On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, continually updated Reading List, expanding on the artists, works, and concepts raised in the print issue.
Nell Painter — Old in Art School: A Memoir of Starting Over. Berkeley: Counterpoint Press, 2018.
Kendra Paitz — Strange Oscillations and Vibrations of Sympathy. Edited by Paitz. Normal: University Galleries of Illinois State University, 2018.
Sylvia Palacios Whitman — To Draw a Line with the Body. Edited by Aimé Iglesias Lukin and Rachel Remick. Texts by Jennifer McColl Crozier, Susan Segal, Iglesias Lukin, and Remick. New York: Americas Society, 2023.
Lygia Pape — Lygia Pape. Zürich: Hauser & Wirth, 2020.
Alona Pardo — Re/Sisters: A Lens on Gender and Ecology. Edited by Pardo. Texts by Elizabeth DeLoughrey, Astrida Neimanis, Catriona Sandilands, and Kathryn Yusoff. London: Prestel, 2023.
Helga Paris — Women at Work. Text by Paris. Interview by Oliver Zybok. Berlin: Weiss Publications, 2022.
Rozsika Parker and Griselda Pollock — Framing Feminism: Art and the Women’s Movement, 1970–1985. Edited by Parker and Pollock. London: Pandora Press, 1987.
Betty Parsons — Artist Dealer Collector. By Lee Hall. New York: Abrams, 1991.
— The Painted Sculpture of Betty Parsons. Edited by Jean Crocker. Naples, FL: Naples Museum of Art, 2005.
Helen Pashgian — Spheres and Lenses. Santa Fe: Radius Books, 2021.
Ebony G. Patterson — …while the dew is still on the roses. Edited by Tobias Ostrander. Miami: Pérez Art Museum; Munich: Prestel, 2019.
Celia Paul — Self-Portrait. New York: New York Review Books, 2020.
— Letters to Gwen John. New York: New York Review Books, 2022.
— “The Muse at Her Easel.” By Zadie Smith. The New York Review of Books, November 21, 2019.
Florence Peake — Florence Peake. Texts by Pauline de Souza and Juliet Jacques. Poetry by Peake. London: Richard Saltoun Gallery, 2023.
Agnes Pelton — Desert Transcendentalist. Edited by Gilbert Vicario. Munich: Hirmer, 2021.
Alicia Penalba — Alicia Penalba. Mexico City: Editorial RM; Buenos Aires: MALBA, 2017.
Laura E. Pérez — Chicana Art: The Politics of Spiritual and Aesthetic Altarities. Durham, NC: Duke University Press, 2011.
Tania Pérez Córdova — Generalization. Edited by Humberto Moro and Junni Chen. Texts by Magalí Arriola, Elena Filipovic, Moro, and Pérez Córdova. Interview by Jovanna Venegas. New York: Gregory Miller, 2023.
Virginia Peréz-Ratton — Virginia Peréz-Ratton: Central America, Desiring a Place. By M. Paola Malavasi Lachner and Miguel A. López. San José, CR: TEOR/éTica; Mexico City: Museo Universitario Arte Contemporáneo, UNAM, 2019.
Mai-Thu Perret — Land of Crystal. Texts by Giovanni Carmine, Fabrice Stroun, Paula van den Bosch, and Hamza Walker. Geneva: JRP Ringier, 2008.
— Mai-Thu Perret. Edited by Lionel Bovier. Texts by Diedrich Diederichsen, Élisabeth Lebovici, Jacob Proctor, and Dorothea Strauss. Geneva: JRP Ringier, 2012.
Charlotte Perriand — Inventing a New World. By Jacques Barsac, Sébastien Cherruet, and Pernette Perriand. Paris: Gallimard; Fondation Louis Vuitton, 2019.
Sondra Perry — A Terrible Thing. Berlin: Hatje Cantz, 2021.
Elizabeth Peyton — Aire and Angels. London: National Portrait Gallery, 2020.
— Angel. New York: David Zwirner, 2023.
Kembra Pfahler — Interview by Michael Bullock. Apartamento 18 (Autumn-Winter 2016–2017).
Patricia Phagan — Women Picturing Women: From Personal Spaces to Public Ventures. Poughkeepsie, NY: Frances Lehman Loeb Art Center, Vassar College, 2021.
Peggy Phelan — Unmarked: The Politics of Performance. New York: Routledge, 1993.
Ethan Philbrick — Group Works: Art, Politics, and Collective Ambivalence. New York: Fordham University Press, 2023.
Julie Phillips — The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem. New York: Norton, 2022.
Sarah Pierce — Sketches of Universal History Compiled from Several Authors by Sarah Pierce. Edited by Rike Frank. Texts by Melissa Gronlund, Tom Holert, Barbara Clausen, Declan Long, and Padraíc E. Moore. London: Book Works, 2013.
