DoPe Press




On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.


Lauren Halsey — Mohn Award 2018. Edited by Anne Ellegood and Erin Christovale. Los Angeles: Hammer Museum; Munich: Prestel, 2020.

The Roof Garden Commission. By Abraham Thomas and Douglas Kearney. New York: Metropolitan Museum of Art, 2023.

Ann Hamilton — An Inventory of Objects. New York: Gregory R. Miller, 2006.

Anthea Hamilton — Sorry I’m Late. Text by Michelle Cotton. Colchester, England: Firstsite, 2012.

Barbara Hammer — Hammer!: Making Movies Out of Sex and Life. New York: Feminist Press, CUNY, 2010.

Harmony Hammond — Lesbian Art in America: A Contemporary History. New York: Rizzoli, 2000.

 — Harmony Hammond: Material Witness, Five Decades of Art. New York: Gregory R. Miller; Ridgefield, CT: Aldrich Contemporary Art Museum, 2019.

Gillian Hannam and Kyunghee Pyun — Expanding the Parameters of Feminist Artivism, edited by Hannum and Pyun. London: Palgrave MacMillan, 2022.

Awel Haouati, Lydia Saïdi, and Saadia Gacem — Archives des lutes des femmes en Algérie / Archives of Women’s Struggles in Algeria. Kassel: Documenta, 2022.

Elizabeth Hardwick — Seduction and Betrayal: Women and Literature. New York: Random House, 1974; New York Review Books, 2001.

Sleepless Nights. New York: Random House, 1979; New York Review Books, 2001.

The Collected Essays of Elizabeth Hardwick. Selected with an Introduction by Darryl Pinckney. New York: New York Review Books, 2017.

— “A View of Her Own.” By Sarah Nicole Prickett. Review of The Collected Essays of Elizabeth Hardwick. Bookforum, vol. 24, no. 3 (September / October / November 2017).

Come Back in September: A Literary Education on West Sixty-seventh Street, Manhattan. By Darryl Pinckney. New York: Farrar, Straus and Giroux, 2022.

K8 Hardy — How To: Untitled Runway Show. Edited by Hardy and Dorothée Perret. Paris: DoPe Press, 2013.

Rachel Harrison — Rachel Harrison: Life Hack. Edited by Elisabeth Sussman and David Joselit. New York: Whitney Museum of American Art, 2019.

Sitting in a Room. Edited by Solveig Øvstebø and Harrison. Texts by Negar Azimi, Anne Dressen, Lars Bang Larsen, and Øvstebø. Oslo: Astrup Fearnley Museet; New York: Gregory R. Miller, 2023.

Grace Hartigan — The Journals of Grace Hartigan. Edited by William T. La Moy and Joseph P. McCaffrey. Syracuse, NY: Syracuse University Press, 2009.

Saidiya Hartman — Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. New York: Oxford University Press, 1997; W.W. Norton, 2022 (revised and updated with a new preface by the author).

 — Lose Your Mother: A Journey Along the Atlantic Slave Route. New York: Farrar, Straus and Giroux, 2007.

— “Venus in Two Acts.” Small Axe 26 (June 2008).

— Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval. New York: W.W. Norton, 2019.

— “The Art of Refusal: Saidiya Hartman and Arthur Jafa in Conversation.” PARIS LA 17 (2021–2022).

— “Between Visual Scenes and Beautiful Lives: A Conversation with Saidiya Hartman.” By Huey Copeland, Leah Dickerman, and Pamela M. Lee. October 180 (Spring 2022).

Salima Hashmi — Unveiling the Visible: Lives and Works of Women Artists of Pakistan. Lahore: Sang-e-Meel, 2001.

Maren Hassinger — Maren Hassinger, 1972–1991. Brookville, NY: Hillwood Art Museum, Long Island University, 1991.

Mona Hatoum — Mona Hatoum. By Konrad Bitterli and Nadia Veronese. Berlin: Holzwarth, 2015.

Xenia Hausner — True Lies. Edited by Elsy Lahner and Klaus Albrecht Schröder. Munich: Hirmer, 2021.

