On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.
Latifa Echakhch — Latifa Echakhch. Edited by Florence Derieux. Texts by Ben Borthwick, Alessandro Rabottini, and Derieux. Geneva: JRP Ringier, 2014.
— Le jardin mécanique. Monaco: Nouveau Musée National de Monaco; Milan: Mousse Publishing, 2019.
Mimosa Echard — Sporal. Edited by Daria de Beauvais and Frédéric Grossi. Texts by Pip Wallis, Daria de Beauvais, and Echard. Paris: Palais de Tokyo; Les presses du reel, 2022.
Aliza Edelman — “Eunice Golden’s Male Body Landscapes and Feminist Sexuality. Woman’s Art Journal 41, no. 2 (Fall–Winter 2020).
Mary Beth Edelson — The Art of Mary Beth Edelson. New York: Seven Cycles, 2002.
Maria Eichhorn — Film Lexicon of Sexual Practices/Prohibited Imports. Edited by Scott Watson. Cologne: Walther König, 2019.
— “Maria Eichhorn.” By Adam Szymczyk. Frieze 226 (April 2022).
— Relocating a Structure: German Pavilion 2022, 59th International Art Exhibition–La Biennale di Venezia. Edited by Yilmaz Dziewior. Cologne: Museum Ludwig and Walther König, 2022.
Deborah Eisenberg — Air: 24 Hours—Jennifer Bartlett. New York: Abrams, 1994.
Nicole Eisenman — Selected Works: 1994–2004. Edited by Victor Mathieu. Cologne: Walther König, 2008.
— Nicole Eisenman. Edited by Beatrix Ruf. Geneva: JRP Ringier, 2011.
— Dear Nemesis. Edited by Samantha Topol. St. Louis: Contemporary Art Museum; Cologne: Walther König, 2014.
— Al-ugh-ories, edited by Massimiliano Gioni. New York: New Museum, 2016.
— Baden Baden Baden. Edited by Hendrik Bündge. Text by Hannah Black. Cologne: Walther König, 2019.
— Nicole Eisenman. By Dan Cameron. London: Lund Humphries, 2021.
— “Nothing’s Not Okay: Nicole Eisenman, A.L. Steiner, Sarah Nicole Prickett, and Matt Wolf in Conversation.” PARIS LA 17 (2021–2022).
— What Happened. Edited by Monika Bayer-Wermuth and Mark Godfrey. Texts by Jadine Collingwood, Eileen Myles, Meg Onli, Britta Peters, Ann Philbin, Helena Reckitt, Joe Scotland, A.L. Steiner, Nicola Tyson, Chloe Wyma, Bayer-Wermuth, and Godfrey. London: Whitechapel Gallery, 2023.
— Maker’s Muck. Texts by hannah baer, Hannah Black, Durga Chew-Bose, Sheila Heti, Alhena Katsof, Shiv Kotecha, Matt Longabucco, Sam McKinniss, Ryan McNamara, Tess Pollok, Sam Roeck, Jasmine Sanders, Cyrus Dunham, Lynne Tillman, and Janique Vigier. Zürich: Hauser & Wirth, 2023.
Lauren Elkin — Art Monsters: Unruly Bodies in Feminist Art. New York: Farrar, Straus and Giroux, 2023.
Anne Ellegood and Anna Sew Hoy — Scratching at the Moon. Edited by Ellegood and Sew Hoy. Texts by Kris Kuramitsu, Caroline Ellen Liou, John Tain, Amanda Sroka, Sarah Wang, Ellegood, and Sew Hoy. Interviews with Patty Chang, Young Chung, Vishal Jugdeo, Simon Leung, Michelle Lopez, Yong Soon Min, Na Mira, Amanda Ross-Ho, Miljohn Ruperto, Dean Sameshima, Amy Yao, Bruce Yonemoto, and Sew Hoy. Los Angeles: Institute of Contemporary Art; DoPe Press, 2024.
Barbara Ellmerer — Sense of Science: Paintings. Zürich: Scheidegger & Spiess, 2021.
Yasmin El-Rifae — Radius: A Story of Feminist Revolution. London: Verso, 2022.
Tracey Emin — Love Is What You Want. Texts by Michael Corris, Jennifer Doyle, Cliff Lauson, Ali Smith, and Ralph Rugoff. London: Hayward Gallery, 2011.
— My Photo Book. Edited by Emin, Damon Murray, and Stephen Sorrell. London: Fuel Publishing, 2013.
— I Followed You to the Sun. New York: Lehmann Maupin, 2013.
— Works 2007–2017. Text by Jonathan Jones. New York: Rizzoli, 2017.
Ayşe Erkmen and Mona Hatoum — Displacements. Edited by Frédéric Bussmann and Alfred Weidinger. Vienna: Verlag für Moderne Kunst, 2018.
Frida Escobedo — Split Subject. Edited by Ken Stewart and Marielle Suba. Texts by Julieta Gonzalez, Alejandro Hernández, Wonne Ickx, Erika Naginski, Doris Sommer and José Falconi, and Irene Sunwoo. Cambridge: Harvard Graduate School of Design, 2023.
Barbara Ess — Barbara Ess. By Mathilde Roskam. New York: Curt Marcus Gallery, 1990.
Lalla Essaydi — Crossing Boundaries, Bridging Cultures. Woodbridge, UK: ACR Edition, 2015.
VALIE EXPORT — Ob/De+Con(struction). Texts by Robert Fleck, Chrissie Iles, Gary Indiana, Elsa Longhauser, and Kristine Stiles. Philadelphia: Goldie Paley Gallery, Moore College of Art and Design, 2000.
— Time and Countertime. Cologne: Walther König, 2011.
— Archiv. Bregenz, AT: Kunsthaus Bregenz, 2012.
— Invisible Adversaries. Edited by Lauren Cornell and Tom Eccles. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 2016.
— In Her Own Words. Edited by Yilmaz Dziewior and Katrin Sauerländer. Cologne: Museum Ludwig; Walther König, 2023.
From top: Latifa Echakhch, Le jardin mécanique, 2018, installation view, Villa Sauber, Nouveau musée national de Monaco, image © Latifa Echakhch, courtesy of the artist and Nouveau musée national de Monaco; VALIE EXPORT, Space Seeing–Space Hearing, 1973–4, video, b/w, sound, Musée cantonal des Beaux-Arts de Lausanne, acquisition, 2013, image courtesy of the artist and Electronic Arts Intermix (EAI), New York, © Musée cantonal des Beaux-Arts de Lausanne.
