Oscar Tuazon’s new exhibition in Spain is on view through the first week of February.

Director Mascha Schilinski’s SOUND OF FALLING—an affective incantation of images and narrative voices—illuminates memory’s unreliability with imaginative force and style.

On December 19, 1974, enlisted by writer Linda Rosenkrantz to describe the previous day for posterity, Peter Hujar accidentally captures an entire world in a few hours of considered recollection—now given elegiac, 76-minute form by Ira Sachs in his moving

It’s family day at the Framingham art museum: Mom (Alana Haim), dad (Josh O’Connor), chatty precocious son Carl (Sterling Thompson) and his much quieter brother Tommy (Jasper Thompson). So far, so good, except dad is casing the joint. So begins

A note-perfect transference from page to screen, Oliver Hermanus’s new film “The History of Sound” concentrates the promise of its title into an aching minor key.

With comedic precision, SUSPENDED TIME turns the stasis of the recent pandemic years into a time machine, detailing the customs, passions, and neuroses of a pair of brothers quarantined in semi-rural isolation.

“The show was about relationships, reflected in the spaces between the sculptures. The space between people is the space of relationship. This is where emotion evolves; it’s a magnetized and energetic space.” — Anna Sew Hoy

Eileen Gray recognized her good fortune. The fact that she was born into a rich family, she said, allowed her to become an artist. Allowed her the time to consider and develop, at her own pace, an aesthetic well suited

As a corrective to a corrective, [siccer] utilizes choreographed movement, video installation, green screen, and stop-motion photography to plot paths by which Black performance can reject Western forms of classification without resolution—a state of continuous evolution and becoming.

The films of writer-director Alain Guiraudie—who exploded on the international scene with his 2013 feature Stranger by the Lake—take us to a place out of time, roughly reflecting the years of the filmmaker’s coming of age through his maturity without