Sharon Hayes — There’s So Much I Want to Say to You. New York: Whitney Museum of American Art, 2012.

— Echo. Edited by Lena Essling. Stockholm: Moderna Museet; Cologne: Walther König, 2019.

Catherine Elizabeth Heathcock — “Jessica Dismorr (1885–1939): Artist, Writer, Vorticist.” PhD thesis, University of Birmingham, 1999.

Mary Heilmann The All Night Movie (1999). Texts by Jutta Koether and Heilmann. Brooklyn: Primary Information, 2022.

— Looking at Pictures. Edited by Lydia Yee. London: Whitechapel Gallery, 2016.

Jules Heller and Nancy G. Heller — North American Women Artists of the Twentieth Century: A Biographical Dictionary. Edited by Heller and Heller. New York: Garland, 1995.

P. L. Henderson — Unraveling Women’s Art: Creators, Rebels, and Innovators in Textile Arts. London: Supernova, 2021.

Camille Henrot — Elephant Child. London: Koenig Books; Los Angeles: Inventory Press, 2015.

Barbara Hepworth — Barbara Hepworth: A Pictorial Autobiography. New York: Praeger, 1970.

Hilary Heron — A Retrospective. Edited by Seán Kissane. Texts by Riann Coulter, Sara Damaris Muthi, Billy Shortall, Eva Rothschild, and Kissane. Dublin: Irish Museum of Modern Art, 2024.

Carmen Herrera Lines of Sight. Edited by Dana Miller. Texts by Serge Lemoine, Gerardo Mosquera, Edward J. Sullivan, Mónica Espinel, and Miller. New York: Whitney Museum of Art, 2016.

— Estructuras. Text by Dana Miller. London: Lisson Gallery, 2021.

Lynn Hershman Leeson — Anti-Bodies. Edited by Sabine Himmelsbach. Berlin: Hatje Cantz, 2019.

 — Twisted. New York: New Museum, 2021.

Lynn Hershman Leeson and Juliana Huxtable — “Personae of Interest: Lynn Hershman Leeson and Juliana Huxtable in Conversation.” Artforum 54, no. 10 (Summer 2016).

Eva Hesse Eva Hesse. By Lucy R. Lippard. New York University Press, 1976.

— A Retrospective. Edited by Helen A. Cooper. Texts by Maurice Berger, Anna C. Chave, Maria Kreutzer, Linda Norden, and Robert Storr. New Haven, CT: Yale University Press, 1992.

Transformations: The Sojourn in Germany 1964/65. Zürich: Hauser & Wirth; Cologne: Walther König, 2004.

Eva Hesse Drawing. Edited by Catherine de Zegher. New York: The Drawing Center; New Haven, CT: Yale University Press, 2006.

Catalogue Raisonné, Volumes 1 & 2: Painting and Drawing. By Renate Petzinger. New Haven, CT: Yale University Press, 2006.

— Diaries. Edited by Barry Rosen with Tamara Bloomberg. Zürich: Hauser & Wirth, 2016.

Exhibitions, 1972–2022. Edited by Barry Rosen. Texts by Linda Shearer, Nicholas Serota, Ellen H. Johnson, Helen Cooper, Renate Petzinger, Elisabeth Sussman, Sabine Folie, Fred Wasserman, Catherine de Zegher, Fiona Bradley, Briony Fer, E. Luanne McKinnon, Petra Roettig, Brigitte Kölle, Andrea Gyorody, Lena Stringari, and Rosen. Zürich: Hauser & Wirth, 2024.

Katy Hessel — The Story of Art Without Men. New York: W.W. Norton, 2023.

Charline von Heyl — Snake Eyes. Edited by Dirk Luckow. Cologne: Walther König, 2019.

Sheila Hicks — Lifelines. Edited by Michel Gauthier. Paris: Centre Pompidou, 2018.

Apprentissages. Edited by Clément Dirié. Geneva: JRP Editions, 2017.

Weaving as Metaphor. Edited by Nina Stritzler-Levine. New York: Bard Graduate Center, 2018.

