On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.

 

Rosalind Nashashibi — 2020 National Gallery Artist in Residence. By Daniel F. Herrmann. London: National Gallery, 2021.

Nathanaël — Absence Where As: (Claude Cahun and the Unopened Book). Brooklyn: Nightboat Books, 2009.

Alice Neel — Alice Neel, Uptown. By Hilton Als. New York: David Zwirner; London: Victoria Miro, 2017.

 — Freedom. Text by Helen Molesworth. New York: David Zwirner, 2019.

— People Come First. By Kelly Baum and Randall Griffey. New York: Metropolitan Museum of Art, 2021.

Maggie Nelson — The Argonauts. Minneapolis: Graywolf Press, 2015.

— “Lanka Tattersall in Conversation with Maggie Nelson on Diane Arbus.” In Real Worlds: Brassaï, Arbus, Goldin. Los Angeles: Museum of Contemporary Art, 2018.

— On Freedom: Four Songs of Care and Constraint. Minneapolis: Graywolf Press, 2021.

Senga Nengudi — Senga Nengudi. Edited by Begum Yasar. Texts by Rizvana Bradley, Jessica Bell Brown, and Ellen Tani. New York: Dominique Lévy, 2016.

— Topologies. Edited by Matthias Mühling and Stephanie Weber. Munich: Hirmer, 2021.

Molly Nesbit — Midnight: The Tempest Essays. New York: Inventory Press, 2017.

Shirin Neshat — I Will Greet the Sun Again. Edited by Ed Schad. Munich: Prestel, 2019.

Louise Nevelson — The Sculpture of Louise Nevelson: Constructing a Legend. Edited by Brooke Kamin Rapaport. New York: The Jewish Museum; New Haven, CT: Yale University Press, 2007.

Diane Severin Nguyen — If Revolution is a Sickness. Edited by Myriam Ben Salah and Sohrab Mohebbi. Texts by Cat Zhang and Nathanaël. Chicago: Renaissance Society, 2022.

Tammy Nguyen —O. Brooklyn: Ugly Duckling Presse, 2022.

Thao Nguyen Phan — Monsoon Melody. Texts by Zoë Gray, Sam I-Shan, Lila Matsumoto, Han Nefkens, Pamela Nguyen Corey, and Nguyen Phan. Milan: Mousse Publishing, 2020.

Mignon Nixon — Fantastic Reality: Louise Bourgeois and a Story of Modern Art. Cambridge, MA: MIT Press, 2006.

Otobong Nkanga — To Dig a Hole That Collapses Again. Edited by Omar Kholeif. Chicago: Museum of Contemporary Art; Munich: DelMonico / Prestel, 2018.

Linda Nochlin — Women Artists: The Linda Nochlin Reader. Edited by Maura Reilly. New York: Thames & Hudson, 2015.

— Making It Modern: Essays on the Art of the Now. Edited by Aruna D’Souza. New York: Thames & Hudson, 2022.

Lucia Nogueira — Drawings. London: Drawing Room, 2005.

Cady Noland — Cady Noland. Essay by Diedrich Diederichsen. Frankfurt: Museum für Moderne Kunst, 2018.

Mary Obering — Mary Obering. Texts by Lynn Zelevansky and Matthew Levy. Los Angeles: Inventory Press, Kayne Griffin; New York: Bortolami Gallery, 2022.

Lorraine O’Grady — Writing in Space. Edited by Aruna D’Souza. Durham, NC: Duke University Press, 2020.

— Both/And. Edited by Catherine Morris and Aruna D’Souza. Brooklyn: Brooklyn Museum; Dancing Foxes Press, 2020.

— Speaking Out of Turn: Lorraine O’Grady and the Art of Language. By Stephanie Sparling Williams. Berkeley: University of California Press, 2021.

Toyin Ojih Odutola — A Countervailing Theory. Edited by Lotte Johnson. London: Barbican Art Gallery, 2020.

— “Who Is to Be Master?” By Zadie Smith. The New Yorker, August 17, 2020.

