DoPe Press




On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.


Dora Maar — Dora Maar. Edited by Damarice Amao, Amanda Maddox, and Karolina Ziebinska-Lewandowska. Los Angeles: Getty Publications, 2019.

Finding Dora Maar: An Artist, an Address Book, a Life. By Brigitte Benkemoun. Translated by Jody Gladding. Los Angeles: Getty Publications, 2020.

Marie Maertens — American Women: The Infinite Journey. Edited by Maertens. Brussels: Editions de La Patinoire Royale; Galerie Valérie Bach, 2020.

Tala Madani — Tala Madani. Edited by Nicholas Bourriaud. Montpellier: La Panacée; Milan: Silvana Editoriale, 2017.

Inge Mahn — Inge Mahn. Texts by Robert Fleck, Noemi Smolik, and Stephan von Wiese. Berlin: Holzwarth Publications, 2016.

Anna Maria Maiolino — Entre Pausas. Zürich: Hauser & Wirth, 2019.

Nalini Malani — Malani. Edited by Sophie Duplaix. Berlin: Hatje Cantz, 2018.

— The Rebellion of the Dead. Edited by Marcella Beccaria. Berlin: Hatje Cantz, 2018.

Janet Malcolm — “A Girl of the Zeitgeist” [Ingrid Sischy, 1986]. In The Purloined Clinic: Selected Writings. New York: Alfred A. Knopf, 1992.

Babette Mangolte — Selected Writings, 1998–2015. Berlin: Sternberg Press, 2018.

Sally Mann — A Thousand Crossings. By Sarah Greenough and Sarah Kennel. New York: Abrams Books, 2018.

Jumana Manna — A Small Big Thing. Berlin: Sternberg Press, 2018.

Ana Manso — Agar. Rome: Cura, 2020.

Jessie Maple — How to Become a Union Camerawoman: Film–Videotape. New York: LJ Film Productions, 1977.

Roxana Marcoci — Our Selves: Photographs by Women Artists. Edited by Marcoci. New York: Museum of Modern Art, 2022.

Sara Marcus — “Page Turners: Sara Marcus on Heresies.” Artforum 57, no. 9 (May 2019).

Teresa Margolles — “Teresa Margolles.” By Nika Chilewich. In Witch Hunt. Edited by Connie Butler and Anne Ellegood. Los Angeles: Hammer Museum, 2021.

Marisol — Marisol and Warhol Take New York. Edited by Jessica Beck. Pittsburgh: Andy Warhol Museum, 2021.

Anna O. Marley — Women in Motion: 150 Years of Women’s Artistic Networks at the Pennsylvania Academy of the Fine Arts. Philadelphia: Pennsylvania Academy of the Fine Arts, 2021.

Agnes Martin — Writings / Schriften. Edited by Dieter Schwarz. Ostfildern, Germany: Cantz Verlag, 1991.

— Agnes Martin. Edited by Barbara Haskell. New York: Whitney Museum of American Art, 1992.

— Paintings, Writings, and Remembrances [2012]. By Arne Glimcher. London: Phaidon, 2021.

— Agnes Martin. Edited by Frances Morris and Tiffany Bell. London: Tate, 2015.

— Agnes Martin: The Distillation of Color. Texts by Durga Chew-Bose, Marc Glimcher, Bruce Hainley, Andria Hickey, Olivia Laing, and Martin. New York: Pace Publishing, 2022.

— Agnes Martin: Independence of Mind. Edited by Chelsea Weathers. Texts by Teju Cole, Jennie C. Jones, et al. Santa Fe: Radius Books, 2022.

Alex Martinis Roe — To Become Two: Propositions for Feminist Collective Practice. Berlin: Archive Books, 2018.

Maria Martins — Tropical Fictions. Edited by Isabella Rjeille. São Paulo: Museu de Arte de São Paulo, 2022.

