Brenda Richardson. Andover, MA: Addison Gallery of American Art, Phillips Academy, 2006.

History of the Universe: Works 1970–2011. Texts by Klaus Ottman, Terrie Sultan, and Bartlett. Water Mill, NY: Parrish Art Museum, 2013.

Letizia Battaglia — Photography as a Life Choice. Francesca Alfano Miglietti. Venice: Marsilio Editori, 2019.

Kathy Battista — New York New Wave: The Legacy of Feminist Art in Emerging Practice. London: I.B. Tauris, 2019.

Pina Bausch — The Pina Bausch Sourcebook: The Making of Tanztheater. Edited by Royd Climenhaga. London: Routledge, 2013.

Hannah Beachler, with Jacqueline Stewart and Toni L. Griffin — Design in a Frame of Emotion. Cambridge, MA: Harvard University Graduate School of Design; Berlin: Sternberg Press, 2020.

Shirley Bear — Nekt wikuhpon ehpit/Once There Lived a Woman: The Painting, Poetry and Politics of Shirley Bear. Fredericton, NB: Beaverbrook Art Gallery, 2019.

Rosemarie Beck — Letters to a Young Painter and Other Writings. Edited by Eric Sutphin. Chicago: Soberscove Press, 2018.

Julie Becker — “Julie Becker.” By Ali Subotnick. In Nine Lives: Visionary Artists from L.A. Los Angeles: Hammer Museum, 2009.

— “Julie Becker.” By Peter Wollen. Afterall 2 (2009).

— “Passages: Julie Becker.” By Chris Kraus. Artforum 55, no. 2 (October 2016).

Ericka Beckman Fair Game. Edited by Adam Budak and Beckman. Milan: Mousse Publishing, 2021.

Nina Beier — Cash for Gold. Milan: Mousse Publishing, 2017.

Dodie BellamyWhen the Sick Rule the World. South Pasadena, CA: Semiotext(e), 2015.

Dodie Bellamy is on our mind. Edited by Jeanne Gerrity and Anthony Huberman. San Francisco: CCA Wattis Institute for Contemporary Arts; South Pasadena, CA: Semiotext(e), 2020.

Bee Reaved. South Pasadena, CA: Semiotext(e), 2021.

Rebecca Belmore — Facing the Monumental. Edited by Wanda Nanibush. Toronto: Art Gallery of Ontario, 2018.

— Wordless: The Performance Art of Rebecca Belmore. Edited by Florene Belmore. Vancouver: Grunt Gallery; Information Office; Whistler, BC: Audain Art Museum, 2019.

Gretchen Bender — “The Windex of Vulnerability” [Gretchen Bender, 1985]. By Gary Indiana. In Vile Days: The Village Voice Art Columns, 1985–1988. Edited by Bruce Hainley. South Pasadena, CA: Semiotext(e), 2018.

Work 1981–1991. Syracuse, NY: Emerson Museum of Art, 1991.

— People in Pain. Edited by Philip Vanderhyden. New York: Metro Pictures, 2014.

Lynda Benglis — Lynda Benglis. Dijon, France: Les presses du réel, 2010.

Ninotchka Bennahum, Wendy Perron, and Bruce Robertson — Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955–1972. Berkeley: University of California Press, 2016.

Sadie Benning — Interview by Lia Gangitano. Bomb 135 (Spring 2016).

Lauren Berlant — The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham, NC: Duke University Press, 2008.

Cruel Optimism. Durham, NC: Duke University Press, 2011.

On the Inconvenience of Other People. Durham, NC: Duke University Press, 2022.

Bernadette CorporationBe Corpse. New York: Lucas and Sternberg, 2006.

— “An Independent Group? Bernadette Corporation, Post-Pop Collective.” By Janet Sarbanes. Afterall 14 (Autumn–Winter 2006).

Katherine Bernhardt — Houses. Text by David Sokol. New York: Karma, 2018.

Francesco D’Angelo. Text by D’Angelo. New York: Karma: 2019.

— “Katherine Bernhardt.” Interview by Michael Cukr. Apartamento 28 (Autumn-Winter 2021–2022).

Why is a mushroom growing in my shower? Text by Suzanne Hudson. New York: David Zwirner, 2023.

Caitlin Berrigan — A Voice Becomes a Mirror Plane Becomes a Holohedral Wand. Los Angeles: Autograph Press, 2023.

Pauline Bewick — 80: A Memoir. Galway: Arlen House, 2016.

Marquis Bey — Black Trans Feminism. Durham, NC: Duke University Press, 2022.

Huma Bhabha — They Live. Boston: Institute of Contemporary Art; New Haven, CT: Yale University Press, 2019.

