DoPe Press




On the occasion of the publication of PARIS LA 17—CHANGE AGENTS: An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.


Alice Rahon — Alice Rahon. San Francisco: Gallery Wendi Norris, 2021.

Yvonne Rainer — Work 1961–73. Halifax, NS: Nova Scotia College of Art and Design, 1974; Brooklyn: Primary Information, 2020.

— Feelings Are Facts: A Life. Cambridge, MA: MIT Press, 2006.

Remembering a Dance: Parts of Some Sextets, 1965/2019. By Yvonne Rainer, Emily Coates, and Nick Mauss. Edited by Rainer and Coates. Texts by RoseLee Goldberg, Jill Johnston, Kathy Noble, David Thomson, Lynne Tillman, Soyoung Yoon, Coates, and Rainer. Interview with Rainer. New York: Performa; Milan: Lenz; Hartford, CT: Wadsworth Atheneum, 2023.

“The Metrograph Interview: Yvonne Rainer in Conversation with Lynne Tillman.”

Carol Rama — Carol Rama: Antibodies. New York: New Museum, 2017.

— Space Even More Than Time. Texts by Andrea Bajani, Lia Gangitano, Maria Cristina Mundici, and Raffaella Roddolo. New York: Lévy Gorvy, 2018.

Kameelah Janan Rasheed — I Am Not Done Yet. Texts by Sergey Harutoonian, Kathleen Rahn, and Rasheed. Interview by Legacy Russell. Hannover: Kunstverein Hannover; Milan: Mousse Publishing, 2023.

Eugenia Raskopoulos — Vestiges of the Tongue. Edited by Marni Williams. Texts by Daniel Mudie Cunningham, Huang Du, Ann Finegan, Anneke Jaspers, Victoria Lynn, Anne Marsh, Robert Nelson, Nikos Papastergiadis, and Isobel Parker Philip. Sydney: Formist; Power Publications, 2019.

Arlene Raven — Crossing Over: Feminism and Art of Social Concern. Ann Arbor, MI: UMI Research Press, 1988.

Arlene Raven, Cassandra Langer, and Joanna Frueh — Feminist Art Criticism: An Anthology. Edited by Raven, Langer, and Frueh. New York: Routledge, 1988.

Jessi Reaves — Interview by Leah Singer. Apartamento 24 (Autumn-Winter 2019–20).

Helena Reckitt — The Art of Feminism. San Francisco: Chronicle Books, 2018.

Helena Reckitt and Peggy Phelan — Art and Feminism. Edited by Reckitt and Phelan. London: Phaidon, 2001.

Wendy Red Star — Contact Sheet 204. Syracuse, NY: Light Work, 2019.

— Delegation. Texts by Jordan Amirkhani, Julia Bryan-Wilson, Josh T. Franco, Annika K. Johnson, Layli Long Soldier, and Tiffany Midge. New York: Aperture, 2022.

Patricia Reed — “Logic and Fiction: Notes on Finance and the Power of Recursivity.” In The Psychopathologies of Cognitive Capitalism, Part Two. Edited by Warren Neidich. Berlin: Archive Books, 2014.

— “Thinking Beyond Experience: Prosthetic Agency in The Form of Not.” In Fabien Giraud and Raphael Siboni: The Unmanned. Edited by Anne Stenne. Milan: Mousse Publishing, 2022.

Paula Rego — The Complete Graphic Work. By T.G. Rosenthal. New Updated and Expanded Edition. London: Thames and Hudson, 2012.

— Obedience and Defiance. Edited by Anthony Spira and Catherine Lampert. London: Art/Books, 2019.

— The Art of Story. By Deryn Rees-Jones. London: Thames and Hudson, 2019.

— Paula Rego. By Elena Crippa. London: Tate Publishing, 2021.

Maura Reilly and Linda Nochlin — Global Feminisms: New Directions in Feminist Art. Edited by Reilly and Nochlin. New York: Brooklyn Museum of Art; Merrell, 2007.

