DoPe Press




On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.


Latifa Echakhch — Le jardin mécanique. Monaco: Nouveau Musée National de Monaco; Milan: Mousse Publishing, 2019.

Aliza Edelman — “Eunice Golden’s Male Body Landscapes and Feminist Sexuality. Woman’s Art Journal 41, no. 2 (Fall–Winter 2020).

Mary Beth Edelson — The Art of Mary Beth Edelson. New York: Seven Cycles, 2002.

Maria Eichhorn — Film Lexicon of Sexual Practices/Prohibited Imports. Edited by Scott Watson. Cologne: Walther König, 2019.

Deborah Eisenberg — Air: 24 Hours—Jennifer Bartlett. New York: Abrams, 1994.

Nicole Eisenman — Al-ugh-ories, edited by Massimiliano Gioni. New York: New Museum, 2016.

Barbara Ellmerer — Sense of Science: Paintings. Zürich: Scheidegger & Spiess, 2021.

Tracey Emin — Works 2007–2017. Text by Jonathan Jones. New York: Rizzoli, 2017.

Ayşe Erkmen and Mona Hatoum — Displacements. Edited by Frédéric Bussmann and Alfred Weidinger. Vienna: Verlag für Moderne Kunst, 2018.

Barbara Ess — Barbara Ess. By Mathilde Roskam. New York: Curt Marcus Gallery, 1990.

Lalla Essaydi — Crossing Boundaries, Bridging Cultures. Woodbridge, UK: ACR Edition, 2015.

VALIE EXPORT — Time and Countertime. Cologne: Walther König, 2011.

— Archiv. Bregenz, AT: Kunsthaus Bregenz, 2012.

Invisible Adversaries. Edited by Lauren Cornell and Tom Eccles. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 2016.



From top: Latifa Echakhch, Le jardin mécanique, 2018, installation view, Villa Sauber, Nouveau musée national de Monaco, image © Latifa Echakhch, courtesy of the artist and Nouveau musée national de Monaco; VALIE EXPORT, Space Seeing–Space Hearing, 1973–4, video, b/w, sound, Musée cantonal des Beaux-Arts de Lausanne, acquisition, 2013, image courtesy of the artist and Electronic Arts Intermix (EAI), New York, © Musée cantonal des Beaux-Arts de Lausanne.

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