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On December 19, 1974, enlisted by writer Linda Rosenkrantz to describe the previous day for posterity, Peter Hujar accidentally captures an entire world in a few hours of considered recollection, now given elegiac form by Ira Sachs in his moving

On the closing evening of The American French Film Festival 2025, join Élodie Bouchez for the American premiere of ENZO, a film by Laurent Cantet, directed by Robin Campillo.

Losing the keys to his apartment after receiving a devastating medical diagnosis, the title character of NINO (Théodore Pellerin) would probably rather just stay in bed. Instead he is forced into the streets of Paris, encountering friends and strangers alike

This week at The American French Film Festival 2025, writer-director Anna Cazenave Cambet presents the North American Premiere of LOVE ME TENDER, based on the book by Constance Debré.

It’s family day at the Framingham art museum: Mom (Alana Haim), dad (Josh O’Connor), chatty precocious son Carl (Sterling Thompson) and his much quieter brother Tommy (Jasper Thompson). So far, so good, except dad is casing the joint. So begins

A note-perfect transference from page to screen, Oliver Hermanus’s new film “The History of Sound” concentrates the promise of its title into an aching minor key.

Danced by Agami and a new iteration of ate9 made up of three male Batsheva veterans, “Soon After” unfolds with a magnetic camp extravagance that decentralizes our focus as it grows into a spectacle of “happening.”

With comedic precision, SUSPENDED TIME turns the stasis of the recent pandemic years into a time machine, detailing the customs, passions, and neuroses of a pair of brothers quarantined in semi-rural isolation.

“The show was about relationships, reflected in the spaces between the sculptures. The space between people is the space of relationship. This is where emotion evolves; it’s a magnetized and energetic space.” — Anna Sew Hoy

“The exhibition’s selection of works, ranging from sculpture and poetry to installation and architectural gestures, makes it a place to listen and interact, a space where water is not just shown, but expresses itself—with its voice, its physical presence, its

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