Marcia Resnick — As It Is or Could Be. Brunswick, ME: Bowdoin College Museum of Art; Rochester, NY: George Eastman Museum; Minneapolis: Minneapolis Institute of Art; New Haven, CT: Yale University Press, 2022.

Lili Reynaud-Dewar — My Epidemic (Texts About My Work and the Work of Other Artists). Paris: Paraguay Press, 2015.

— Lili Reynaud-Dewar. Texts by Élisabeth Lebovici, Monika Szewczyk, and Diedrich Diederichsen. London: Phaidon, 2019.

Lucy Reynolds — Women Artists, Feminism and the Moving Image. Edited by Reynolds. London: Bloomsbury, 2019.

Manuela Ribadeneira — She Asked Directions for Getting Lost. Edited by Rivet (Sarah Demeuse and Manuela Moscoso). Milan: Mousse, 2022.

Adrienne Rich — Collected Poems 1950–2012. New York: W. W. Norton, 2016.

Liz Rideal and Kathleen Soriano — Madam and Eve: Women Portraying Women. London: Laurence King, 2018.

Lucie Rie — Modernist Potter. By Emmanuel Cooper. London: Paul Mellon Centre for Studies in British Art, 2022.

Bridget Riley — The Eye’s Mind: Collected Writings 1965–2019. Third Edition. Edited by Robert Kudielka. London: Thames & Hudson; Bridget Riley Art Foundation, 2019.

— Dialogues on Art. Third edition. Edited by Robert Kudielka. London: Thames & Hudson; Bridget Riley Art Foundation, 2019.

— Working Drawings. Texts by Rosa Gubay, Alexandra Tommasini, and Riley. London: Thames & Hudson; Bridget Riley Art Foundation, 2021.

— Past Into Present. Text by Éric de Chassey. New York: David Zwirner Books, 2022.

— About Bridget Riley: Selected Writings 1999–2016. Edited by Doro Globus and Karsten Schubert. London: Ridinghouse, 2017.

Faith Ringgold — Twenty Years of Painting, Sculpture and Performance (1963–1983). Edited by Michele Wallace. New York: Studio Museum in Harlem, 1984.

We Flew Over the Bridge: The Memoirs of Faith Ringgold. Boston: Little, Brown, 1995; Durham, NC: Duke University Press, 2005.

— American People, Black Light: Faith Ringgold’s Paintings of the 1960s. By Michele Wallace. Purchase, NY: Neuberger Museum of Art, 2010.

— American People. Edited by Massimiliano Gioni and Gary Carrion-Murayari. London: Phaidon, 2022.

— Politics/Power. Texts by Michele Wallace, Kristen Weiss, and Ringgold. Berlin: Weiss, 2022.

Faith Ringgold. Texts by Bettina Korek, Hans Ulrich Obrist, Katarina Pierre, Emily Wei Rales, and Michele Wallace. London: Serpentine; Potomac, MD: Glenstone Museum; Cologne: Walther König, 2022.

Pipilotti Rist The Tender Room. Texts by Christopher Bedford, Kristin M. Brockman, and Lynne Tillman. Columbus, OH: Wexner Center for the Arts, 2011.

— Pixel Forest. Edited by Massimiliano Gioni and Margot Norton. New York: New Museum; London: Phaidon, 2016.

Open my Glade. Edited by Lærke Rydal Jørgensen and Tine Colstrup. Texts by Etel Adnan, Jacqueline Burckhardt, Juliana Engberg, Massimiliano Gioni, Peggy Phelan, David Risley, Poul Erik Tøjner, Colstrup, and Rist. Humlebæk, DK: Louisiana Museum of Modern Art, 2019.

Aminah Brenda Lynn Robinson — Raggin’ On: The Art of Aminah Brenda Lynn Robinson’s House and Journals. Edited by Carole M. Genshaft. Columbus, OH: Columbus Museum of Art, 2020.

