DoPe Press




On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.


Lauren Halsey — Mohn Award 2018. Edited by Anne Ellegood and Erin Christovale. Los Angeles: Hammer Museum; Munich: Prestel, 2020.

The Roof Garden Commission. By Abraham Thomas and Douglas Kearney. New York: Metropolitan Museum of Art, 2023.

Ann Hamilton — An Inventory of Objects. New York: Gregory R. Miller, 2006.

Anthea Hamilton — Sorry I’m Late. Text by Michelle Cotton. Colchester, England: Firstsite, 2012.

Barbara Hammer — Hammer!: Making Movies Out of Sex and Life. New York: Feminist Press, CUNY, 2010.

Harmony Hammond — Lesbian Art in America: A Contemporary History. New York: Rizzoli, 2000.

 — Harmony Hammond: Material Witness, Five Decades of Art. New York: Gregory R. Miller; Ridgefield, CT: Aldrich Contemporary Art Museum, 2019.

Awel Haouati, Lydia Saïdi, and Saadia Gacem — Archives des lutes des femmes en Algérie / Archives of Women’s Struggles in Algeria. Kassel: Documenta, 2022.

Elizabeth Hardwick — Seduction and Betrayal: Women and Literature. New York: Random House, 1974; New York Review Books, 2001.

Sleepless Nights. New York: Random House, 1979; New York Review Books, 2001.

The Collected Essays of Elizabeth Hardwick. Selected with an Introduction by Darryl Pinckney. New York: New York Review Books, 2017.

— “A View of Her Own.” By Sarah Nicole Prickett. Review of The Collected Essays of Elizabeth Hardwick. Bookforum, vol. 24, no. 3 (September / October / November 2017).

Come Back in September: A Literary Education on West Sixty-seventh Street, Manhattan. By Darryl Pinckney. New York: Farrar, Straus and Giroux, 2022.

K8 Hardy — How To: Untitled Runway Show. Edited by Hardy and Dorothée Perret. Paris: DoPe Press, 2013.

Rachel Harrison — Rachel Harrison: Life Hack. Edited by Elisabeth Sussman and David Joselit. New York: Whitney Museum of American Art, 2019.

Sitting in a Room. Edited by Solveig Øvstebø and Harrison. Texts by Negar Azimi, Anne Dressen, Lars Bang Larsen, and Øvstebø. Oslo: Astrup Fearnley Museet; New York: Gregory R. Miller, 2023.

Grace Hartigan — The Journals of Grace Hartigan. Edited by William T. La Moy and Joseph P. McCaffrey. Syracuse, NY: Syracuse University Press, 2009.

Saidiya Hartman — Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. New York: Oxford University Press, 1997; W.W. Norton, 2022 (revised and updated with a new preface by the author).

 — Lose Your Mother: A Journey Along the Atlantic Slave Route. New York: Farrar, Straus and Giroux, 2007.

— “Venus in Two Acts.” Small Axe 26 (June 2008).

— Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval. New York: W.W. Norton, 2019.

— “The Art of Refusal: Saidiya Hartman and Arthur Jafa in Conversation.” PARIS LA 17 (2021–2022).

— “Between Visual Scenes and Beautiful Lives: A Conversation with Saidiya Hartman.” By Huey Copeland, Leah Dickerman, and Pamela M. Lee. October 180 (Spring 2022).

Salima Hashmi — Unveiling the Visible: Lives and Works of Women Artists of Pakistan. Lahore: Sang-e-Meel, 2001.

Maren Hassinger — Maren Hassinger, 1972–1991. Brookville, NY: Hillwood Art Museum, Long Island University, 1991.

Mona Hatoum — Mona Hatoum. By Konrad Bitterli and Nadia Veronese. Berlin: Holzwarth, 2015.

Xenia Hausner — True Lies. Edited by Elsy Lahner and Klaus Albrecht Schröder. Munich: Hirmer, 2021.

Sharon Hayes — There’s So Much I Want to Say to You. New York: Whitney Museum of American Art, 2012.

— Echo. Edited by Lena Essling. Stockholm: Moderna Museet; Cologne: Walther König, 2019.

Catherine Elizabeth Heathcock — “Jessica Dismorr (1885–1939): Artist, Writer, Vorticist.” PhD thesis, University of Birmingham, 1999.

Mary Heilmann The All Night Movie (1999). Texts by Jutta Koether and Heilmann. Brooklyn: Primary Information, 2022.

— Looking at Pictures. Edited by Lydia Yee. London: Whitechapel Gallery, 2016.

Jules Heller and Nancy G. Heller — North American Women Artists of the Twentieth Century: A Biographical Dictionary. Edited by Heller and Heller. New York: Garland, 1995.

P. L. Henderson — Unraveling Women’s Art: Creators, Rebels, and Innovators in Textile Arts. London: Supernova, 2021.

Camille Henrot — Elephant Child. London: Koenig Books; Los Angeles: Inventory Press, 2015.

Barbara Hepworth — Barbara Hepworth: A Pictorial Autobiography. New York: Praeger, 1970.

Carmen Herrera Lines of Sight. Edited by Dana Miller. Texts by Serge Lemoine, Gerardo Mosquera, Edward J. Sullivan, Mónica Espinel, and Miller. New York: Whitney Museum of Art, 2016.

— Estructuras. Text by Dana Miller. London: Lisson Gallery, 2021.

Lynn Hershman Leeson — Anti-Bodies. Edited by Sabine Himmelsbach. Berlin: Hatje Cantz, 2019.

 — Twisted. New York: New Museum, 2021.

