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CHANGE AGENTS READING LIST — R – Paris-LA
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CHANGE AGENTS READING LIST — R

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On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

 

Alice Rahon — Alice Rahon. San Francisco: Gallery Wendi Norris, 2021.

Yvonne Rainer — Work 1961–73. Halifax, NS: Nova Scotia College of Art and Design, 1974; Brooklyn: Primary Information, 2020.

— Feelings Are Facts: A Life. Cambridge, MA: MIT Press, 2006.

Yvonne Rainer, Carolee Schneemann, and Vito Acconci — The Concrete Body. By Elise Archias. New Haven, CT: Yale University Press, 2016.

Carol Rama — Carol Rama: Antibodies. New York: New Museum, 2017.

Arlene Raven, Cassandra Langer, and Joanna Frueh — Feminist Art Criticism: An Anthology. Edited by Raven, Langer, and Frueh. New York: Routledge, 1988.

Jessi Reaves — Interview by Leah Singer. Apartamento 24 (Autumn-Winter 2019–20).

Helena Reckitt — The Art of Feminism. San Francisco: Chronicle Books, 2018.

Helena Reckitt and Peggy Phelan — Art and Feminism. Edited by Reckitt and Phelan. London: Phaidon, 2001.

Wendy Red Star — Contact Sheet 204. Syracuse, NY: Light Work, 2019.

—Delegation. Texts by Jordan Amirkhani, Julia Bryan-Wilson, Josh T. Franco, Annika K. Johnson, Layli Long Soldier, and Tiffany Midge. New York: Aperture, 2022.

Paula Rego — The Complete Graphic Work. By T.G. Rosenthal. New Updated and Expanded Edition. London: Thames and Hudson, 2012.

 — Obedience and Defiance. Edited by Anthony Spira and Catherine Lampert. London: Art/Books, 2019.

— The Art of Story. By Deryn Rees-Jones. London: Thames and Hudson, 2019.

— Paula Rego. By Elena Crippa. London: Tate Publishing, 2021.

Maura Reilly and Linda Nochlin — Global Feminisms: New Directions in Feminist Art. Edited by Reilly and Nochlin. New York: Brooklyn Museum of Art; Merrell, 2007.

Marcia Resnick — As It Is or Could Be. Brunswick, ME: Bowdoin College Museum of Art; Rochester, NY: George Eastman Museum; Minneapolis: Minneapolis Institute of Art; New Haven, CT: Yale University Press, 2022.

Lili Reynaud-Dewar — My Epidemic (Texts About My Work and the Work of Other Artists). Paris: Paraguay Press, 2015.

— Lili Reynaud-Dewar. Texts by Élisabeth Lebovici, Monika Szewczyk, and Diedrich Diederichsen. London: Phaidon, 2019.

Lucy Reynolds — Women Artists, Feminism and the Moving Image. Edited by Reynolds. London: Bloomsbury, 2019.

Manuela Ribadeneira — She Asked Directions for Getting Lost. Edited by Rivet (Sarah Demeuse and Manuela Moscoso). Milan: Mousse, 2022.

Adrienne Rich — Collected Poems 1950–2012. New York: W. W. Norton, 2016.

Liz Rideal and Kathleen Soriano — Madam and Eve: Women Portraying Women. London: Laurence King, 2018.

Lucie Rie — Modernist Potter. By Emmanuel Cooper. London: Paul Mellon Centre for Studies in British Art, 2022.

Bridget Riley — The Eye’s Mind: Collected Writings 1965–2019. Third Edition. Edited by Robert Kudielka. London: Thames & Hudson; Bridget Riley Art Foundation, 2019.

— Dialogues on Art. Third edition. Edited by Robert Kudielka. London: Thames & Hudson; Bridget Riley Art Foundation, 2019.

— Working Drawings. Texts by Rosa Gubay, Alexandra Tommasini, and Riley. London: Thames & Hudson; Bridget Riley Art Foundation, 2021.

— Past Into Present. Text by Éric de Chassey. New York: David Zwirner Books, 2022.

— About Bridget Riley: Selected Writings 1999–2016. Edited by Doro Globus and Karsten Schubert. London: Ridinghouse, 2017.

Faith Ringgold — Twenty Years of Painting, Sculpture and Performance (1963–1983). Edited by Michele Wallace. New York: Studio Museum in Harlem, 1984.

— American People, Black Light: Faith Ringgold’s Paintings of the 1960s. By Michele Wallace. Purchase, NY: Neuberger Museum of Art, 2010.

— We Flew Over the Bridge: The Memoirs of Faith Ringgold. Boston: Little, Brown, 1995; Durham, NC: Duke University Press, 2005.

— American People. Edited by Massimiliano Gioni and Gary Carrion-Murayari. London: Phaidon, 2022.

— Politics/Power. Texts by Michele Wallace, Kristen Weiss, and Ringgold. Berlin: Weiss, 2022.

Pipilotti Rist — Pixel Forest. Edited by Massimiliano Gioni and Margot Norton. New York: New Museum; London: Phaidon, 2016.

Aminah Brenda Lynn Robinson — Raggin’ On: The Art of Aminah Brenda Lynn Robinson’s House and Journals. Edited by Carole M. Genshaft. Columbus, OH: Columbus Museum of Art, 2020.

Jontyle Theresa Robinson — Bearing Witness: Contemporary Works by African American Women Artists. Edited by Robinson. New York: Rizzoli International, 1996.

Suellen Rocca — In Dreams: The Last Works. Text by Paige K. Bradley. New York: Matthew Marks Gallery, 2021.

Rachel Rose — Rachel Rose. Edited by Guillaume Houzé, Rebecca Lamarche-Vadel, and Moritz Wesseler. Kassel: Fridericianum; Paris: Lafayette Participations, 2021.

Erna Rosenstein — Once Upon a Time. Edited by Alison Gingeras. Zürich: Hauser & Wirth, 2020.

Martha Rosler — Decoys and Disruptions: Selected Writings, 1975–2001. Cambridge, MA: MIT Press, 2004.

Passionate Signals. Edited by Inka Schube. Essay by Beatrice von Bismarck. Berlin: Hatje Cantz, 2005.

— Martha Rosler: Irrespective. New York: The Jewish Museum; New Haven, CT: Yale University Press, 2018.

Susan Rothenberg — Susan Rothenberg. New York: Abrams, 1991.

Mika Rottenberg — The Production of Luck. New York: Gregory R. Miller; Waltham, MA: Rose Art Museum at Brandeis University, 2014.

 — Easypieces. Edited by Margot Norton. New York: New Museum, 2019.

Legacy Russell — Glitch Feminism: A Manifesto. London: Verso, 2020.

— “Glitch Applications: Legacy Russell in Conversation with Hans Ulrich Obrist.” PARIS LA 17 (2021–2022).

Zoë Ryan — In a Cloud, in a Wall, in a Chair: Six Modernists in Mexico at Midcentury. Edited by Ryan. Chicago: Art Institute of Chicago; New Haven, CT: Yale University Press, 2019.

Hannah Ryggen — Weaving the World. Edited by Øystein Ustvedt and Marianne Yvenes. Cologne: Walther König, 2015.

 

 

From top: Faith Ringgold, Politics/Power, book cover design by Enver Hadzijaj, image courtesy and © Faith Ringgold and Weiss Publications; Martha Rosler, “Letter ‘K’ (Knife),” still from Semiotics of the Kitchen, 1975, video, image © Martha Rosler, courtesy of the artist.

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