OKWUI OKPOKWASILI AND PETER BORN — ADAKU, PART 1: THE ROAD OPENS
ADAKU, PART 1: THE ROAD OPENS—a new work by performing artist Okwui Okpokwasili, with music by Okpokwasili and Peter Born—makes its way to Los Angeles this week with three performances at REDCAT. The artist’s practice of “speculative mythology” in sight
CHANGE AGENTS READING LIST — N AND O
On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.
OKWUI OKPOKWASILI — WITCH HUNT
On Sunday, Okwui Okpokwasili will participate in two of the opening weekend programs for the group exhibition WITCH HUNT at the Hammer Museum and the Institute of Contemporary Art Los Angeles. Utilizing the Hammer’s courtyard and outdoor spaces, the artist will
OKWUI OKPOKWASILI AND SAIDIYA HARTMAN IN CONVERSATION
When we think about something like Black radicalism—and its historical unfolding and in its varieties—even as women sustain, nurture, envision, and engender those movements, they fall out of the official writing of it, or they’re never the representative figure. And
OKWUI OKPOKWASILI IN CONVERSATION
This week, join Okwui Okpokwasili and Massimiliano Gioni in conversation, where they will discuss—among other things—the artist’s remarkable installation Poor People’s TV Room (Solo), 2017, part of the New Museum exhibition Grief and Grievance: Art and Mourning in America.