Lynn Hershman Leeson and Juliana Huxtable — “Personae of Interest: Lynn Hershman Leeson and Juliana Huxtable in Conversation.” Artforum 54, no. 10 (Summer 2016).

Eva Hesse Eva Hesse. By Lucy R. Lippard. New York University Press, 1976.

— A Retrospective. Edited by Helen A. Cooper. Texts by Maurice Berger, Anna C. Chave, Maria Kreutzer, Linda Norden, and Robert Storr. New Haven, CT: Yale University Press, 1992.

Transformations: The Sojourn in Germany 1964/65. Zürich: Hauser & Wirth; Cologne: Walther König, 2004.

Eva Hesse Drawing. Edited by Catherine de Zegher. New York: The Drawing Center; New Haven, CT: Yale University Press, 2006.

Catalogue Raisonné, Volumes 1 & 2: Painting and Drawing. By Renate Petzinger. New Haven, CT: Yale University Press, 2006.

— Diaries. Edited by Barry Rosen with Tamara Bloomberg. Zürich: Hauser & Wirth, 2016.

Katy Hessel — The Story of Art Without Men. New York: W.W. Norton, 2023.

Charline von Heyl — Snake Eyes. Edited by Dirk Luckow. Cologne: Walther König, 2019.

Sheila Hicks — Lifelines. Edited by Michel Gauthier. Paris: Centre Pompidou, 2018.

Apprentissages. Edited by Clément Dirié. Geneva: JRP Editions, 2017.

Weaving as Metaphor. Edited by Nina Stritzler-Levine. New York: Bard Graduate Center, 2018.

— A Matter of Scale. Edited by Clément Dirié. Geneva: JRP Editions, 2022.

Karin Higa — Hidden in Plain Sight: Selected Writings of Karin Higa. Edited and with introduction by Julie Ault.
Foreword by Pamela M. Lee. Brooklyn: Dancing Foxes Press, 2022.

Jennifer Higgie — The Mirror and the Palette: Rebellion, Revolution, and Resistance: 500 Years of Women’s Self-Portraits. London: Weidenfeld & Nicolson, 2021.

Pati Hill — Letters to Jill: A Catalogue and Some Notes on Copying [1979]. 3rd edition. Milan: Mousse, 2020.

Lubaina Himid — Work from Underneath. Edited by Natalie Bell. New York: New Museum, 2019.

Hannah Höch — Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Höch. By Maud Lavin. New Haven, CT: Yale University Press, 1993.

Assembled Worlds. Edited by Stella Rollig, Martin Waldmeier, and Nina Zimmer. Bern: Zentrum Paul Klee; Vienna: Belvedere; Zürich: Scheidegger & Spiess, 2023.

Nancy Holt— Nancy Holt: Sightlines. Edited by Alena Williams. Berkeley: University of California Press, 2011.

— Photoworks. London: Haunch of Venison, 2012.

Jenny Holzer— War Paintings. Edited by Thomes Kellein. Cologne: Walther König, 2015.

Textdemic: A Retrospective on Jenny Holzer’s Laments. Edited by A.L. Steiner. Texts by Morgan Bassichis, Riel Bellow, Gregg Bordowitz, Alexander Chee, Malik Gaines, Matilde Guidelli-Guidi, Guadalupe Maravilla and Alexa Mishell Guillen, Lucas Michael, Eileen Myles, and Pamela Sneed. Brooklyn: GenderFail, 2023.

Vincent Honoré — Kiss My Genders. Edited by Honoré. London: Hayward Gallery, 2019.

bell hooks — Feminist Theory: From Margin to Center. Boston: South End Press, 1984.

— Feminism is for Everybody: Passionate Politics. Boston: South End Press, 2000.

bell hooks and Amalia Mesa-Bains — Homegrown: Engaged Cultural Criticism. Boston: South End Press, 2006; New York: Routledge, 2018.

Roni Horn — “Roni Horn” [1989]. In ArtCenter Talks: Graduate Seminar, The First Decade 1986–1995. Edited by Stan Douglas. Pasadena, CA: ArtCenter Graduate Press; New York: David Zwirner, 2016.

— Island Zombie: Iceland Writings. Princeton, NJ: Princeton University Press, 2020.

Log (March 22, 2019–May 17, 2020). New York: ZE Books, 2022.

Sabine Hornig — Passage Through Presence. Berlin: DCV, 2022.

Shirazeh Houshiary — Nothing is Deeper Than the Skin. New York: Lisson Gallery, 2019.

Donna Huanca — Obsidian Ladder. Texts by Jamillah James, Ceci Moss, and Huanca. Los Angeles: Marciano Art Foundation, 2021.

Shara Hughes — Shara Hughes: Landscapes. New York: Rachel Uffner; Zürich: Galerie Eva Presenhuber, 2019.

Shara Hughes. Edited by Galerie Eva Presenhuber. Berlin: DCV, 2021.

Jacqueline Humphries — Jacqueline Humphries. Cologne: Walther König, 2015.

Luchita Hurtado — I Live I Die I Will Be Reborn. London: Serpentine Galleries; Koenig, 2019.

— Luchita Hurtado. Interview by Hans Ulrich Obrist. Edited by Karen Marta. Zürich: Hauser & Wirth, 2020.

Juliana Huxtable — Mucus in My Pineal Gland. New York: Capricious; Wonder, 2017.



Maren Hassinger, Monument, 2018/2020, image © Maren Hassinger, courtesy the artist and Susan Inglett Gallery; Mona HatoumPerformance Still, 1985, black-and-white photograph on aluminum, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Marieluise Hessel Collection, image © Mona Hatoum, courtesy of the artist and Hessel Museum of Art.