Alice Trumbull Mason — Pioneer of American Abstraction. New York: Rizzoli Electa, 2020.

Katja Mater — Time is an Arrow, Error. Text by Amelia Groom. Self-published by the artist, printed by Wilco Art Books, 2021.

Christy Matson — Currents 38. Edited by Monica Obniski. Milwaukee: Milwaukee Art Museum, 2022.

Rosemary Mayer — Excerpts From the 1971 Journal of Rosemary Mayer. Edited by Marie Warsh. Chicago: Soberscove Press, 2020.

— Ways of Attaching. Edited by Eva Birkenstock, Laura McLean-Ferris, Robert Leckie, and Stephanie Weber. Cologne: Walther König; Munich: Lenbachhaus; Aachen, Germany: Ludwig Forum; Bristol, UK: Spike Island; New York: Swiss Institute, 2022.

Rosemary Mayer and Bernadette Mayer — The Letters of Rosemary and Bernadette Mayer, 1976–1980. Edited by Gillian Sneed and Marie Warsh. Munich: Lenbachhaus; Aachen, Germany: Ludwig Forum; Bristol, UK: Spike Island; New York: Swiss Institute, 2022.

Tiona Nekkia McClodden — Se te subió el santo. New York: Capricious, 2019.

Uri McMillan — Embodied Avatars: Genealogies of Black Feminist Art and Performance. New York: New York University Press, 2015.

Josephine Meckseper — The Josephine Meckseper Catalogue No. 1. Text by John Kelsey and Andrew Ross. Berlin: Sternberg Press, 2004.

— The Josephine Meckseper Catalogue No. 2. Text by Sylvère Lotringer. Berlin: Sternberg Press, 2006.

 — Josephine Meckseper. Text by Joshua Decter. Carquefou, FR: Frac des Pays de la Loire; Berlin: Sternberg Press, 2020.

Julie Mehretu — Julie Mehretu. Edited by Christine Y. Kim and Rujeko Hockley. New York: Whitney Museum of American Art; Munich: DelMonico/Prestel, 2019.

— Interview by Phong H. Bui. The Brooklyn Rail, June 2021.

Ana Mendieta — Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States. Edited by Mendieta. New York: A.I.R. Gallery, 1980.

— Where Is Ana Mendiata?: Identity, Performativity, and Exile. By Jane Blocker. Durham, NC: Duke University Press, 1999.

— Earth Body: Sculpture and Performance. By Olga Viso. Washington, DC: Hirshhorn Museum; Berlin: Hatje Cantz, 2004.

Marisa Merz — The Sky Is a Great Space. Edited by Connie Butler. Los Angeles: Hammer Museum; New York: DelMonico / Prestel, 2017.

Amalia Mesa-Bains — Venus Envy Chapter One (Of the First Holy Communion Moments Before the End). Text by Thelma Golden. New York: Whitney Museum of American Art, 1993.

— Ceremony of Spirit: Nature and Memory in Contemporary Latino Art. Edited by Mesa-Bains. San Francisco: Mexican Museum, 1993.

Caroline Mesquita — The Ballad. Edited by Martha Kirszenbaum. Rome: Cura Books, 2019.

Annette Messager — Exhibition Exposition. Düsseldorf: Kunstsammlung Nordrhein-Westfalen; Munich: Hirmer, 2015.

Rachel Middleman — Radical Eroticism: Women, Art, and Sex in the 1960s. Berkeley: University of California Press, 2018.

Lynn F. Miller and Sally S. Swenson — Lives and Works: Talks with Women Artists. Metuchen, NJ and London: Scarecrow Press, 1981.

Marilyn Minter — Pretty/Dirty. New York: Gregory R. Miller, 2015.

Stefania Miscetti — She Devil. Edited by Miscetti. Rome: Cura, 2019.

Joan Mitchell — I carry my landscapes around with me. New York: David Zwirner, 2020.