Sarah Bildstein — 100 Spectres. Texts by Tanja Klemm, Karin Leonhard, and Katrin Bucher Trantow. Vienna: Verlag für moderne Kunst, 2022.

Joan E. Biren — Eye to Eye: Portraits of Lesbians. Washington, DC: Glad Hag Books, 1979.

— Making a Way: Lesbians Out Front. Washington, DC: Glad Hag Books, 1987.

Dara Birnbaum — Note(s): Work(ing) Process(es) Re: Concerns (That Take On/Deal With). New York: Franklin Furnace; Primary Information, 2021.

Reaction — Edited by Lauren Cornell, Elizabeth Chodos, Karen Kelly, and Barbara Schroeder. Brooklyn: Dancing Foxes Press; Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College; Pittsburgh: Miller ICA, 2022.

Hannah Black — Dark Pool Party. Los Angeles: Dominica, 2016.

Tuesday or September or The End. New York: Capricious, 2022.

Hannah Black, Ciarán Finlayson, and Tobi Haslett “The Tear Gas Biennial.” Artforum, July 17, 2019.

Hannah Black and Juliana Huxtable — Life: A Novel. Cologne: Walther König, 2017.

Robin Blaetz — Women’s Experimental Cinema. Edited by Blaetz. Texts by Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees. Durham, NC: Duke University Press, 2007.

Irma Blank — Eigenschriften 1968–1973. Berlin: Sternberg Books, 2019.

Valérie Blass — “Inspirational Embodiments.” Interview by Meeka Walsh and Robert Enright. Border Crossings 37, no. 4 (December 2018).

Betty Blayton-Taylor — “Betty Blayton-Taylor.” By Ashley James. In Black Refractions: Highlights from the Studio Museum in Harlem. Edited by Connie H. Choi. New York: American Federation of Arts; New York: Studio Museum in Harlem; New York: Rizzoli Electa, 2019.

Lisa E. Bloom — Jewish Identities in American Feminist Art: Ghosts of Ethnicity. London: Routledge, 2006.

Carroll Parrott Blue — The Dawn at My Back: Memoir of a Black Texas Upbringing. Austin: University of Texas Press, 2003.

Lina Bo Bardi — Drawings. By Zeuler R. M. de A. Lima. Barcelona: Fundació Joan Miró; Princeton, NJ: Princeton University Press, 2019.

Jacqueline Bobo — Black Women Film and Video Artists. Edited by Bobo. New York: Routledge, 1998.

Katinka Bock — Tomorrow’s Sculpture: Sonar, Smog, Radio. Amsterdam: Roma Publications, 2019.

Rosa Bonheur — Reminiscences of Rosa Bonheur. Edited by Theodore Stanton. London: Andrew Melrose, 1910; Cambridge: Cambridge University Press, 2019.

Rosa Bonheur: 1822–1899. Edited by Sandra Buratti-Hasan and Leïla Jarbouai. Paris: Musée d’Orsay and Musée de L’Orangerie; Flammarion, 2022.

Louise Bonnet — Louise Bonnet. Text by Flavia Frigeri. Berlin: Holzwarth, 2020.

Lee Bontecou — A Retrospective. Edited by Elizabeth A. T. Smith and Ann Philbin. Chicago: Museum of Contemporary Art; Los Angeles: Hammer Museum; New York: Harry N. Abrams, 2003.

Lee Bontecou. Texts by Joan Banach, Jeremy Melius, Laura Stamps, and Benno Tempel. Cologne: Walther König, 2017.

Monica Bonvicini I Cannot Hide My Anger. Edited by Axel Köhne and Stella Rollig. Cologne: Walther König, 2020.

— Hot Like Hell. Texts by Christina Végh and Colin Lang. Cologne: Snoeck, 2021.

Chakaia Booker — The Observance. Edited by Alex Gartenfeld and Stephanie Seidel. Munich: Hirmer, 2022.

Paloma Bosquê — Matéria. Texts by Catalina Lozano, Fernanda Brenner and Bosquê. Milan, Lenz Press, 2022.

Pauline Boty — Pauline Boty: British Pop Art’s Sole Sister. By Marc Kristal. London: Frances Lincoln, 2023.

Pauline Boudry and Renate Lorenz Aftershow. Karlsruhe, Germany: Badischer Kunstverein; Berlin: Sternberg Press, 2014.

— Moving Backwards. Edited by Charlotte Laubard. Milan: Skira, 2019.

— “Pauline Boudry / Renate Lorenz.” By Jamillah James. In Witch Hunt. Edited by Connie Butler and Anne Ellegood. Los Angeles: Hammer Museum, 2021.

