On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, generative, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.
Beatriz da Costa — (un)disciplinary tactics. Edited by Daniela Lieja Quintanar. Cambridge, MA: MIT Press, 2024.
Hanne Darboven — Urzeit/Uhrzeit. New York: Rizzoli, 1990.
— Artists on Hanne Darboven. By Gregg Bordowitz, Sam Lewitt, Josephine Meckseper, and Matt Mullican. Beacon, NY: Dia Art Foundation, 2016.
Jasmin Darznik — The Bohemians. New York: Ballantine, 2021.
Moyra Davey — Long Life Cool White: Photographs and Essays of Moyra Davey. Edited by Helen Molesworth. Cambridge, MA: Harvard University Art Museums, 2008.
— Index Cards: Selected Essays. New York: New Directions, 2020.
— “The Absent Photograph: Moyra Davey.” In Lateness and Longing: On the Afterlife of Photography. By George Baker. Chicago: University of Chicago Press, 2023.
Angela Davis — Angela Davis: Seize the Time. Edited by Gerry Beegan and Donna Gustafson. Munich: Hirmer, 2021.
— 1 Million Roses for Angela Davis. Edited by Kathleen Reinhardt. Milan: Mousse Publishing, 2021.
Kenturah Davis — Everything That Cannot Be Known. Savannah: SCAD University Press, 2021.
Vaginal Davis — “Vaginal Davis.” By Nika Chilewich. In Witch Hunt. Edited by Connie Butler and Anne Ellegood. Los Angeles: Hammer Museum, 2021.
Hannah Dawson — The Penguin Book of Feminist Writing. Edited by Dawson. London: Penguin, 2021.
Aria Dean — Bad Infinity: Selected Writings. Preface by Daniel Birnbaum and Isabelle Graw. Berlin: Sternberg Press, 2023.
— Abattoir, U.S.A.! Texts by Erika Balsom and Keller Easterling. Conversations by Bruce Jenkins, Michael Connor, Filip Kostik, and Evan Zierk. Chicago: Renaissance Society, 2025.
Tacita Dean — Writing and Filmography. London: Royal Academy of Arts, 2018.
— Tacita Dean. Bregenz, Austria: Kunsthaus Bregenz, 2019.
— LA Magic Hour. Texts by Evgenia Citkowitz and Jill Lerner. Los Angeles: Gemini G.E.L., 2022.
— One Hundred and Fifty Years of Painting. [Luchita Hurtado and Julie Mehretu]. Edited by Suzanne Cotter and Dean. Text by Jennifer King. Luxembourg-Kirchberg: Mudam; Cologne: Walther König, 2022.
— The Dante Project. Edited by Suzanne Cotter and Dean. Text by Briony Fer. Luxembourg-Kirchberg: Mudam; Cologne: Walther König, 2022.
— “Film and Other Fatigues, I and II: Tacita Dean.” In Lateness and Longing: On the Afterlife of Photography. By George Baker. Chicago: University of Chicago Press, 2023.
— Blind Folly, or How Tacita Dean Draws. By Michelle White. Houston: Menil Foundation; London: Mack, 2024.
Berlinde De Bruyckere — Berlinde De Bruyckere. Edited by Sarianne Soikkonen. Tampere, Finland: Sara Hildén Art Museum, 2018.
— Angel’s Throat. By Erwin Mortier and Stijn Huijts. Poems by Zbigniew Herbert. Brussels: Mercatorfonds, 2021.
Katy Deepwell — Feminist Art Activisms and Artivisms. Edited by Deepwell. Amsterdam: Valiz, 2020.
Janet Dees — A Site of Struggle: American Art Against Anti-Black Violence. Edited by Dees. Texts by Sampada Aranke, Courtney Baker, Huey Copeland, Leslie Harris, LaCharles Ward and Dees. Evanston, IL: Mary and Leigh Block Museum of Art, Northwestern University; Princeton, NJ: Princeton University Press, 2022.
Jay DeFeo — Jay DeFeo. Text by Walead Beshty. New York: Mitchell-Innes & Nash, 2015.
— Rip Tales: Jay DeFeo’s Estocada and Other Pieces. By Jordan Stein. Chicago: Soberscove Press, 2021.
— About the Rose: Creation and Community in Jay DeFeo’s Circle. By Elizabeth Ferrell. New Haven, CT: Yale University Press, 2022.
— Photographic Work. Edited with introduction by Leah Levy. Texts by Hilton Als, Judith Delfiner, Corey Keller, Justine Kurland, Dana Miller, and Catherine Wagner. New York: DelMonico, 2023.
— Trees. By Rochelle Steiner. Text by Elizabeth A. T. Smith. Laguna Beach, CA: Laguna Art Museum, 2024.
Kristin Degel and Ingrid Pfeiffer — Fantastic Women: Surreal Worlds from Meret Oppenheim to Louise Bourgeois. Munich: Hirmer, 2020.
