IRA SACHS — PETER HUJAR’S DAY
On December 19, 1974, enlisted by writer Linda Rosenkrantz to describe the previous day for posterity, Peter Hujar accidentally captures an entire world in a few hours of considered recollection—now given elegiac, 76-minute form by Ira Sachs in his moving
THE AMERICAN FRENCH FILM FESTIVAL — ENZO
On the closing evening of The American French Film Festival 2025, join Élodie Bouchez for the American premiere of ENZO, a film by Laurent Cantet, directed by Robin Campillo.
THE AMERICAN FRENCH FILM FESTIVAL — NINO
Losing the keys to his apartment after receiving a devastating medical diagnosis, the title character of NINO (Théodore Pellerin) would probably rather just stay in bed. Instead he is forced into the streets of Paris, encountering friends and strangers alike
THE AMERICAN FRENCH FILM FESTIVAL — LOVE ME TENDER
This week at The American French Film Festival 2025, writer-director Anna Cazenave Cambet presents the North American Premiere of LOVE ME TENDER, based on the book by Constance Debré.
AFI FEST 2025 — THE GREAT ARCH
Close out the AFI Fest 2025 presented by Canva with the North American premiere of THE GREAT ARCH, written and directed by Stéphane Demoustier. Not a biopic about an architect per se, this very French story of the creation of
AFI FEST 2025 — THE MYSTERIOUS GAZE OF THE FLAMINGO
Join Chilean filmmaker Diego Céspedes, who brings his debut feature “The Mysterious Gaze of the Flamingo” to AFI Fest 2025 presented by Canva. The screening will be followed by a conversation with the writer-director.
AFI FEST 2025 — WE BELIEVE YOU
Centered around a riveting 50-minute custody hearing shot in real time, “We Believe You” is the debut feature from the writing and directing team Charlotte Devillers and Arnaud Dufeys. Taking on a Rashomon effect as the estranged parents of two
KELLY REICHARDT — THE MASTERMIND
It’s family day at the Framingham art museum: Mom (Alana Haim), dad (Josh O’Connor), chatty precocious son Carl (Sterling Thompson) and his much quieter brother Tommy (Jasper Thompson). So far, so good, except dad is casing the joint. So begins
REBECCA MORRIS — ROCK PAPER SCISSORS
Rebecca Morris’s exhibition at Regen Projects—#34—suitably marks the thirty-fourth of her career as a painter and her first collaboration with the gallery. For the occasion, she made full use of Regen’s expansive space to display thirteen new and exquisite paintings.
OLIVER HERMANUS — THE HISTORY OF SOUND
A note-perfect transference from page to screen, Oliver Hermanus’s new film “The History of Sound” concentrates the promise of its title into an aching minor key.