— A Matter of Scale. Edited by Clément Dirié. Geneva: JRP Editions, 2022.

Karin Higa — Hidden in Plain Sight: Selected Writings of Karin Higa. Edited and with introduction by Julie Ault.
Foreword by Pamela M. Lee. Brooklyn: Dancing Foxes Press, 2022.

Jennifer Higgie — The Mirror and the Palette: Rebellion, Revolution, and Resistance: 500 Years of Women’s Self-Portraits. London: Weidenfeld & Nicolson, 2021.

Pati Hill — Letters to Jill: A Catalogue and Some Notes on Copying [1979]. 3rd edition. Milan: Mousse, 2020.

Lubaina Himid — Work from Underneath. Edited by Natalie Bell. New York: New Museum, 2019.

Hannah Höch — Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Höch. By Maud Lavin. New Haven, CT: Yale University Press, 1993.

Assembled Worlds. Edited by Stella Rollig, Martin Waldmeier, and Nina Zimmer. Bern: Zentrum Paul Klee; Vienna: Belvedere; Zürich: Scheidegger & Spiess, 2023.

Nancy Holt— Nancy Holt: Sightlines. Edited by Alena Williams. Berkeley: University of California Press, 2011.

— Photoworks. London: Haunch of Venison, 2012.

Jenny Holzer— War Paintings. Edited by Thomes Kellein. Cologne: Walther König, 2015.

Textdemic: A Retrospective on Jenny Holzer’s Laments. Edited by A.L. Steiner. Texts by Morgan Bassichis, Riel Bellow, Gregg Bordowitz, Alexander Chee, Malik Gaines, Matilde Guidelli-Guidi, Guadalupe Maravilla and Alexa Mishell Guillen, Lucas Michael, Eileen Myles, and Pamela Sneed. Brooklyn: GenderFail, 2023.

Vincent Honoré — Kiss My Genders. Edited by Honoré. London: Hayward Gallery, 2019.

bell hooks — Feminist Theory: From Margin to Center. Boston: South End Press, 1984.

— Feminism is for Everybody: Passionate Politics. Boston: South End Press, 2000.

bell hooks and Amalia Mesa-Bains — Homegrown: Engaged Cultural Criticism. Boston: South End Press, 2006; New York: Routledge, 2018.

Roni Horn — “Roni Horn” [1989]. In ArtCenter Talks: Graduate Seminar, The First Decade 1986–1995. Edited by Stan Douglas. Pasadena, CA: ArtCenter Graduate Press; New York: David Zwirner, 2016.

— Island Zombie: Iceland Writings. Princeton, NJ: Princeton University Press, 2020.

Log (March 22, 2019–May 17, 2020). New York: ZE Books, 2022.

Sabine Hornig — Passage Through Presence. Berlin: DCV, 2022.

Shirazeh Houshiary — Nothing is Deeper Than the Skin. New York: Lisson Gallery, 2019.

Donna Huanca — Obsidian Ladder. Texts by Jamillah James, Ceci Moss, and Huanca. Los Angeles: Marciano Art Foundation, 2021.

Shara Hughes — Shara Hughes: Landscapes. New York: Rachel Uffner; Zürich: Galerie Eva Presenhuber, 2019.

Shara Hughes. Edited by Galerie Eva Presenhuber. Berlin: DCV, 2021.

Jacqueline Humphries — Jacqueline Humphries. Cologne: Walther König, 2015.

Luchita Hurtado — I Live I Die I Will Be Reborn. London: Serpentine Galleries; Koenig, 2019.

— Luchita Hurtado. Interview by Hans Ulrich Obrist. Edited by Karen Marta. Zürich: Hauser & Wirth, 2020.

Juliana Huxtable — Mucus in My Pineal Gland. New York: Capricious; Wonder, 2017.



Maren Hassinger, Monument, 2018/2020, image © Maren Hassinger, courtesy the artist and Susan Inglett Gallery; Mona HatoumPerformance Still, 1985, black-and-white photograph on aluminum, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Marieluise Hessel Collection, image © Mona Hatoum, courtesy of the artist and Hessel Museum of Art.