Louise Bourgeois — Destruction of the Father, Reconstruction of the Father: Writings and Interviews 1923–1997. Edited by Marie-Laure Bernadac and Hans Ulrich Obrist, with Jerry Gorovoy and Robert Violette. Cambridge, MA: MIT Press, 1998.

Fantastic Reality: Louise Bourgeois and a Story of Modern Art. By Mignon Nixon. Cambridge, MA: MIT Press, 2006.

Louise Bourgeois. Edited by Frances Morris. Texts by Julia Kristeva, Élisabeth Lebovici, Mignon Nixon, Linda Nochlin, et al. London: Tate; Los Angeles: Museum of Contemporary Art, 2007.

— “The Phallic Woman: Conflict and Fragmentation in Louise Bourgeois’s Conception of the Female Body.” By Donald Kuspit. In Cornerstones. Edited by Juan A. Gaitán, Nicolaus Schafhausen, and Monica Szewczyk. Rotterdam: Witte de With; Berlin: Sternberg Press, 2011.

I Have Been to Hell and Back. Edited by Iris Müller-Westermann. Texts by Léa Vuong and Müller-Westermann. Interview by Christiane Meyer-Thoss. Stockholm: Moderna Museet, 2015.

— Intimate Geometries: The Art and Life of Louise Bourgeois. By Robert Storr. New York: Monacelli Press, 2016.

Freud’s Daughter. By Philip Larratt-Smith. Essay by Juliet Mitchell. New York: Jewish Museum; New Haven, CT: Yale University Press, 2021.

The Woven Child. Edited by Ralph Rugoff. Berlin: Hatje Cantz, 2022.

Louise Bourgeois Paintings. By Claire Davies and Briony Fer. New York: Metropolitan Museum of Art, 2022.

Louise Bourgeois and Tracey Emin — Do Not Abandon Me. New York: Hauser & Wirth; Carolina Nitsch, 2010.

Louise Bourgeois and Jenny Holzer The Violence of Handwriting Across a Page. Edited by Holzer. Geneva: JRP Editions, 2022.

Louise Bourgeois and Pablo Picasso — Louise Bourgeois & Pablo Picasso: Anatomies of Desire. Edited by Marie-Laure Bernadac. Zürich: Hauser & Wirth, 2019.

Carol Bove — Ten Hours. New York: David Zwirner Books, 2019.

Collage Sculptures. Texts by Catherine Craft and Lisa Le Feuvre. Dallas: Nasher Sculpture Center, 2022.

Andrea Bowers — Andrea Bowers. Edited by Connie Butler and Michael Darling. Chicago: Museum of Contemporary Art; Los Angeles: Hammer Museum; New York: DelMonico, 2021.

Sonia Boyce — “Gulp: Sonia Boyce and Sarah Cole in Conversation.” In On Not Knowing: How Artists Think. Edited by Elizabeth Fisher and Rebecca Fortnum. London: Black Dog Publishing, 2013.

— Thoughtful Disobedience. Edited by Sophie Orlando. Dijon: Les presses du réel; Nice: Villa Arson, 2017.

— “Defying Power: Imani Mason Jordan Reflects on Collaboration and Play in the Work of Sonia Boyce.” Frieze 226 (April 2022).

Katherine Bradford — Paintings. Edited by Dan Nadel. New York: Canada, 2018.

Flying Woman: The Paintings of Katherine Bradford. Edited by Jaime DeSimone. Texts by Nancy Princenthal and DeSimone. Portland, ME: Portland Museum of Art; New York: Rizzoli Electa, 2022.

Garrett Bradley American Rhapsody. Edited by Rebecca Matalon. Interview by Huey Copeland. Houston: Contemporary Arts Museum, 2020.

Devotion. London: Lisson Gallery; Cambridge, MA: MIT Press, 2024.

Geta Brătescu — Game of Forms. Zürich: Hauser & Wirth, 2019.

— Film and Video 1977–2018. Edited by Roland Wäspe and Lorenz Wiederkehr. Berlin: DCV, 2022.

Danielle Brathwaite-Shirley — “Beyond The Canon: Danielle Brathwaite-Shirley’s Black and Trans Rebellion.” By Farah Thompson. Texte zur Kunst 129 (March 2023).

Kerstin Brätsch — Innovation. Edited by Patrizia Dander. Texts by Kathy Halbreich, Achim Hochdörfer, Bernhard Maaz, Lanka Tattersall, Andrea Viliani, and Dander. Interview by Philippe Coulter and Allison Katz. Cologne: Walther König, 2017.

