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CHANGE AGENTS READING LIST — B – Paris-LA
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CHANGE AGENTS READING LIST — B

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On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

 

Jo Baer — Up Close in the Land of the Giants. New York: Pace Gallery, 2020.

Nairy Baghramian — Déformation Professionnelle. Edited by Martin Germann and Vincenzo de Bellis. Ghent: S.M.A.K.; Minneapolis: Walker Art Center; Munich: Prestel, 2019.

Fiona Banner — Peformance Nude. London: Other Criteria Books, 2009.

Phyllida Barlow — Fifty Years of Drawings. Edited by Sara Harrison. Text by Hans Ulrich Obrist. Geneva: JRP Ringier, 2014.

— Frontier. Edited by Haus der Kunst and Damian Lentini. Munich: Hirmer, 2021.

Collected Lectures, Writings, and Interviews. Edited by Sara Harrison. Zürich: Hauser & Wirth, 2021.

Yto Barrada — My Very Educated Mother Just Served Us Nougat. Edited by Laura Barlow and Wadha Al Aqeedi. Milan: Silvana Editoriale, 2021.

Uta Barth — The Long Now. New York: Gregory R. Miller, 2010.

Jennifer Bartlett — Early Plate Work. By Brenda Richardson. Andover, MA: Addison Gallery of American Art, Phillips Academy, 2006.

Kathy Battista — New York New Wave: The Legacy of Feminist Art in Emerging Practice. London: I.B. Tauris, 2019.

Hannah Beachler, with Jacqueline Stewart and Toni L. Griffin — Design in a Frame of Emotion. Cambridge, MA: Harvard University Graduate School of Design; Berlin: Sternberg Press, 2020.

Shirley Bear — Nekt wikuhpon ehpit/Once There Lived a Woman: The Painting, Poetry and Politics of Shirley Bear. Fredericton, NB: Beaverbrook Art Gallery, 2019.

Rosemarie Beck — Letters to a Young Painter and Other Writings. Edited by Eric Sutphin. Chicago: Soberscove Press, 2018.

Nina Beier — Cash for Gold. Milan: Mousse, 2017.

Rebecca Belmore — Facing the Monumental. Edited by Wanda Nanibush. Toronto: Art Gallery of Ontario, 2018.

— Wordless: The Performance Art of Rebecca Belmore. Edited by Florene Belmore. Vancouver: Grunt Gallery; Information Office; Whistler, BC: Audain Art Museum, 2019.

Gretchen Bender — “The Windex of Vulnerability” [Gretchen Bender, 1985]. By Gary Indiana. In Vile Days: The Village Voice Art Columns, 1985–1988. Edited by Bruce Hainley. South Pasadena, CA: Semiotext(e), 2018.

 — People in Pain. Edited by Philip Vanderhyden. New York: Metro Pictures, 2014.

Lynda Benglis — Lynda Benglis. Dijon, France: Les presses du réel, 2010.

Ninotchka Bennahum, Wendy Perron, and Bruce Robertson — Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955–1972. Berkeley: University of California Press, 2016.

Sadie Benning — Interview by Lia Gangitano. Bomb 135 (Spring 2016).

Lauren Berlant — The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham, NC: Duke University Press, 2008.

Bernadette CorporationBe Corpse. New York: Lucas and Sternberg, 2006.

— “An Independent Group? Bernadette Corporation, Post-Pop Collective.” By Janet Sarbanes. Afterall 14 (Autumn–Winter 2006).

Huma Bhabha — They Live. Boston: Institute of Contemporary Art; New Haven, CT: Yale University Press, 2019.

Joan E. Biren — Eye to Eye: Portraits of Lesbians. Washington, DC: Glad Hag Books, 1979.

— Making a Way: Lesbians Out Front. Washington, DC: Glad Hag Books, 1987.

Hannah Black — Dark Pool Party. Los Angeles: Dominica, 2016.

Hannah Black and Juliana Huxtable — Life: A Novel. Cologne: Walther König, 2017.

Valérie Blass — “Inspirational Embodiments.” Interview by Meeka Walsh and Robert Enright. Border Crossings 37, no. 4 (December 2018).

Betty Blayton-Taylor — “Betty Blayton-Taylor.” By Ashley James. In Black Refractions: Highlights from the Studio Museum in Harlem. Edited by Connie H. Choi. New York: American Federation of Arts; New York: Studio Museum in Harlem; New York: Rizzoli Electa, 2019.

Lisa E. Bloom — Jewish Identities in American Feminist Art: Ghosts of Ethnicity. London: Routledge, 2006.

Carroll Parrott Blue — The Dawn at My Back: Memoir of a Black Texas Upbringing. Austin: University of Texas Press, 2003.

 Lina Bo Bardi — Drawings. By Zeuler R. M. de A. Lima. Barcelona: Fundació Joan Miró; Princeton, NJ: Princeton University Press, 2019.

Jacqueline Bobo — Black Women Film and Video Artists. Edited by Bobo. New York: Routledge, 1998.

Katinka Bock — Tomorrow’s Sculpture: Sonar, Smog, Radio. Amsterdam: Roma Publications, 2019.

Rosa Bonheur — Reminiscences of Rosa Bonheur. Edited by Theodore Stanton. London: Andrew Melrose, 1910; Cambridge: Cambridge University Press, 2019.

