On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

 

Latifa Echakhch — Latifa Echakhch. Edited by Florence Derieux. Texts by Ben Borthwick, Alessandro Rabottini, and Derieux. Geneva: JRP Ringier, 2014.

— Le jardin mécanique. Monaco: Nouveau Musée National de Monaco; Milan: Mousse Publishing, 2019.

Mimosa Echard — Sporal. Edited by Daria de Beauvais and Frédéric Grossi. Texts by Pip Wallis, Daria de Beauvais, and Echard. Paris: Palais de Tokyo; Les presses du reel, 2022.

Aliza Edelman — “Eunice Golden’s Male Body Landscapes and Feminist Sexuality. Woman’s Art Journal 41, no. 2 (Fall–Winter 2020).

Mary Beth Edelson — The Art of Mary Beth Edelson. New York: Seven Cycles, 2002.

Maria Eichhorn — Film Lexicon of Sexual Practices/Prohibited Imports. Edited by Scott Watson. Cologne: Walther König, 2019.

— “Maria Eichhorn.” By Adam Szymczyk. Frieze 226 (April 2022).

— Relocating a Structure: German Pavilion 2022, 59^th International Art Exhibition–La Biennale di Venezia. Edited by Yilmaz Dziewior. Cologne: Museum Ludwig and Walther König, 2022.

Deborah Eisenberg — Air: 24 Hours—Jennifer Bartlett. New York: Abrams, 1994.

Nicole Eisenman — Selected Works: 1994–2004. Edited by Victor Mathieu. Cologne: Walther König, 2008.

— Nicole Eisenman. Edited by Beatrix Ruf. Geneva: JRP Ringier, 2011.

— Dear Nemesis. Edited by Samantha Topol. St. Louis: Contemporary Art Museum; Cologne: Walther König, 2014.

— Al-ugh-ories, edited by Massimiliano Gioni. New York: New Museum, 2016.

— Baden Baden Baden. Edited by Hendrik Bündge. Text by Hannah Black. Cologne: Walther König, 2019.

— Nicole Eisenman. By Dan Cameron. London: Lund Humphries, 2021.

— “Nothing’s Not Okay: Nicole Eisenman, A.L. Steiner, Sarah Nicole Prickett, and Matt Wolf in Conversation.” PARIS LA 17 (2021–2022).

— What Happened. Edited by Monika Bayer-Wermuth and Mark Godfrey. Texts by Jadine Collingwood, Eileen Myles, Meg Onli, Britta Peters, Ann Philbin, Helena Reckitt, Joe Scotland, A.L. Steiner, Nicola Tyson, Chloe Wyma, Bayer-Wermuth, and Godfrey. London: Whitechapel Gallery, 2023.

Barbara Ellmerer — Sense of Science: Paintings. Zürich: Scheidegger & Spiess, 2021.

Yasmin El-Rifae — Radius: A Story of Feminist Revolution. London: Verso, 2022.

Tracey Emin — Love Is What You Want. Texts by Michael Corris, Jennifer Doyle, Cliff Lauson, Ali Smith, and Ralph Rugoff. London: Hayward Gallery, 2011.

— My Photo Book. Edited by Emin, Damon Murray, and Stephen Sorrell. London: Fuel Publishing, 2013.

— I Followed You to the Sun. New York: Lehmann Maupin, 2013.

— Works 2007–2017. Text by Jonathan Jones. New York: Rizzoli, 2017.

Ayşe Erkmen and Mona Hatoum — Displacements. Edited by Frédéric Bussmann and Alfred Weidinger. Vienna: Verlag für Moderne Kunst, 2018.

Frida Escobedo — Split Subject. Edited by Ken Stewart and Marielle Suba. Texts by Julieta Gonzalez, Alejandro Hernández, Wonne Ickx, Erika Naginski, Doris Sommer and José Falconi, and Irene Sunwoo. Cambridge: Harvard Graduate School of Design, 2023.

Barbara Ess — Barbara Ess. By Mathilde Roskam. New York: Curt Marcus Gallery, 1990.

Lalla Essaydi — Crossing Boundaries, Bridging Cultures. Woodbridge, UK: ACR Edition, 2015.

VALIE EXPORT — Ob/De+Con(struction). Texts by Robert Fleck, Chrissie Iles, Gary Indiana, Elsa Longhauser, and Kristine Stiles. Philadelphia: Goldie Paley Gallery, Moore College of Art and Design, 2000.

— Time and Countertime. Cologne: Walther König, 2011.

— Archiv. Bregenz, AT: Kunsthaus Bregenz, 2012.

— Invisible Adversaries. Edited by Lauren Cornell and Tom Eccles. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 2016.

 

 

From top: Latifa Echakhch, Le jardin mécanique, 2018, installation view, Villa Sauber, Nouveau musée national de Monaco, image © Latifa Echakhch, courtesy of the artist and Nouveau musée national de Monaco; VALIE EXPORT, Space Seeing–Space Hearing, 1973–4, video, b/w, sound, Musée cantonal des Beaux-Arts de Lausanne, acquisition, 2013, image courtesy of the artist and Electronic Arts Intermix (EAI), New York, © Musée cantonal des Beaux-Arts de Lausanne.