Para Psychics. Edited by Bettina Funcke. Texts by Báyò Akómoláfé, Eva Birkenstock, CAConrad, Donna Haraway, Inanna, Lucretius, Kerstin Stakemeier, Zoe Stillpass, Merlin Sheldrake, Michael Taussig, Funcke, and Brätsch. Aachen: Ludwig Forum; Cologne: Walther und Franz König, 2023.

Sascha Braunig — Sascha Braunig. Text by Sarah Lehrer-Graiwer. New York: Foxy Production, 2017.

Candice Breitz — The Scripted Life. Bregenz, AT: Kunsthaus Bregenz, 2010.

Gerda Breuer and Julia Meer — Women in Graphic Design, 1890–2012. Berlin: Jovis, 2012.

María Brito — María Brito. By Juan A. Martinez. Minneapolis: University of Minnesota Press, 2010.

Varinia Brodsky Zimmermann and Mariairis Flores Leiva Women in the Visual Arts in Chile (2010–2020). Edited by Brodsky Zimmermann and Flores Leiva. Texts by Mane Adaro Gallardo, Julia Antivilo Peña, Daniela Berger Prado, Alessandra Burotto Tarky,  Joselyne Contreras Cerda, Karen Cordero Reiman, Gloria Cortés Aliaga, Danae Díaz Jeria, Débora Fernández Cárcamo, Leslie Fernández Barrera, Cynthia Francica, Loreta González Barra, Valentina Gutiérrez Turbay, Sophie Halart de la Forest Divonne, Carol Illanes Lopéz, Andrea Jösch Krotki, Paz López Chaves, Victoria Maliqueo Orellana,  Nancy Mansilla Alvarado, Valentina Montero Peña, Soledad Novoa Donoso, Carolina Olmedo Carrasco, Maria Elena Retamal Ruiz, Paulina E. Varas, Brodsky Zimmermann, and Flores Leiva. Santiago: Ministerio de las Culturas, las Artes y el Patrimonio, 2021.

Daphne A. Brooks — Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. Cambridge, MA; Harvard University Press, 2021.

Cecily Brown — Cecily Brown. Edited by Danilo Eccher. Milan: Silvana Editoriale, 2015.

Where, When, How Often and With Whom. Edited by Anders Kold and Lærke Rydal Jørgensen. Texts by Hilton Als, Terry R. Myers, Kold, and Brown. Humlebæk, Denmark, 2019.

Cecily Brown. Texts by Courtney J. Martin, Jason Rosenfeld, and Francine Prose. London: Phaidon, 2020.

Death and the Maid. By Ian Alteveer. New York: Metropolitan Museum of Art, 2023.

Joan Brown — Joan Brown. Edited by Janet Bishop and Nancy Lim. Texts by Solomon Adler, Marci Kwon, Helen Molesworth, Bishop, and Lim. San Francisco: San Francisco Museum of Modern Art; Berkeley: University of California Press, 2022.

Lex Brown — Consciousness. Brooklyn: GenderFail Press, 2019.

Trisha Brown Choreography as Visual Art. By Susan Rosenberg. Middletown, CT: Wesleyan University Press, 2017.

 — Trisha Brown: Choreographing Life. Edited by André Mesquita. Texts by Adriana Banana, Babette Mangolte, David M. Sperling, Susan Rosenberg, Yvonne Rainer, Mesquita, and Brown. São Paulo: Museu de Arte de São Paulo Assis Chateaubriand, 2020.

Simone Browne — Dark Matters: On the Surveillance of Blackness. Durham, NC: Duke University Press, 2015.

Barbara Browning — I’m Trying to Reach You. Columbus, OH: Two Dollar Radio, 2012.

Tania Bruguera Talking to Power / Hablándole al poder. Edited by Lucía Sanromán and Susie Kantor. Texts by José Luis Falconi, Grant Kester, Suzanne Lacy, Cuauhtémoc Medina, and Peggy Phelan. San Francisco: Yerba Buena Center for the Arts, 2017.

— Tania Bruguera in Conversation with Claire Bishop. New York: Fundación Cisneros, 2020.

Rosanna Bruno and Anne Carson — The Trojan Women: A Comic. New York: New Directions, 2021.

Julia Bryan-Wilson — Fray: Art + Textile Politics. Chicago: University of Chicago Press, 2017.

Linda Goode Bryant Just Above Midtown: Changing Spaces. Edited by Thomas (T.) Jean Lax and Lilia Rocio Taboada. Texts by Eric Booker, Brandon Eng, Marielle Ingram, Kellie Jones, Yelena Keller, and Legacy Russell. Interview by Thelma Golden. New York: Studio Museum in Harlem; Museum of Modern Art, 2022.

