DoPe Press

CHANGE AGENTS READING LIST — D – Paris-LA
Back

CHANGE AGENTS READING LIST — D

524

On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

 

Hanne Darboven — Urzeit/Uhrzeit. New York: Rizzoli, 1990.

— Artists on Hanne Darboven. By Gregg Bordowitz, Sam Lewitt, Josephine Meckseper, and Matt Mullican. Beacon, NY: Dia Art Foundation, 2016.

Jasmin Darznik — The Bohemians. New York: Ballantine, 2021.

Moyra Davey — Long Life Cool White: Photographs and Essays of Moyra Davey. Edited by Helen Molesworth. Cambridge, MA: Harvard University Art Museums, 2008.

— Index Cards: Selected Essays. New York: New Directions, 2020.

Angela Davis — Angela Davis: Seize the Time. Edited by Gerry Beegan and Donna Gustafson. Munich: Hirmer, 2021.

 — 1 Million Roses for Angela Davis. Edited by Kathleen Reinhardt. Milan: Mousse Publishing, 2021.

Kenturah Davis — Everything That Cannot Be Known. Savannah: SCAD University Press, 2021.

Vaginal Davis — “Vaginal Davis.” By Nika Chilewich. In Witch Hunt. Edited by Connie Butler and Anne Ellegood. Los Angeles: Hammer Museum, 2021.

Hannah Dawson — The Penguin Book of Feminist Writing. Edited by Dawson. London: Penguin, 2021.

Tacita Dean — Writing and Filmography. London: Royal Academy of Arts, 2018.

— Tacita Dean. Bregenz, Austria: Kunsthaus Bregenz, 2019.

Berlinde De Bruyckere — Berlinde De Bruyckere. Edited by Sarianne Soikkonen. Tampere, Finland: Sara Hildén Art Museum, 2018.

Angel’s Throat. By Erwin Mortier and Stijn Huijts. Poems by Zbigniew Herbert. Brussels: Mercatorfonds, 2021.

Katy Deepwell — Feminist Art Activisms and Artivisms. Edited by Deepwell. Amsterdam: Valiz, 2020.

Jay DeFeo — Jay DeFeo. Text by Walead Beshty. New York: Mitchell-Innes & Nash, 2015.

Rip Tales: Jay DeFeo’s Estocada and Other Pieces. By Jordan Stein. Chicago: Soberscove Press, 2021.

About the Rose: Creation and Community in Jay DeFeo’s Circle. By Elizabeth Ferrell. New Haven, CT: Yale University Press, 2022.

Kristin Degel and Ingrid Pfeiffer — Fantastic Women: Surreal Worlds from Meret Oppenheim to Louise Bourgeois. Munich: Hirmer, 2020.

Constance De Jong — Modern Love [1977]. Brooklyn: Primary Information; Ugly Duckling Presse, 2017.

— The Lucy Amarillo Stories. New York: Standard Editions, 1978.

Jacqueline de Jong — The Ultimate Kiss. By Devrim Bayar, Juliette Desorgues, Alison M. Gingeras, Xander Karskens, Annabelle Ténèze, and Niña Weijers. Brussels: Mercatorfonds, 2021.

Anne Teresa De Keersmaeker — Drumming: Anne Teresa De Keersmaeker/Rosas/Steve Reich/Dries Van Noten/Jan Versweyveld. By Noé Soulier. Brussels, Mercatorfonds, 2021.

Elaine de Kooning — The Spirit of Abstract Expressionism: Selected Writings. New York: George Braziller, 1994.

Sonia Delaunay — Art, Design, Fashion. Edited by Marta Ruiz del Árbol. Madrid: Fundación Colección Thyssen-Bornemisza, 2017.

Maya Deren — Essential Deren: Collected Writings on Film by Maya Deren. Kingston, NY: Documentext, 2005.

— “Poetics and Savage Thought: About Anagram” [Maya Deren, 2001]. By Annette Michelson. In On the Eve of the Future: Selected Writings on Film. Cambridge, MA: MIT Press, 2017.

Rosalyn Deutsche — “Inadequacy.” In Silvia Kolbowski: Inadequate… Like…Power. Cologne: Walther König; Vienna: Secession, 2004.

— Hiroshima After Iraq: Three Studies in Art and War. New York: Columbia University Press, 2010.

Rosalyn Deutsche, Aruna D’Souza, Miwon Kwon, Ulrike Müller, Mignon Nixon, and Senam Okudzeto — “Feminist Time: A Conversation.” Grey Room 31 (Spring 2008).

Catherine de Zegher — Inside the Visible: An Elliptical Traverse of 20th Century Art In, Of, and From the Feminine. Edited by de Zegher. Cambridge, MA: MIT Press, 1996.

Jessica Dismorr — “Jessica Dismorr (1885–1939): Artist, Writer, Vorticist.” By Catherine Elizabeth Heathcock. PhD thesis, University of Birmingham, 1999.

Radical Women: Jessica Dismorr and Her Contemporaries. By Alicia Foster. Chichester, UK: Pallant House; London: Lund Humphries, 2019.

Maggie Doherty — The Equivalents: A Story of Art, Female Friendship, and Liberation in the 1960s. New York: Alfred A. Knopf, 2020.

Rosalyn Drexler — Who Does She Think She Is? Edited by Katy Siegel. New York: Gregory R. Miller, 2016.

Marlene Dumas Myths and Mortals. New York: David Zwirner, 2019.

— Zeno X Gallery: 25 Years of Collaboration. Cologne: Walther König, 2020.

Open-End. Edited by Caroline Bourgeois. Text by Élisabeth Lebovici. Venice: Marsilio Editori, 2022.

Torkwase Dyson — Interview by Robert R. Shane. Brooklyn Rail, September 2020.

Torkwase Dyson, Jade Montserrat, Lorraine O’Grady, and Keisha Scarville The Last Place They Thought Of. Edited by Daniella Rose King. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2020.

 

 

From top: Marlene Dumas, Myths and Mortals (New York: David Zwirner, 2019), book image © Marlene Dumas, courtesy of the artist and David Zwirner; Torkwase Dyson, Jade Montserrat, Lorraine O’Grady, and Keisha Scarville, The Last Place They Thought Of, edited by Daniella Rose King (Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2020), book cover image courtesy and © ICA Philadelphia, University of Pennsylvania.

Post a Comment