— Joan Mitchell. By Sarah Roberts and Katy Siegel. San Francisco: San Francisco Museum of Modern Art; New Haven, CT: Yale University Press, 2021.

Kate Mondloch — A Capsule Aesthetic: Feminist Materialisms in New Media Art. Minneapolis: University of Minnesota Press, 2019.

Anne Moody — Coming of Age in Mississippi: An Autobiography. New York: Dial Press, 1969.

Paige Jiyoung Moon — “New and Recent Work.” By Charlotte Strick. Paris Review 236 (Spring 2021).

Lisa L. Moore — Sister Arts: The Erotics of Lesbian Landscapes. Minneapolis: University of Minnesota Press, 2011.

Sabra Moore — Openings: A Memoir from the Women’s Art Movement, New York City 1970–1992. New York: New Village, 2016.

Cherríe Moraga and Gloria Anzaldúa — This Bridge Called My Back: Writings by Radical Women of Color. 4th edition. Albany: State University of New York Press, 2015.

Camille Morineau and Lucia Pesapane — Women House. Edited by Morineau and Pesapane. Paris: Manuella Éditions; Monnaie de Paris; Washington, DC: National Museum of Women in the Arts, 2018.

Rebecca Morrill, Karen Wright, and Louisa Elderton — Great Women Artists. Edited by Morrill, Wright, and Elderton. London: Phaidon, 2019.

Catherino Morris and Rujeko Hockley — We Wanted a Revolution: Black Radical Women, 1965–85: A Sourcebook. Edited by Morris and Hockley. Durham, NC: Duke University Press, 2017.

— We Wanted a Revolution: Black Radical Women, 1965–85:  New Perspectives. Edited by Morris and Hockley. Durham, NC: Duke University Press, 2017.

Toni Morrison — The Source of Self-Regard: Selected Essays, Speeches, and Meditations. New York: Alfred A. Knopf, 2019.

Nicole Erin Morse — Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art. Durham, NC: Duke University Press, 2022.

Ree Morton — Works 1971–1977. Edited by Sabine Folie. Vienna: Verlag für Moderne Kunst, 2009.

 — The Plant That Heals May Also Poison. Philadelphia: Institute of Contemporary Art, 2019.

Serubiri Moses — “Counter-Imaginaries: ‘Women Artists on the Move,’ ‘Second to None’ and ‘Like a Virgin…’ ” Afterall 47 (Spring-Summer 2019).

Zanele Muholi — Zanele Muholi. Edited by Allen Sarah and Yasufumi Nakori. London, Tate Publishing, 2020.

Laura Mulvey — Visual and Other Pleasures. Bloomington: Indiana University Press, 1989.

Celia Alvarez Muñoz — Celia Alvarez Muñoz. By Roberto Tejada. Minneapolis: University of Minnesota Press, 2009.

Eleanor Munro — Originals: American Women Artists. New York: Simon and Schuster, 1979. Expanded edition published by Da Capo in 2000.

Elizabeth Murray — Painting in the ’80s. Text by Kellie Jones. New York: Pace Gallery, 2018.

Elizabeth Murray and Jessi Reaves — Wild Life. Edited by Karen Kelly, Rebecca Matalon, and Barbara Schroeder. Houston: Contemporary Arts Museum; Brooklyn: Dancing Foxes Press, 2021.

Wangechi Mutu — Wangechi Mutu. Edited by David Moos. Fredericton, NB: Goose Lane Editions, 2010.

— My Dirty Little Heaven. Berlin: Hatje Cantz, 2010.



Jumana Manna, Wild Relatives, 2018, still, Syrian women working in the International Center for Agricultural Research in the Dry Areas (ICARDA) fields, Terbol, Bekaa Valley, Lebanon, image ©  Jumana Manna, courtesy of the artist; Nalini Malani, The Rebellion of the Dead, image courtesy and © Nalini Malani and Hatje Cantz.

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