Lee Bontecou — A Retrospective. Edited by Elizabeth A. T. Smith and Ann Philbin. Chicago: Museum of Contemporary Art; Los Angeles: Hammer Museum; New York: Harry N. Abrams, 2003.

Monica Bonvicini I Cannot Hide My Anger. Edited by Axel Köhne and Stella Rollig. Cologne: Walther König, 2020.

— Hot Like Hell. Texts by Christina Végh and Colin Lang. Cologne: Snoeck, 2021.

Pauline Boudry and Renate Lorenz — Moving Backwards. Edited by Charlotte Laubard. Milan: Skira, 2019.

Louise Bourgeois — Destruction of the Father, Reconstruction of the Father: Writings and Interviews 1923–1997. Edited by Marie-Laure Bernadac and Hans Ulrich Obrist, with Jerry Gorovoy and Robert Violette. Cambridge, MA: MIT Press, 1998.

Carol Bove — Ten Hours. New York: David Zwirner Books, 2019.

Andrea Bowers — Andrea Bowers. Edited by Connie Butler and Michael Darling. Chicago: Museum of Contemporary Art; Los Angeles: Hammer Museum; New York: DelMonico, 2021.

Sonia Boyce — “Gulp: Sonia Boyce and Sarah Cole in Conversation.” In On Not Knowing: How Artists Think. Edited by Elizabeth Fisher and Rebecca Fortnum. London: Black Dog Publishing, 2013.

— Thoughtful Disobedience. Edited by Sophie Orlando. Dijon: Les presses du réel; Nice: Villa Arson, 2017.

Katherine Bradford — Paintings. Edited by Dan Nadel. New York: Canada, 2018.

Candice Breitz — The Scripted Life. Bregenz, AT: Kunsthaus Bregenz, 2010.

Gerda Breuer and Julia Meer — Women in Graphic Design, 1890–2012. Berlin: Jovis, 2012.

Daphne A. Brooks — Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. Cambridge, MA; Harvard University Press, 2021.

Cecily Brown — Cecily Brown. Edited by Danilo Eccher. Milan: Silvana Editoriale, 2015.

Trisha Brown — Trisha Brown: Choreographing Life. Edited by André Mesquita. São Paulo: Museu de Arte de São Paulo, 2020.

Tania Bruguera — Tania Bruguera in Conversation with Claire Bishop. New York: Fundación Cisneros, 2020.

Rosanna Bruno and Anne Carson — The Trojan Women: A Comic. New York: New Directions, 2021.

Beverly Buchanan — “Beverly Buchanan.” By Rhea Anastas. Artforum 55, no. 5 (January 2017).

 — Beverly Buchanan: Marsh Ruins. By Amelia Groom. London: Afterall Books, 2021.

Benjamin H. D. Buchloh — “Spero’s Other Traditions” (1996). In Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955–1975. Cambridge, MA: MIT Press, 2000.

Stephanie Buhmann — New York Studio Conversations: Seventeen Women Talk About Art. Edited by Buhmann. Berlin: The Green Box, 2016.

— Berlin Studio Conversations: Twenty Women Talk About Art. Edited by Buhmann. Berlin: The Green Box, 2017.

— New York Studio Conversations II: Twenty-One Women Talk About Art. Edited by Buhmann. Berlin: The Green Box, 2018.

— Los Angeles Studio Conversations: Sixteen Women Talk About Art. Edited by Buhmann. Berlin: The Green Box, 2019.

Rachel Epp Buller — Reconciling Art and Mothering. Edited by Buller. London: Ashgate, 2012; Routledge, 2016.

Teresa Burga — Aleatory Structures. Edited by Heike Munder. Geneva: JRP Editions, 2018.

Johanna Burton — “A Few Troubles with ‘The Eighties’.” In This Will Have Been: Art, Love and Politics in the 1980s. Edited by Helen Molesworth. Chicago: Museum of Contemporary Art; New Haven, CT: Yale University Press, 2012.

Johanna Burton and Natalie Bell — Trigger: Gender as a Tool and a Weapon. Edited by Burton and Bell. New York: New Museum, 2018.

Bisa Butler — Portraits. Edited by Erica Warren. Chicago: Art Institute of Chicago, 2020.

Connie Butler and Anne EllegoodWitch Hunt. Los Angeles: Hammer Museum; New York: DelMonico Books/D.A.P., 2021.

Connie Butler and Lisa Gabrielle Mark — Wack!: Art and the Feminist Revolution. Edited by Butler and Mark. Los Angeles: Museum of Contemporary Art; Cambridge, MA: MIT Press, 2007.

Connie Butler and Alexandra Schwartz — Modern Women: Women Artists at the Museum of Modern Art. Edited by Butler and Schwartz. New York: Museum of Modern Art, 2010.

Judith Butler — Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.

Kathy Butterly — ColorForm. Edited by Dan Nadel. Davis, CA: Manetti Shrem Museum; Brooklyn: PictureBox, 2019.

Andrea Büttner — Shame. London: Koenig Books, 2020.

 

 

From top: Phyllida Barlow, installation view of tryst, Nasher Sculpture Center, Dallas, 2016, photograph by Kevin Todora, image © Phyllida Barlow, courtesy of the artist, the Nasher Sculpture Center, and Hauser & Wirth; Phyllida Barlow, Collected Lectures, Writings, and Interviews, cover image courtesy and © the artist and Hauser & Wirth Publishers.

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