On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.
Dorothy Iannone — You Who Read Me with Passion Now Must Forever Be My Friends. Catskill, NY: Siglio, 2014.
Cristina Iglesias — Cristina Iglesias. Edited by Iwona Blazwick. Texts by Richard Etlin, Michael Newman, and Michael Tarantino. Barcelona: Ediciones Polígrafa, 2003.
— Cristina Iglesias. Edited by Moure. Text by Patricia Falguières. Barcelona: Ediciones Polígrafa, 2010.
— Liquid Sculpture: The Public Art of Cristina Iglesias. Texts by Octavio Aburto, Andrew Benjamin, Iwona Blazwick, Lynne Cooke, T.J. Demos, Estrella de Diego, Brian Dillon, et al. Berlin: Hatje Cantz, 2021.
— Hondalea. Edited by James Lingwood. Texts by Penelope Curtis, Carlos Duarte, Russell Ferguson, Asier Hilario, Lisa Le Feuvre, Beñat Sarasola, Manuel Soto, Adolfo Uriarte, and Lingwood. Berlin: Hatje Cantz, 2023.
Anne Imhof — “Headbanging from the Heart.” Interview by Lotta Volkova. Interview 524 (March 2019).
Miyoko Ito — A Review. Text by Dennis Adrian. Chicago: Renaissance Society at the University of Chicago, 1980.
— Heart of Hearts. Text by Jordan Stein. New York: Pre-Echo, 2024.
Graciela Iturbide — Graciela Iturbide. Mexico City: RM; Madrid Fundación Mapfre, 2019.
— Graciela Iturbide’s Mexico. Boston: Museum of Fine Arts, 2019.
— Heliotropo 37. Text by Eduardo Halfon. Paris: Fondation Cartier pour l’Art Contemporain, 2022.
— On Dreams, Symbols, and Imagination. Edited by Mauricio Maillé and Alfonso Morales Carrillo. Texts by Morales Carrillo and Iturbide. New York: Aperture, 2022.
Sanja Iveković — Sweet Violence. Edited by Roxana Marcoci. New York: Museum of Modern Art, 2011.
Suzanne Jackson — Suzanne Jackson: Five Decades. Edited by Rachel Reese. Savannah, GA: Telfair Museums, 2019.
Carol Jacobi — Out of the Cage: The Art of Isabel Rawsthorne. London: Thames and Hudson, 2021.
Qween Jean — Revolution is Love: A Year of Black Trans Liberation. Texts by Joela Rivera, and Mikelle Street, and Jean. Interview with Jean by Raquel Willis. New York: Aperture, 2022.
Katerina Jebb — Images d’Images. Paris: Just an Idea, 2024.
Consuelo Jimenez Underwood — Art, Weaving, Vision. Edited by Laura E. Pérez and Ann Marie Leimer. Durham, NC: Duke University Press, 2022.
Barbara Johnson — The Barbara Johnson Reader. Edited by Melissa Feuerstein, Bill Johnson González, Lili Porten, and Keja L. Valens. Texts by Judith Butler and Shoshana Felman. Durham, NC: Duke University Press, 2014.
Jill Johnston — The Disintegration of a Critic. Edited by Fiona McGovern, Megan Francis Sullivan, and Axel Wieder. Berlin: Sternberg Press; Bergen, Norway: Bergen Kunsthall, 2019.
Joan Jonas — In the Shadow a Shadow: The Work of Joan Jonas. By Jonas and Joan Simon. New York: Gregory R. Miller; Ostfildern, Germany: Hatje Cantz; Milan: Hangar Bicocca; Malmö: Malmö Konsthall, 2015.
— They Come to Us Without a Word. Texts by Uta Meta Bauer, Paul C. Ha, Ann Reynolds, Marina Warner, and Jonas. Interview by Ingrid Schaffner. New York: Gregory R. Miller, 2015.
— The Shape, the Scent, the Feel of Things: Fifteenth Anniversary Edition. Texts by Lynne Cooke, Jessica Morgan, and Jonas. Conversation with Jason Moran and Jonas. Beacon, NY: Dia Art Foundation, 2022.
— Next Move in a Mirror World. Texts by Barbara Clausen, Adrienne Edwards, Kelly Kivland, André Lepecki, Kristin Poor, and Jeannine Tang. Interviews by Douglas Crimp, Heather Davis, and Zoe Todd. Beacon, NY: Dia Art Foundation, 2022.
— Moving Off the Land. Edited by Uta Meta Bauer. Cologne: Walther König, 2022.
Joan Jonas and Gina Pane — Parallel Practices. Houston: Contemporary Arts Museum, 2014.
Amelia Jones — The Feminism and Visual Culture Reader. Second Edition. Edited by Jones. London: Routledge, 2010.
— In Between Subjects: A Critical Genealogy of Queer Performance. London: Routledge, 2021.
Amelia Jones and Erin Silver — Otherwise: Imagining Queer Feminist Art Histories. Edited by Jones and Silver. Manchester, UK: Manchester University Press, 2015.
Caroline A. Jones, Natalie Bell, and Selby Nimrod — Symbionts: Contemporary Artists and the Biosphere. Edited by Jones, Bell, and Nimrod. Texts by Leah Aronowsky, Bruce Clarke and Scott F. Gilbert, Evelyn Fox Keller, Robin Wall Kimmerer, Lynn Margulis, Sophia Roosth, Anna Lowenhaupt Tsing, and Jones. Conversation with Christina Agapakis, Rogier Braakman, Ryan E. Emanuel, Claire Pentecost, Tiare Ribeaux, Jolene Rickard, S. Margaret Spivey-Faulkner, Aronowsky, Bell, Clarke, Gilbert, Jones, and Nimrod. Cambridge, MA: MIT List Visual Arts Center; MIT Press, 2022.
Jennie C. Jones — Compilation. Edited by Valerie Cassel Oliver. Texts by Hilton Als, Huey Copeland, and George E. Lewis. New York: Gregory R. Miller, 2016.
— Constant Structure. Essay by Fred Moten. Chicago: Arts Club of Chicago, 2020.
Kellie Jones — EyeMinded: Living and Writing Contemporary Art. Durham, NC: Duke University Press, 2011.
Rachel Jones — say cheeeeese. Texts by Anaïs Duplan, Ellen Greig, Aïcha Mehrez, Claudia Rankine, and Zoé Whitley. London: Chisenhale Books, 2022.
Cathy Josefowitz — Cathy Josefowitz. Texts by Ludovic Delalande, Rebecca Lamarche-Vadel, and Elise Lammer. Milan: Mousse Publishing, 2020.
Alexandra Juhasz — Women of Vision: Histories in Feminist Film and Video. Edited by Juhasz. Minneapolis: University of Minnesota Press, 2001.
From top: Anne Imhof, Sex (still), 2021, Eliza Douglas, image © Anne Imhof, courtesy of the artist and Galerie Buchholz, Berlin, Cologne, and New York; Jill Johnston: The Disintegration of a Critic, Bergen Kunsthall, 2019, curated by Bergen Kunsthall, Fiona McGovern, and Megan Francis Sullivan, installation view, photograph by Thor Brødreskift, courtesy and © Bergen Kunsthall.
