Some L.A. ART WEEK highlights for 2026

Oscar Tuazon’s new exhibition in Spain is on view through the first week of February.

Director Mascha Schilinski’s SOUND OF FALLING—an affective incantation of images and narrative voices—illuminates memory’s unreliability with imaginative force and style.

“Working with Satyajit Ray was like stepping into the mind of a quiet genius—every word, every gesture mattered, and he had this rare ability to make you discover depths in yourself you didn’t know existed.” — Simi Garewal

On December 19, 1974, enlisted by writer Linda Rosenkrantz to describe the previous day for posterity, Peter Hujar accidentally captures an entire world in a few hours of considered recollection—now given elegiac, 76-minute form by Ira Sachs in his moving

It’s family day at the Framingham art museum: Mom (Alana Haim), dad (Josh O’Connor), chatty precocious son Carl (Sterling Thompson) and his much quieter brother Tommy (Jasper Thompson). So far, so good, except dad is casing the joint. So begins

A note-perfect transference from page to screen, Oliver Hermanus’s new film “The History of Sound” concentrates the promise of its title into an aching minor key.

With comedic precision, SUSPENDED TIME turns the stasis of the recent pandemic years into a time machine, detailing the customs, passions, and neuroses of a pair of brothers quarantined in semi-rural isolation.

“The show was about relationships, reflected in the spaces between the sculptures. The space between people is the space of relationship. This is where emotion evolves; it’s a magnetized and energetic space.” — Anna Sew Hoy

Eileen Gray recognized her good fortune. The fact that she was born into a rich family, she said, allowed her to become an artist. Allowed her the time to consider and develop, at her own pace, an aesthetic well suited