Constance De Jong — Modern Love [1977]. Brooklyn: Primary Information; Ugly Duckling Presse, 2017.
— The Lucy Amarillo Stories. New York: Standard Editions, 1978.
Jacqueline de Jong — The Ultimate Kiss. By Devrim Bayar, Juliette Desorgues, Alison M. Gingeras, Xander Karskens, Annabelle Ténèze, and Niña Weijers. Brussels: Mercatorfonds, 2021.
Anne Teresa De Keersmaeker — Drumming: Anne Teresa De Keersmaeker/Rosas/Steve Reich/Dries Van Noten/Jan Versweyveld. By Noé Soulier. Brussels, Mercatorfonds, 2021.
Elaine de Kooning — The Spirit of Abstract Expressionism: Selected Writings. New York: George Braziller, 1994.
Sonia Delaunay — Art, Design, Fashion. Edited by Marta Ruiz del Árbol. Madrid: Fundación Colección Thyssen-Bornemisza, 2017.
— Sonia Delaunay. Edited by Lærke Rydal Jørgensen and and Tine Colstrup. Humlebæk, Denmark: Louisiana Museum of Art, 2022.
Donna Dennis — Poet in Three Dimensions. Text by Helaine Posner. Interview by Rackstraw Downes and Nicole Miller. New York: Monacelli, 2023.
— Writing Toward Dawn: Selected Journals 1969–1982. Edited by Nicole Miller. Whitmore Lake, MI: Bamberger Books, 2024.
Maya Deren — Essential Deren: Collected Writings on Film by Maya Deren. Kingston, NY: Documentext, 2005.
— “Poetics and Savage Thought: About Anagram” [Maya Deren, 2001]. By Annette Michelson. In On the Eve of the Future: Selected Writings on Film. Cambridge, MA: MIT Press, 2017.
Rosalyn Deutsche — “Inadequacy.” In Silvia Kolbowski: Inadequate… Like…Power. Cologne: Walther König; Vienna: Secession, 2004.
— Hiroshima After Iraq: Three Studies in Art and War. New York: Columbia University Press, 2010.
Rosalyn Deutsche, Aruna D’Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, and Senam Okudzeto — “Feminist Time: A Conversation.” Grey Room 31 (Spring 2008).
Es Devlin — An Atlas of Es Devlin. By Andrea Lipps and Devlin. London: Thames and Hudson, 2023.
Catherine de Zegher — Inside the Visible: An Elliptical Traverse of 20th Century Art In, Of, and From the Feminine. Edited by de Zegher. Cambridge, MA: MIT Press, 1996.
Jessica Dismorr — “Jessica Dismorr (1885–1939): Artist, Writer, Vorticist.” By Catherine Elizabeth Heathcock. PhD thesis, University of Birmingham, 1999.
— Radical Women: Jessica Dismorr and Her Contemporaries. By Alicia Foster. Chichester, UK: Pallant House; London: Lund Humphries, 2019.
Maggie Doherty — The Equivalents: A Story of Art, Female Friendship, and Liberation in the 1960s. New York: Alfred A. Knopf, 2020.
Rackstraw Downes — Nature and Art are Physical: Writings on Art, 1967–2008. New York: Edgewise, 2014.
Rosalyn Drexler — Who Does She Think She Is? Edited by Katy Siegel. New York: Gregory R. Miller, 2016.
Marlene Dumas — Sweet Nothings: Notes and Texts. Edited by Mariska van den Berg. Amsterdam: Galerie Paul Andriesse; De Balie Publishers, 1998; London: Koenig Books, 2014 (revised and expanded).
— Myths and Mortals. New York: David Zwirner, 2019.
— Zeno X Gallery: 25 Years of Collaboration. Cologne: Walther König, 2020.
— Open-End. Edited by Caroline Bourgeois. Text by Élisabeth Lebovici. Venice: Marsilio Editori, 2022.
Marguerite Duras — My Cinema. Translated by Daniella Schreir. London: Another Gaze, 2023.
Torkwase Dyson — Interview by Robert R. Shane. Brooklyn Rail, September 2020.
— A Liquid Belonging. Texts by Dionne Brand, LeRonn P. Brooks, Saidiya Hartman, Jaleh Mansoor, Mabel O. Wilson, and Dyson. Interview by Christina Sharpe. New York: Pace, 2023.
Torkwase Dyson, Jade Montserrat, Lorraine O’Grady, and Keisha Scarville — The Last Place They Thought Of. Edited by Daniella Rose King. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2020.
From top: Marlene Dumas, Myths and Mortals (New York: David Zwirner, 2019), book image © Marlene Dumas, courtesy of the artist and David Zwirner; Torkwase Dyson, Jade Montserrat, Lorraine O’Grady, and Keisha Scarville, The Last Place They Thought Of, edited by Daniella Rose King (Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2020), book cover image courtesy and © ICA Philadelphia, University of Pennsylvania.
