DoPe Press




On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.


Frida Kahlo and Tina Modotti — Frida Kahlo and Tina Modotti. Edited by Laura Mulvey and Peter Wollen. London: Whitechapel Art Gallery, 1982.

Elizabeth Louise Kahn — Marie Laurencin: Une femme inadaptée in Feminist Histories of Art. Farnham, UK: Ashgate, 2003.

Hayv Kahraman — Acts of Reparation. Edited by Melissa Duffes. St. Louis: Contemporary Art Museum, 2018.

Suki Seokyeong Kang Black Mat Oriole. Amsterdam: Roma Publications; Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2019.

E. Ann Kaplan — Feminism and Film. Edited by Kaplan. New York: Oxford University Press, 2000.

Dawn Kasper — “This Could Be Something if I Let It.” Additional texts by Andrew Berardini and Sarah Lehrer-Graiwer. In Whitney Biennial 2012. Edited by Elisabeth Sussman and Jay Sanders. New York: Whitney Museum of American Art, 2012.

Mary Reid Kelley — Working Objects and Videos. Edited by Daniel Belasco. Albany: SUNY Press, 2014.

Mary Reid Kelley and Patrick Kelley — Blood Moon. Edited by Karen Patterson. Philadelphia: Fabric Workshop and Museum; New York: Gregory R. Miller, 2021.

Mary Kelly — Imaging Desire. Cambridge, MA: MIT Press, 1997.

— October Files 20. Edited by Mignon Nixon. New York: October, 2016.

Leslie Kern — Feminist City: Claiming Space in a Man-Made World. London: Verso, 2020.

Margaret Kilgallen — That’s Where the Beauty Is. Aspen, CO: Aspen Art Museum, 2019.

Grada Kilomba — Plantation Memories: Episodes of Everyday Racism. Münster: Unrast, 2018.

Na Kim — Bottomless Bag. Seoul: Seoul Museum of Art; Amsterdam: Roma Publications, 2020.

Kimsooja — Kimsooja: Unfolding. Edited by Diana Augaitis. Berlin: Hatje Cantz, 2014.

Kapwani Kiwanga — Structural Adjustments. Edited by Yesomi Umolu and Gaëtane Verna. Chicago: Reva and David Logan Center for the Arts, University of Chicago, 2018.

Jennie Klein — “Goddess: Feminist Art and Spirituality in the 1970s.” In West of Center: Art and the Counterculture Experiment in America, 1965–1977. Edited by Elissa Auther and Adam Lerner. Minneapolis: University of Minnesota Press; Denver: Museum of Contemporary Art, 2012.

Alison Knowles — Footnotes: New York: Granary Books, 2000.

Jutta Koether — f. Translated by Nick Mauss and Michael Sanchez. Edited by Daniel Birnbaum and Isabelle Graw. Berlin: Sternberg Press, 2015.

— Interview by Benjamin H. D. Buchloh, October 157 (Spring 2016).

— Tour de Madame. Edited by Suzanne Cotter, Achim Hochdörfer, and Tonio Kröner. Cologne: Walther König, 2018.

— Demonic Options. Texts by Allan Schwartzman, Begum Yasar, and Koether. New York: Lévy Gorvy, 2021.

Silvia Kolbowski — “Discordant Views” [1985]. In Blasted Allegories: An Anthology of Writings by Contemporary Artists. Edited by Brian Wallis. New York: New Museum; Cambridge, MA: MIT Press, 1987.

— Inadequate…Like…Power. Cologne: Walther König; Vienna: Secession, 2005.

Silvia Kolbowski, Mignon Nixon, Mary Kelly, Liz Kotz, Ayisha Abraham, Hal Foster, and Simon Leung — “A Conversation on Recent Feminist Art Practices.” October 71 (Winter 1995).

Käthe Kollwitz — Käthe Kollwitz. By Brenda Rix. Fredericton, NB: Goose Lane Editions, 2019.

— Prints, Process, Politics. Edited by Louis Marchesano. Los Angeles: Getty Publications, 2020.

Aline Kominsky-Crumb — Love That Bunch. Montreal: Drawn and Quarterly, 2018.

Koo Jeong A — Constellation Congress. Edited by Yasmil Raymond. New York: Dia Art Foundation, 2013.

Irene Kopelman — Notes on Representation Vol. 1–10. Amsterdam: Roma Publications, 2020.

Tamara Kostianovsky — Rapacious Beauty. Edited by Gonzolo Casals. Munich: Hirmer, 2022.

Lee Krasner — Lee Krasner. By Barbara Rose. Houston: Museum of Fine Arts; New York: Museum of Modern Art, 1983.

— Lee Krasner. Text by Eleanor Nairne. New York: Thames & Hudson, 2019.

Chris Kraus — Aliens and Anorexia. New York: Semiotext(e), 2000; reprinted 2013.

— After Kathy Acker. South Pasadena, CA: Semiotext(e), 2017.

Rosalind Krauss — Bachelors. Cambridge, MA: MIT Press, 1999.

Susanne Kriemann — Duskdust. Edited by Lívia Páldi and Kriemann. Berlin: Sternberg Press, 2016.

Barbara Kruger — Remote Control: Power, Cultures, and the World of Appearances. Cambridge, MA: MIT Press, 1993.

— Thinking of You. I Mean Me. I Mean You. Los Angeles: LACMA; New York: DelMonico, 2021.

Shigeko Kubota — Video Sculpture. Edited by Mary Jane Jacob. New York: American Museum of the Moving Image, 1991.

— Liquid Reality. Edited by Erica Papernik-Shimizu. New York: Museum of Modern Art, 2021.

Emma Kunz — Cosmos. Edited by Yasmin Afschar. Zürich: Scheidegger & Spiess, 2021.

Yayoi Kusama — Every Day I Pray for Love. New York: David Zwirner Books, 2020.



From top: Emma Kunz, Cosmos, cover image courtesy and © Scheidegger & Spiess; Frida Kahlo und Tina Modotti, German edition (Frankfurt: Neue Kritik, 1982), cover image courtesy and © the publisher.

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