DoPe Press




On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.


Mary Gabriel — Ninth Street Women—Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art. New York: Little, Brown, 2018.

Ellen Gallagher Accidental Records. Zürich: Hauser & Wirth, 2018.

Dora García — Rooms, Conversations. Berlin: Jovis, 2008.

Gego — Thinking the Line: Gego 1957–1988. Edited by Nadja Rottner and Peter Weibel. Berlin: Hatje Cantz, 2006.

The Architecture of an Artist. Edited by Ulrike Groos, Philip Kurz, and Stefanie Reisinger. Leipzig: Spector Books, 2022.

Artemisia Gentileschi — Artemisia. Edited by Letizia Treves. London: National Gallery, 2020.

— Artemisia Gentileschi and Feminism in Early Modern Europe. By Mary D. Garrard. London: Reaktion Books, 2020.

— By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500–1800. Edited by Eve Straussman-Pflanzer and Oliver Tostmann. Detroit: Detroit Institute of Arts, 2021.

Isa Genzken — Retrospective. New York: Museum of Modern Art, 2013.

— Isa Genzken: Sculpture as World Receiver. By Lisa Lee. Chicago: University of Chicago Press, 2017.

— Works from 1973 to 1983. Edited by Søren Grammel. Basel: Kunstmuseum Basel; Düsseldorf: Kunstsammlung Nordrhein-Westfalen, 2021.

Andrea Geyer — Dancing in a Future with All Present. Edited by Alhena Katsof, Karen Kelly, and Barbara Schroeder. Brooklyn: Dancing Foxes Press; Portland, OR: Portland Institute of Contemporary Art, 2019.

Elsi Giauque Wall Hangings. Edited by Mildred Constantine and Jack Lenor Larsen. New York: Museum of Modern Art, 1969.

Beatrice Gibson — Deux Soeurs. Edited by Axel Wieder. Bergen: Bergen Kunsthall; Berlin: Sternberg Press, 2020.

Simryn Gill — Here Art Grows on Trees. Edited by Catherine de Zegher. Ghent: MER. Paper Kunsthalle, 2013.

— “Making to Place: Simryn Gill.” By Brian Massumi. In Architectures of the Unforeseen: Essays in the Occurent Arts. Minneapolis: University of Minnesota Press, 2019.

Madeline Gins —The Saddest Thing is That I Have Had to Use Words. Edited by Lucy Ives. Catskill, NY: Siglio, 2020.

Renee Gladman and Fred Moten — One Long Black Sentence. Ithaca, NY: Image Text Ithaca Press, 2020.

Ariel Goldberg — The Estrangement Principle. New York: Nightboat Press, 2016.

Nan Goldin — I’ll Be Your Mirror. Edited by Goldin, David Armstrong, and Hans Werner Holzwarth. New York: Whitney Museum of American Art; Zürich: Scalo, 1996.

— “The Ballad of Nan Goldin: A Conversation with Darryl Pinckney.” Aperture 239 (Summer 2020).

Beatriz González — A Retrospective. By Tobias Ostrander and Mari Carmen Ramírez. Houston: Museum of Fine Arts; Miami: Pérez Art Museum, 2019.

Dominique Gonzalez-Foerster — Dominique Gonzalez-Foerster and Hans Ulrich Obrist: The Conversation Series 12. Cologne: Walther König, 2008.

Kim Gordon — Is It My Body?: Selected Texts. Berlin: Sternberg Press, 2014.

— No Icon. New York: Rizzoli, 2020.

Kim Gordon and Carrie Brownstein — “No Retirement Plan.” Interview by Dorothée Perret. PARIS LA 15 (Spring 2017).

Sheela Gowda — Making. Madrid: La Fabrica, 2020.

Michelle Grabner — Michelle Grabner. Edited by Barry Blinderman. Normal: University Galleries of Illinois State University, 2007.

Eileen Gray — Eileen Gray. Edited by Cloé Pitiot and Nina Stritzler-Levine. New York: Bard Graduate Center; New Haven, CT: Yale University Press, 2020.

Denise Green — Denise Green: An Artist’s Odyssey. Minneapolis: University of Minnesota Press, 2012.

Renée Green — Other Planes of There: Selected Writings. Durham, NC: Duke University Press, 2014.

— Pacing. Cambridge, MA: Carpenter Center for the Visual Arts, Harvard University, 2021.

Germaine Greer — The Obstacle Race: The Fortunes of Women Painters and Their Work. New York: Farrar, Straus & Giroux, 1979.

Guerrilla Girls — The Art of Behaving Badly. San Francisco: Chronicle Books, 2020.

Catherine Gund — Interview by Thyrza Nichols Goodeve. Brooklyn Rail, November 2020.



Ellen Gallagher, Accidental Records (2), images © Ellen Gallagher and Hauser & Wirth, courtesy of the artist and the gallery.

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