Beverly Buchanan — “Beverly Buchanan.” By Rhea Anastas. Artforum 55, no. 5 (January 2017).

 — Beverly Buchanan: Marsh Ruins. By Amelia Groom. London: Afterall Books, 2021.

Heidi Bucher — Heidi Bucher. Edited by Karen Marta and Simon Castets. New York: Swiss Institute; Karma, 2016.

 — Metamorphoses. Edited by Jana Baumann. Berlin: Hatje Cantz, 2022.

Heidi Bucher, Olivia Erlanger, Nicola L. — Shell. By Jay Ezra Nayssan. Los Angeles: Del Vaz Projects, 2022.

Benjamin H. D. Buchloh — “Spero’s Other Traditions” (1996). In Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955–1975. Cambridge, MA: MIT Press, 2000.

Stephanie Buhmann — New York Studio Conversations: Seventeen Women Talk About Art. Edited by Buhmann. Berlin: The Green Box, 2016.

— Berlin Studio Conversations: Twenty Women Talk About Art. Edited by Buhmann. Berlin: The Green Box, 2017.

— New York Studio Conversations II: Twenty-One Women Talk About Art. Edited by Buhmann. Berlin: The Green Box, 2018.

— Los Angeles Studio Conversations: Sixteen Women Talk About Art. Edited by Buhmann. Berlin: The Green Box, 2019.

Lucy Bull — Plume. Paris: Onestar Press, 2017.

Selected Works 2019–2022. Text by Marie Heilich. Interview by Stuart Krimko. Los Angeles: David Kordansky Gallery, 2022.

Rachel Epp Buller — Reconciling Art and Mothering. Edited by Buller. London: Ashgate, 2012; Routledge, 2016.

Teresa Burga — Aleatory Structures. Edited by Heike Munder. Geneva: JRP Editions, 2018.

Kathe Burkhart — The Liz Taylor Series: The First 25 Years, 1982–2007. New York: Regency Arts Press, 2008.

A.K. Burns — Negative Space. Edited by Karen Kelly and Barbara Schroeder. Text by CA Conrad, Mel Y. Chen, Aruna D’Souza, Megan Hicks, and Simone White. Columbus, OH: Wexner Center for the Arts; Brooklyn: Dancing Foxes Press, 2023.

Johanna Burton — “A Few Troubles with ‘The Eighties’.” In This Will Have Been: Art, Love and Politics in the 1980s. Edited by Helen Molesworth. Chicago: Museum of Contemporary Art; New Haven, CT: Yale University Press, 2012.

Johanna Burton and Natalie Bell — Trigger: Gender as a Tool and a Weapon. Edited by Burton and Bell. New York: New Museum, 2018.

Bisa Butler — Portraits. Edited by Erica Warren. Chicago: Art Institute of Chicago, 2020.

Connie Butler and Anne EllegoodWitch Hunt. Edited by Butler and Ellegood. Los Angeles: Hammer Museum; New York: DelMonico Books/D.A.P., 2021.

Connie Butler and Lisa Gabrielle Mark — Wack!: Art and the Feminist Revolution. Edited by Butler and Mark. Los Angeles: Museum of Contemporary Art; Cambridge, MA: MIT Press, 2007.

Connie Butler and Alexandra Schwartz — Modern Women: Women Artists at the Museum of Modern Art. Edited by Butler and Schwartz. New York: Museum of Modern Art, 2010.

Judith Butler — Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.

Kathy Butterly — ColorForm. Edited by Dan Nadel. Davis, CA: Manetti Shrem Museum; Brooklyn: PictureBox, 2019.

Andrea Büttner — Shame. London: Koenig Books, 2020.

Andrea Büttner. Edited by Josef Helfenstein, Maja Wismer, Susanne Gaensheimer, and Isabelle Malz. Texts by Anne Carson, Aden Kumler, Mason Leaver-Yap, André Rottmann, Malz, Wismer, and Büttner. Basel: Kunstmuseum Basel; Düsseldorf: Kunstsammlung Nordrhein-Westfallen; Berlin: Hatje Cantz, 2023.



From top: Phyllida Barlow, Undercover 2, 2020, timber, plywood, cement, scrim, plaster, polyurethane foam, paint, PVA, calico, steel, installation view, Another Energy: Power to Continue Challenging—16 Women Artists from Around the World, Mori Art Museum, Tokyo, 2021, photograph by Furukawa Yuya, image © Phyllida Barlow, courtesy the artist and Mori Art Museum; Phyllida Barlow, Collected Lectures, Writings, and Interviews, cover image courtesy and © the artist and Hauser & Wirth Publishers.