Georgia O’Keeffe — Georgia O’Keeffe. New York: D.A.P.; Madrid: Museo Nacional Thyssen-Bornemisza, 2021.

— Georgia O’Keeffe, Photographer. By Lisa Volpe. Houston: Museum of Fine Arts; New Haven, CT: Yale University Press, 2021.

— Modernism and the Feminine Voice: O’Keeffe and the Women of the Stieglitz Circle. By Kathleen Pyne. Berkeley: University of California Press, 2007.

Okwui Okpokwasili — Interview by Jenn Joy. Bomb 137 (Fall 2016).

— “Okwui Okpokwasili.” By Jamillah James. In Witch Hunt. Edited by Connie Butler and Anne Ellegood. Los Angeles: Hammer Museum, 2021.

Niamh O’Malley — Niamh O’Malley. Dublin: Royal Hibernian Academy, 2019.

— Gather. Dublin: Temple Bar Gallery + Studios, 2022.

Lauren O’Neill-Butler — Let’s Have a Talk: Conversations with Women on Art and Culture. Interviews by O’Neill-Butler. New York, Karma Books, 2021.

Yoko Ono — Interview by Elvis Mitchell. Interview, December 2013 / January 2014.

Catherine Opie — American Photographer. New York: Guggenheim Museum, 2008.

— Empty and Full. Edited and with an interview by Helen Molesworth. Texts by Jill Medvedow and Anna Stothart. Berlin: Hatje Cantz, 2011.

— Inauguration. Texts by Eileen Myles and Deborah Willis. New York: Gregory R. Miller, 2011.

— Keeping an Eye on the World. Edited by Ana María Bresciani and Tone Hansen. Cologne: Walther König, 2018.

— Catherine Opie. Texts by Hilton Als, Douglas Fogle, Helen Molesworth, and Elizabeth A. T. Smith. Interview by Charlotte Cotton. London: Phaidon, 2021.

Meret Oppenheim — My Album. Edited by Lisa Wenger and Martina Corgnati. Zürich: Scheidegger & Spiess, 2022.

Marie Orensanz — Obras, 1963–2007. By Laura Buccellato. Buenos Aires: Museo de Arte Moderno de Buenos Aires, 2007.

Orlan — Carnal Art: Orlan’s Refacing. By C. Jill O’Bryan. Minneapolis: University of Minnesota Press, 2004.

Ulrike Ottinger and Tabea Blumenschein — Zusammenspiel. Edited by Ottinger. Texts by Carina Bukuts, Annelie Lütgens, Katharina Sykora, and Ottinger. Berlin: Hatje Cantz, 2022.

Elizabeth Otto and Patrick Rössler — Bauhaus Women: A Global Perspective. London: Herbert Press, 2019.

Silke Otto-Knapp — Bühnenbilder. Minneapolis: Midway Contemporary Art; Amsterdam: Roma Publications, 2019.

— In the Waiting Room. Edited by Otto-Knapp and Solveig Øvstebø. Chicago: Renaissance Society, 2021.

Virginia Overton — Virginia Overton. Edited by Fabrice Stroun. Geneva: JRP Editions, 2016.

Laura Owens — Laura Owens. Edited by Scott Rothkopf. New York: Whitney Museum of American Art; New Haven, CT: Yale University Press, 2017.

— Laura Owens & Vincent van Gogh. Arles: Fondation Vincent van Gogh; Cologne: Walther König, 2022.

 

 

From top: Lorraine O’Grady, Art Is . . . (Girl Pointing), 1983/2009, chromogenic photograph in 40 parts, edition of 8 + 1 AP, © Lorraine O’Grady and Artists Rights Society (ARS), New York, courtesy of Alexander Gray Associates, New York; “Pauline Oliveros,” in Lauren O’Neill-Butler, Let’s Have a Talk: Conversations with Women on Art and Culture, text and layout courtesy and © Lauren O’Neill-Butler and Karma Books.