— No Title. Edited by Sara Greavu and Pierce. Texts by T.J. Clark, Karl Holmqvist, Mason Leaver-Yap, and Claire Potter. Derry: Centre for Contemporary Art, 2017.
Susana Pilar — Interview by Evan Moffitt. Frieze 206 (October 2019).
Howardena Pindell — The Heart of the Question: The Writings and Paintings of Howardena Pindell. New York: Midmarch Arts Press, 1997.
— What Remains to be Seen. Edited by Naomi Beckwith and Valerie Cassel Oliver. Chicago: Museum of Contemporary Art; New York: DelMonico, 2018.
— Rope/Fire/Water. Edited by Adeze Wilford. Cologne: Walther König, 2021.
Adrian Piper — Out of Order, Out of Sight.Volume 1: Selected Writings in Meta-Art 1968–1992; Volume 2: Selected Writings in Art Criticism 1967–1992. Foreword by Robert Storr. Cambridge, MA: MIT Press, 1996.
— Adrian Piper: Race, Gender, and Embodiment. By John P. Bowles. Durham, NC: Duke University Press, 2011.
Griselda Pollock — After-affects / After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum. Manchester: Manchester University Press, 2013.
Genesis P-Orridge — Nonbinary: A Memoir. New York: Abrams, 2021.
Clara Porset — Living Design: The Writings of Clara Porset. Edited by Zoë Ryan and Valentina Sarmiento Cruz. Montreal: Concordia University Press, 2024.
Liliana Porter — Liliana Porter in Conversation with Inés Katzenstein. New York: Fundación Cisneros, 2013.
Marjetica Potrč — Urgent Architecture. Edited by Matthew Rush. Texts by Carlos Basualdo, Liyat Esakov, Eyal Weizman, Rush, and Potrč. Palm Beach, FL: Palm Beach Institute of Contemporary Art, 2004.
Paul B. Preciado — Can the Monster Speak?: Report to an Academy of Psychoanalysts. Translated by Frank Wynne. South Pasadena, CA: Semiotext(e), 2021.
Nancy Princenthal — Unspeakable Acts: Women, Art, and Sexual Violence in the 1970s. New York: Thames & Hudson, 2019.
Nancy Elizabeth Prophet — I Will Not Bend an Inch. Edited by Sarah Ganz Blythe, Dominic Molon, and Kajette Solomon. Texts by Amalia K. Amaki, Horace D. Ballard, Jennie Goldstein, Simone Leigh, Sarah Elizabeth Lewis, Maureen C. O’Brien, Ebonie Pollock, Mack H. Scott III, Stephanie Sparling Williams, Lorén M. Spears, Kelly Taylor Mitchell, Ganz Blythe, Molon, and Solomon. Providence, RI: Museum of Art, Rhode Island School of Design; New Haven, CT: Yale University Press, 2024.
Laure Prouvost —Hit Flash Back. Edited by Fanni Fetzer and Anna Goetz. Text by Nick Aikens, Bettina Schmitt, Barbara Steveni, and Fetzer. Milan: Mousse Publishing, 2017.
— We Would Be Floating Away from the Dirty Past. Foreword by Okwui Enwezor. Cologne: Walther König, 2017.
— Laure Prouvost. Edited by Frédéric Grossi. Texts by Karen Archey and Emanuele Coccia. Interview by Daria de Beauvais. Paris: Palais de Tokyo; Dijon, France: Les presses du reel, 2018.
— Deep See Blue Surrounding You/Vois ce bleu profond te fondre. Edited by Martha Kirszenbaum. Paris: Flammarion, 2019.
— In Your Hands. Edited by Eva Klerck Gange, Marianne Yvenes, and Maud Gyssels. Oslo: Nasjonalmuseet, 2022.
Katja Pudor — Protocols. Text by Birgit Effinger. Berlin: Distanz, 2020.
Puppies Puppies (Jade Guanaro Kuriki-Olivo) — “The Interview.” By Ross Simonini. ArtReview 72, no. 1 (January–February 2020).
Kathleen Pyne — Modernism and the Feminine Voice: O’Keeffe and the Women of the Stieglitz Circle. Berkeley: University of California Press, 2007.
Christina Quarles — Christina Quarles. Edited by Grace Deveney. Chicago: Museum of Contemporary Art; Munich: DelMonico / Prestel, 2020.
R. H. Quaytman — Morning: Chapter 30. Munich: Prestel, 2016.
— The Sun Does Not Move, Chapter 35. Edited by Jaroslaw Suchan. Cologne: Walther König, 2021.
From top: Laure Prouvost, Deep See Blue Surrounding You/Vois ce bleu profond te fondre, exhibition catalog cover image courtesy and © Laure Prouvost and Flammarion; Paul B. Preciado, photograph by Marie Rouge, courtesy and © the author and the photographer.
