On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.
Breanne Fahs — Burn It Down!: Feminist Manifestos for the Revolution. Edited by Fahs. London: Verso, 2020.
Cecilia Fajardo-Hill and Andrea Giunta — Radical Women: Latin American Art, 1960–1985. Los Angeles: Hammer Museum; New York: Prestel, 2017.
Monir Shahroudy Farmanfarmaian — A Mirror Garden. By Farmanfarmaian and Zara Houshmand. New York: Knopf, 2007.
— Cosmic Geometry. Edited by Hans Ulrich Obrist and Karen Marta. Bologna: Damiani; Dubai: Third Line, 2011.
Simone Fattal — Works and Days. Edited by Ruba Katrib. New York: MoMA PS1, 2019.
— Simone Fattal. By Hans Ulrich Obrist. Texts by Omar Kholeif and Rasha Salti. London: Sternberg Press, 2025.
— “On Perception: Etel Adnan’s Visual Art.” By Fattal. In Etel Adnan: Critical Essays on the Arab-American Writer and Artist. Edited by Lisa Suhair Majaj and Amal Amireh. Jefferson, NC: McFarland & Company, 2002.
Valérie Favre — Valery/Plattform 1/Exil. Edited by Annette Tietz. Berlin: Kerber, 2021.
Shon Faye — The Transgender Issue: Trans Justice is Justice for All. London: Verso, 2022.
Ana Teresa Fernández — Of Bodies and Borders. Bloomington: Grunwald Gallery of Art, Indiana University Bloomington, 2018.
Christina Fernandez — Multiple Exposures. Edited by Joanna Szupinska and Rebecca Epstein. Texts by Cecilia Fajardo-Hill, Julian Myers, Chon A. Noriega, Sally Stein, Roberto Tejada, and Szupinska. Interviews by Susanna V. Temkin, Szupinska, and Tejada. Riverside, CA: California Museum of Photography at UCR ARTS, University of California, Riverside; Los Angeles: UCLA Chicano Studies Research Center Press, 2022.
Teresita Fernández — Elemental. Edited by Amada Cruz and Franklin Sirmans. Phoenix: Phoenix Art Museum; Munich: DelMonico / Prestel, 2019.
Rose Ferrell and Rosanne Welch — Shaping Global Cultures Through Screenwriting: Women Who Write Our Worlds. Edited by Ferrell and Welch. Texts by Aarón Acuña Cordero, Agapetos Aia-Fa’aleava, Angie Black, Milly Buonanno, Philippa Burne, Lara Caravalho, Juan Carlos Carrillo, Thomas Carter, Andrew James Couzens, Kath Dooley, Patricia Dourado, Sara Manuela Duque García, Anna Dzenis, Ian Fong, Armando Fumagalli, Ghazaleh Gol, Sebastian Gonzalez, Polly Ellen Goodwin, Ummi Muhammad Hassan, Miriam Hernandez, Karen Jeynes, Shuchi Kothari, Elastus Mambwe, Azam Sarwar, Andi Spark, Gabrielle Stecher, Mirian Tavares, Joanne Tindale, Ferrell, and Welch. Bristol, UK: Intellect Ltd, 2025.
Leonor Fini — Catalogue Raisonné of the Oil Paintings. Edited by Richard Overstreet and Neil Zukerman. Zürich: Scheidegger & Spiess, 2021.
Rose Finn-Kelcey — Rose Finn-Kelcey. Text by Guy Brett. London: Ridinghouse, 2012.
Shulamith Firestone — The Dialectic of Sex: The Case for Feminist Revolution. New York: William Morrow, 1970; London: Verso, 2015.
— Airless Spaces. New York: Semiotext(e), 1998.
Louise Fishman — A Question of Emphasis: Louise Fishman Drawing. By Amy L. Powell. Champaign, IL: Krannert Art Museum, University of Illinois at Champaign-Urbana, 2021.
Lizzie Fitch and Ryan Trecartin — Whether Line. Edited by Chiara Costa. Milan; Fondazione Prada, 2019.
Simone Forti — Thinking with the Body. Edited by Sabine Breitwieser. Munich: Hirmer Publishers, 2015.
Helen Frankenthaler — A Paintings Retrospective. By E. A. Carmean, Jr. Fort Worth: Modern Art Museum of Fort Worth; New York: Harry N. Abrams, 1989.
— The Heroine Paint: After Frankenthaler. Edited by Katy Siegel. New York: Gagosian; Rizzoli, 2015.
Andrea Fraser— Museum Highlights: The Writings of Andrea Fraser. Edited by Alexander Alberro. Cambridge, MA: MIT Press, 2005.
— Texts, Scripts, Transcripts. Edited by Carla Cugini. Cologne: Museum Ludwig, 2013.
— 2016 in Museums, Money, and Politics. Cambridge, MA: MIT Press, 2018.
— Collected Interviews, 1990–2018. Edited by Rhea Anastas, Alejandro Cesarco, and Fraser. New York: A.R.T. Press; London: Koenig, 2019.
LaToya Ruby Frazier — The Last Cruze. Edited by Frazier, Karsten Lund, and Solveig Øvstebø. Chicago: The Renaissance Society, 2020.
— Flint is Family in Three Acts. Pleasantville, NY: Gordon Parks Foundation; Göttingen, Germany: Steidl, 2021.
Suzan Frecon — Painting. New York: David Zwirner Books, 2017.
Viola Frey — Gods & Monsters: Artwork by Viola Frey. Edited by Squeak Carnwath. Washington, DC: American University Museum, 2020.
Katharina Fritsch — Katharina Fritsch. Edited by Bice Curiger. Berlin: Hatje Cantz, 2009.
Sabrina Fritsch — Syntaxerror. Edited by Daniela Steinfeld. Berlin: DCV, 2022.
Joanna Frueh — Clairvoyance (For Those in the Desert): Performance Pieces, 1979–2004. Durham, NC: Duke University Press, 2011.
Diana Burgess Fuller and Daniela Salvioni — Art/Women/California 1950–2000: Parallels and Intersections. Edited by Fuller and Salvioni. San Jose: San Jose Museum of Art; Berkeley: University of California Press, 2002.
Meta Warrick Fuller — Remaking Race and History: The Sculpture of Meta Warrick Fuller. By Renée Ater. Berkeley: University of California Press, 2011.
Coco Fusco — Dangerous Moves: Performance and Politics in Cuba. London: Tate, 2015.
— “Deaccessioning Empire,” New York Review of Books, February 25, 2021.
— Tomorrow, I Will Become an Island. Edited by Olga Viso. Texts by Julia Bryan-Wilson, Anna Gritz, Jill Lane, Antonio José Ponte, and Fusco. London: Thames and Hudson, 2023.
From top: Simone Forti, image © Simone Forti, courtesy of the artist and MOCA, Los Angeles; LaToya Ruby Frazier, Flint is Family in Three Acts (Pleasantville, NY: Gordon Parks Foundation; Göttingen, Germany: Steidl, 2021), image © LaToya Ruby Frazier, courtesy of the artist and Gladstone Gallery, cover courtesy and © the Gordon Parks Foundation and Steidl.