Jontyle Theresa Robinson — Bearing Witness: Contemporary Works by African American Women Artists. Edited by Robinson. New York: Rizzoli International, 1996.

Suellen Rocca — In Dreams: The Last Works. Text by Paige K. Bradley. New York: Matthew Marks Gallery, 2021.

Ofelia Rodríguez — Exposición Antológica / Anthology Exposition. Edited by Ana María Escallón. Essay by Dawn Ades. Bogotá: Museo de Arte Moderno of Bogotá, 2008.

Rachel Rose — Rachel Rose. Edited by Guillaume Houzé, Rebecca Lamarche-Vadel, and Moritz Wesseler. Kassel: Fridericianum; Paris: Lafayette Participations, 2021.

Ulrike Rosenbach — Today is Tomorrow. Edited by Hendrik Folkerts and Peter Weibel. Texts by Jennifer Doyle, Robyn Farrell, Stefanie Hessler, Natasha Marie Llorens, Alhena Katsof, Alisa Kronberger, Bojana Kunst, Peggy Phelan, Pavel Pyś, Rebecca Schneider, Caroline Lillian Schopp, Lumi Tan, Mmabatho Thobejane, and Jonah Westerman. Cologne: Walther König, 2023.

Erna Rosenstein — Once Upon a Time. Edited by Alison Gingeras. Zürich: Hauser & Wirth, 2020.

Martha Rosler — Decoys and Disruptions: Selected Writings, 1975–2001. Cambridge, MA: MIT Press, 2004.

Passionate Signals. Edited by Inka Schube. Essay by Beatrice von Bismarck. Berlin: Hatje Cantz, 2005.

— Martha Rosler: Irrespective. New York: The Jewish Museum; New Haven, CT: Yale University Press, 2018.

Susan Rothenberg — Susan Rothenberg. New York: Abrams, 1991.

On Both Sides of My Line: Susan Rothenberg’s Early Horse Paintings. Texts by Michael Auping, Mary Heilmann, and Joan Jonas. Chicago: Gray, 2022.

Mika Rottenberg — The Production of Luck. New York: Gregory R. Miller; Waltham, MA: Rose Art Museum at Brandeis University, 2014.

— Easypieces. Edited by Margot Norton. New York: New Museum, 2019.

Bowls Balls Souls Holes. Edited by Lærke Rydal Jørgensen and Anders Kold. Humlebæk, Denmark: Louisiana Museum of Art, 2022.

Nellie Mae Rowe — Really Free: The Radical Art of Nellie Mae Rowe. Edited by Katherine Jentleson. Texts by Destinee Filmore, Ruchi Mital, Rand Suffolk, and Jentleson. Poem by Vanessa German. Atlanta: High Museum of Art, 2022.

Nancy Rubins — Works. Göttingen: Steidl, 2012.

Natalie Rudd — Breaking the Mould: Sculpture by Women Since 1945. Text by Rudd. London: Hayward Gallery, 2021.

Legacy Russell — Glitch Feminism: A Manifesto. London: Verso, 2020.

— “Glitch Applications: Legacy Russell in Conversation with Hans Ulrich Obrist.” PARIS LA 17 (2021–2022).

Zoë Ryan — In a Cloud, in a Wall, in a Chair: Six Modernists in Mexico at Midcentury. Edited by Ryan. Chicago: Art Institute of Chicago; New Haven, CT: Yale University Press, 2019.

Hannah Ryggen — Weaving the World. Edited by Øystein Ustvedt and Marianne Yvenes. Cologne: Walther König, 2015.



From top: Faith Ringgold, Politics/Power, book cover design by Enver Hadzijaj, image courtesy and © Faith Ringgold and Weiss Publications; Martha Rosler, “Letter ‘K’ (Knife),” still from Semiotics of the Kitchen, 1975, video, image © Martha Rosler, courtesy of the artist.